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Overnight Concert Lighting Designer Jobs (NOW HIRING)

Assists other Production Engineers with concert and production setup, operation, and teardown of Production equipment. Experience with GrandMA lighting consoles, visualization software such as ...

Ability to travel up to 10% with occasional overnight stays * This position is not eligible for ... Illuminating Concepts' lighting designs balance form and function to create solutions that are ...

Ability to travel up to 10% with occasional overnight stays * This position is not eligible for ... Illuminating Concepts' lighting designs balance form and function to create solutions that are ...

Ability to travel up to 10% with occasional overnight stays * This position is not eligible for ... Illuminating Concepts' lighting designs balance form and function to create solutions that are ...

Acts as lead console programmer and assistant to guest designers. * Functions as lighting supervisor for all opera, ballet, concert and other performance events at the center. Oversees the execution ...

$35.14/hr

The Moving Light Programmer will collaborate closely with visiting Lighting Designers, the ... concert, event, or comparable production environments. * Demonstrated experience programming ...

Got Light designs and produces lighting, audio, and video for hundreds of events each year ... Touring/Concert Video * Event/Production/Hospitality. * Experience driving 16-24 ft. trucks

Got Light designs and produces lighting, audio, and video for hundreds of events each year ... Touring/Concert Video * Event/Production/Hospitality. * Experience driving 16-24 ft. trucks

Assists with designs and maintaining basic light plots for Hartt and University productions ... Requires travel, excluding overnight stays. Education Bachelor's degree preferred, or equivalent ...

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Overnight Concert Lighting Designer information

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$49K

$72.8K

$94K

How much do overnight concert lighting designer jobs pay per year?

As of Aug 17, 2026, the average yearly pay for overnight concert lighting designer in the United States is $72,767.00, according to ZipRecruiter salary data. Most workers in this role earn between $65,000.00 and $80,000.00 per year, depending on experience, location, and employer.

What does an overnight concert lighting designer do?

An Overnight Concert Lighting Designer is responsible for creating and implementing the lighting plan for concerts that take place during nighttime hours or require setup overnight. They work closely with artists, stage managers, and technical crews to design lighting that enhances the mood and visual experience of the performance. Their duties typically include programming lighting consoles, setting up and focusing lights, troubleshooting equipment, and ensuring all lighting cues run smoothly during the event. This role often involves working long or unusual hours to meet the specific needs of overnight concerts.

What are the key skills and qualifications needed to thrive as an overnight concert lighting designer?

To thrive as an Overnight Concert Lighting Designer, you need a strong understanding of lighting design principles, electrical systems, and stage production, typically supported by experience in live event environments. Proficiency with lighting control consoles such as MA Lighting or ETC systems, as well as knowledge of DMX programming and rigging safety certifications, is essential. Strong problem-solving skills, flexibility, and effective communication are important soft skills for adapting to last-minute changes and collaborating with production teams. These skills ensure visually impactful shows, safe operations, and smooth overnight event setups under tight timelines.

What are some common challenges faced by overnight concert lighting designers, and how can they be managed?

Overnight Concert Lighting Designers often face challenges such as working under tight time constraints, adapting to last-minute changes, and coordinating with various teams during unconventional hours. Managing fatigue and maintaining effective communication with stage managers, audio engineers, and performers is crucial, especially when setups or rehearsals occur overnight. Staying organized, preparing detailed lighting plots in advance, and practicing flexibility can help overcome these challenges and ensure smooth overnight operations.

What is the difference between Overnight Concert Lighting Designer vs Stage Lighting Technician?

AspectOvernight Concert Lighting DesignerStage Lighting Technician
CredentialsLighting design certifications, industry experienceLighting or technical certifications, hands-on training
Work EnvironmentDesigning lighting concepts, collaborating with artists and production teamsInstalling, operating, and maintaining lighting equipment during shows
Industry UsagePrimarily in concert and live event productionIn theater, concerts, and live events, often on-site

The Overnight Concert Lighting Designer focuses on creating lighting designs and concepts for concerts, often working overnight to prepare for events. In contrast, the Stage Lighting Technician handles the setup, operation, and maintenance of lighting equipment during performances. Both roles require technical knowledge, but the designer emphasizes creative planning, while the technician emphasizes execution and support during shows.

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Job description

ABOUT ORU
Oral Roberts University is a Christian University located in Tulsa, Oklahoma. As a globally recognized, Holy Spirit-empowered University, we develop whole leaders for the whole world through a unique Whole Person education. Students come to ORU not to "stay" in their faith but to GROW in faith and become the Spirit-empowered leaders they are called to be. Faculty, staff, and students must adhere to the Code of Honor Pledge for ORU.
CURRENTLY ACCEPTING APPLICATIONS FOR ALL POSITIONS UNTIL FILLED.
OVERVIEW- FULL TIME
Lighting design and implementation for ORU concerts and events. Responsible for all lighting inventory and maintenance of lighting equipment. Primary intelligent lighting programmer for chapels, concerts and other ORU special events in Mabee Center and other venues on campus.
Assists in the setup, installation, planning, and operation of audio, visual, and lighting (AVL) equipment on the ORU campus.
Assists the Production Director and the Production Manager on special projects. Assists other Production Engineers with concert and production setup, operation, and teardown of Production equipment. Experience with GrandMA lighting consoles, visualization software such as WYSIWYG, and CAD, such as Vectorworks, is required.
RESPONSIBILITIES
  • Lighting design and operation for ORU concerts and events.
  • Works in conjunction with clients to provide lighting design to enhance the event.
  • Works with fellow AVL engineers in meeting audio, video, and lighting requirements for assigned University, Mabee Center, GLC, and outside client events that are held on campus.
  • Works in conjunction with department production engineers to provide oversight of audio, visual, and lighting (AVL) equipment during functions as instructed. Ensures successful performance of equipment. Events include but are not limited to: Concerts, Chapel Services, Campus Worship, meetings, classes, lectures, special events, sporting events, etc.
  • Provides setup and operation of equipment for scheduled events.
  • Assists in the installation of new AVL systems in various facilities on campus, including event spaces and lecture halls.
  • Work with Production Manager to schedule and oversee student workers and equipment to fulfill EMS and AV Requisitions for events and classes or lectures.
  • Repair and maintenance of department equipment, cables, etc. Primary person for lighting equipment inventory and/or repairs and maintenance.
  • Calculates costs for ORU events with technical requirements and submits report to the Production Director.
  • Prepares proposals for replacement, repair, and preventive maintenance of audio, visual, and lighting support equipment. Contacts proposed vendors, prepares price estimates, Purchase Requisitions, etc.
COMPETENCIES
EDUCATION:
Requires High School diploma or GED
LICENSE OR CERTIFICATION REQUIREMENT(S):
Must possess a valid Oklahoma driver's license and have an excellent driving record for the purpose of driving University vehicle.
EXPERIENCE/SKILLS/ABILITIES:
Requires a minimum of two years full-time experience working in an entertainment center/event or educational AVL type setting.
Must have working knowledge of large-scale lighting, sound, and video reinforcement systems and have experience and aptitude for intelligent lighting design for event and concert environment.
Proven ability in operating production equipment, including sound systems, video projection systems, computer-based video presentations, general AVL equipment, and intelligent lighting equipment. Must have a working knowledge of large-scale sound reinforcement systems and experience with setting up and/or operation of AVL equipment. Requires the ability to read and understand charts, diagrams, schematics and/or blueprints.
Ability to create lighting plots in Vectorworks or similar CAD software. Must have working knowledge of large-scale lighting networks using sACN and Artnet protocols. A general understanding of electrical load calculations, as well as working knowledge of safe rigging practices, is required.
Previous experience in supervising student workers, interns, or other staff personnel is strongly preferred.
Must be computer literate, including Microsoft Excel and Word.
Good interpersonal, written, mathematical, and verbal communication skills are a must in regard to effective, consistent, and accurate communication with related staff, student workers, and the general public. Must be able to troubleshoot problems, provide suitable solutions quickly and accurately, and work under stress.
Must exhibit the ability to take direction and responsibility for follow-up of assigned tasks to ensure they are completed satisfactorily, accurately, and on time.
Must have the ability to prioritize multi-tasks amid a fast-paced, high-demand, and sometimes unpredictable work environment. Requires the ability to work without constant supervision and within a framework of specific guidelines.
Must maintain a high level of confidentiality of information.
Maintains compliance with the Family Educational Rights and Privacy Act (FERPA) policy and its procedures.
PHYSICAL & ENVIRONMENTAL DEMANDS will include but not be limited to:
Sitting, standing, bending, stooping, walking, crouching, manual dexterity for operation of electronic equipment related to the field and office machines/computer equipment, twisting of upper body, and the ability to climb hand-over-hand. Vision to include: near, far, visual accommodation, color, peripheral, and depth perception. Must have the ability to hear sounds clearly and distinctly in order to be able to distinguish tonal variances. There will be occasional exposure to dust/mites, and electrical hazards associated with related equipment. Occasional to frequent lifting of up to 75 pounds.
The department's primary location is properly illuminated and climate controlled. There is exposure to varying temperatures and environmental conditions both inside and outside of buildings as the nature of the work dictates. Job responsibilities will require working at various locations on or off campus, both indoors and outdoors, in studios or in large, crowded locations.
Equal Employment Opportunity:
Oral Roberts University promotes equal employment opportunities for all individuals regardless of differences in race, color, religion, sex, national origin, age, disability, or veteran status.