ZipRecruiter

Log In

1

Pro Audio Jobs in New York (NOW HIRING)

The New York Times

Audio Engineer, Newsroom

New York, NY · On-site

$93K - $110K/yr

Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools * Collaborate with ... You will report to the Senior Audio Engineer, Newsroom Basic Qualifications: * 5+ years of ...

Livenation

Audio Engineer- Gramercy

New York, NY · On-site

Experience in stage lighting, pro audio systems and basic video systems * Ability to handle multiple projects simultaneously * Proficiency with all Microsoft applications * Must possess superior ...

UJA

Audio Visual Technician

Manhattan, NY · On-site

$66K - $73K/yr

We are seeking an experienced, hands-on Audio Visual Technician to provide day-to-day audiovisual ... Working knowledge of video editing software, such as Adobe Premiere Pro or Final Cut Pro.

Adorama

Stock Associate

New York, NY

$19/hr

From iconic brands like Sony, Canon, and Nikon to the latest in drones, smart home tech, musical instruments, and pro audio gear, Adorama provides creators with the gear and services they need to ...

next page

Showing results 1-20

All JobsPro Audio JobsPro Audio Jobs in New York

Pro Audio information

See New York salary details

$32.3K

$92.4K

$187.6K

How much do pro audio jobs pay per year?

As of Aug 10, 2026, the average yearly pay for pro audio in New York is $92,397.00, according to ZipRecruiter salary data. Most workers in this role earn between $54,700.00 and $123,600.00 per year, depending on experience, location, and employer.

What is the difference between Pro Audio vs Audio Engineer?

AspectPro AudioAudio Engineer
CredentialsTypically no formal certification required; experience and knowledge are keyOften requires a degree or certification in audio engineering or related field
Work EnvironmentLive events, concerts, recording studios, broadcastRecording studios, live sound, post-production, broadcasting
Industry UsageUsed broadly in live sound, event production, and professional audio equipment setupPrimarily in recording, mixing, and mastering audio content

Pro Audio professionals focus on setting up, operating, and maintaining audio equipment for live events and installations, often without formal certifications. Audio Engineers typically have specialized education and work in recording, mixing, and post-production environments. While both roles require technical knowledge, Pro Audio emphasizes hands-on equipment handling, whereas Audio Engineers focus on sound quality and editing.

What are the key skills and qualifications needed to thrive as a pro audio engineer, and why are they important?

To thrive as a Pro Audio Engineer, you need a solid background in audio technology, acoustics, and signal flow, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) like Pro Tools, audio consoles, microphones, and various outboard gear is typically required. Strong problem-solving skills, attention to detail, and effective communication help you collaborate with artists and technical teams. These abilities are crucial for delivering high-quality sound production and ensuring seamless live or recorded audio experiences.

What are some of the common challenges faced by professionals working in pro audio, and how can they be addressed?

Professionals in pro audio often encounter challenges such as managing complex technical setups, meeting tight event or production deadlines, and ensuring high-quality sound in a variety of environments. Troubleshooting equipment issues under pressure and adapting to the acoustics of different venues are also frequent hurdles. To address these, it's important to stay up-to-date with the latest audio technology, develop strong problem-solving skills, and work collaboratively with event coordinators, performers, and other technical staff. Building experience and maintaining flexibility can help ensure smooth operations even in high-stress situations.

What are pro audio jobs?

Pro Audio jobs refer to careers that involve working with professional audio equipment and technology. These jobs can include roles such as audio engineers, sound technicians, mixing and mastering engineers, live sound engineers, and studio managers. Professionals in this field are responsible for recording, editing, mixing, and reproducing sound for music, film, television, live events, and other media. They use specialized equipment and software to ensure high-quality audio production and may work in studios, concert venues, broadcast facilities, or on location. Pro Audio jobs require technical expertise, attention to detail, and often a creative ear for sound.
What are popular job titles related to Pro Audio jobs in New York? For Pro Audio jobs in New York, the most frequently searched job titles are:
What job categories do people searching Pro Audio jobs in New York look for? The top searched job categories for Pro Audio jobs in New York are:
Pro Audio jobs near you
Infographic showing various Pro Audio job openings in New York as of August 2026, with employment types broken down into 2% Internship, 66% Full Time, 25% Part Time, and 7% Contract. Highlights an 93% In-person, and 7% Remote job distribution, with an average salary of $92,397 per year, or $44.4 per hour.

Audio Engineer, Newsroom

The New York Times

New York, NY • Hybrid

Full-time

Medical, Dental, Vision, Retirement, PTO

Posted 17 days ago

Job description

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production processes, and play a significant role in the ongoing development of audio best-practices and video integration by working closely with the audio engineering team, show producers and editors, as well as New York Times reporters and contributors.

You will be the main point of contact for one or more shows. The right candidate can demonstrate the ability to clearly discuss audio engineering techniques, and steer technical conversations with producers and editors. As a key player on the team, you will develop strong working relationships with producers and editors in a creative environment. In addition, you will be expected to have a working knowledge of NYT studio systems to provide tapings support as needed, and the ability to contribute adaptive and creative original music composition across NYT projects.

This is an in-office position, based in New York City and includes regular attendance in the office four days each week. There may be some flexibility to work remotely per your departmental guidance.

Responsibilities:

  • Be a point person for show teams and mix daily/weekly shows as directed
  • Lead show-specific workflow and project management in collaboration with Engineering leadership
  • Contribute to the development of changing formats and workflows, particularly video podcasting
  • Organize audio and video media ingest across platforms and stakeholders
  • Act as first line of defense in troubleshooting studio and Pro Tools workflow issues
  • Help train and assist staff in all aspects of production
  • General technical support including audio restoration, file management, host/guest recording setup, and SOP documentation
  • Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools
  • Collaborate with Sound Designer/Composers as directed
  • Occasional evening and weekend technical support
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world
  • You will report to the Senior Audio Engineer, Newsroom

Basic Qualifications:

  • 5+ years of experience as an audio engineer (or equivalent position) required - podcast or broadcast environment preferred
  • Strong knowledge of Pro Tools, iZotope RX, and other creative plugins
  • Comfortable with concept of Loudness and mixing to different specs
  • Familiarity with mixing for video, specifically .aaf formats, Premiere Pro audio suite, etc.
  • Demonstrated knowledge of media asset management systems and file organization

Preferred Qualifications:

  • Quickly, calmly and creatively troubleshoot complex issues under pressure
  • Demonstrated ability to manage multiple priorities and follow through on projects to completion
  • Excellent attention to detail, with good organization and time management skills
  • Collaborative attitude and strong communication skills; with the ability to communicate complex technical information to people with technical and nontechnical backgrounds
  • High level of proficiency with Apple computers
  • Believes in the New York Times' mission and is dedicated to being part of our innovation and growth
  • Uphold the existing editorial standards of The Times

((#LI-Hybrid))

REQ-020439

Additional Compensation and Benefits

For roles in the U.S., dependent on your role, you may be eligible for variable pay, such as an annual bonus and restricted stock. Benefits may include medical, dental and vision benefits, Flexible Spending Accounts (F.S.A.s), a company-matching 401(k) plan, employee stock purchase plan, paid vacation, paid sick days, paid parental leave, tuition reimbursement and professional development programs. 

For roles outside of the U.S., information on benefits will be provided during the interview process.

Apply