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Night Shift Audio Editing Jobs (NOW HIRING)

WOWK-TV

Broadcast Engineer

Saint Louis, MO

Master Control, Audio, Editing, Signal Acquisition, ENG microwave communication, SNG communications ... night; * lift, run, and carry heavy cable reels, television monitors, camera tripods and other ...

Tribune Media

Broadcast Engineer

Saint Louis, MO · On-site

Master Control, Audio, Editing, Signal Acquisition, ENG microwave communication, SNG communications ... night; * lift, run, and carry heavy cable reels, television monitors, camera tripods and other ...

COGSWELL COLLEGE LLC

Adjunct Faculty DAT

San Jose, CA · On-site

$3.0K - $4.5K/mo

Proficient in audio recording, audio editing, audio mixing, and sound synthesis The following ... Classes may be scheduled at night, during the day, as well as on weekends. Physical requirements ...

WOWK-TV

Broadcast Engineer

Saint Louis, MO

Master Control, Audio, Editing, Signal Acquisition, ENG microwave communication, SNG communications ... night; * lift, run, and carry heavy cable reels, television monitors, camera tripods and other ...

Tribune Media

Broadcast Engineer

Saint Louis, MO · On-site

Master Control, Audio, Editing, Signal Acquisition, ENG microwave communication, SNG communications ... night; * lift, run, and carry heavy cable reels, television monitors, camera tripods and other ...

American

Senior Reporter, D.C. Politics

Washington, CT · On-site

$55.21 - $57/hr

Cover at least one breaking news shift per week. * Establish and maintain relationships with individuals who are credible sources of information. 2.) Serve as a Back-up Editor for Audio, Digital, and ...

Zealot

Night Shift Finishing Designer

Los Angeles, CA · On-site

$90/hr

Job Title: Night Shift Finishing Designer Location: Los Angeles - Hybrid (three days in office ... for our A/V department, as well as for our digital team. This position will also include ...

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Night Shift Audio Editing information

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$13

$25

$38

How much do night shift audio editing jobs pay per hour?

As of Aug 20, 2026, the average hourly pay for night shift audio editing in the United States is $25.73, according to ZipRecruiter salary data. Most workers in this role earn between $20.43 and $30.05 per hour, depending on experience, location, and employer.

What is the difference between Night Shift Audio Editing vs Night Shift Sound Designer?

AspectNight Shift Audio EditingNight Shift Sound Designer
CredentialsAudio editing certifications, basic audio software skillsAdvanced audio design certifications, creative portfolio
Work EnvironmentPost-production studios, editing suitesSound studios, film/TV production sets
Industry UsageMedia companies, radio, podcastingFilm, TV, gaming, advertising

Night Shift Audio Editing primarily involves editing and assembling audio recordings during overnight hours, focusing on technical precision. Night Shift Sound Designer, however, emphasizes creating and designing sound effects and atmospheres, often requiring more creative input. While both roles work in audio production environments and may require similar certifications, their core responsibilities and industry applications differ significantly.

What cities are hiring for Night Shift Audio Editing jobs?

Cities with the most Night Shift Audio Editing job openings:

What states have the most Night Shift Audio Editing jobs?

States with the most job openings for Night Shift Audio Editing jobs include:

What job categories do people searching Night Shift Audio Editing jobs look for?

The top searched job categories for Night Shift Audio Editing jobs are:

Night Shift Audio Editing jobs near you
Infographic showing various Night Shift Audio Editing job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 72% Full Time, 21% Part Time, 4% Contract, and 2% Nights. Highlights an 99% Physical, and 1% Remote job distribution, with an average salary of $53,522 per year, or $25.7 per hour.

Broadcast Engineer

WOWK-TV

Saint Louis, MO

Full-time

Re-posted 12 days ago

Job description

The essential job functions of this position include: Master Control, Audio, Editing, Signal Acquisition, ENG microwave communication, SNG communications, Camera, utility, prompter, Direct/TD any assigned newscasts, live segments and/or live-to-tape segments. The ideal candidate must be able to excel in a fast-paced news environment, work well under pressure and be solution-oriented. The candidate must interact positively with technical and non-technical staff both independently and as a team member. Strong communication skills is a key component of this role.

Primary Responsibilities

Ability in some of the listed areas: Operate Master Control and Master control automation, production audio, edit, Drones, operate field camera equipment and report, Direct/TD Newscasts. Ability to operate automated cameras, CG graphics and Premiere editing. Expert knowledge of Ross OverDrive automation or equivalent is a plus. Experience with Newsroom Automation Systems such as ENPS. Coordinate with News department on live-shot needs. Scout live-shot locations for optimal signal strength, safety and shot composition. Responsible for operation video and audio switchers, video and audio recorders, microwave equipment, monitors, test equipment, tools and all Electronic News Gathering, various digital equipment. Including IP and Cellular devices.

Requirements:

Must have at least 2-4 years Broadcast Engineering experience with live news or talk shows. Understanding of live newscast production. Strong people skills, team player. Good driving record. Must be able to work various hours and shifts.

Must possess a valid state driver's license and have an excellent driving record. Must be able to lift, run and carry heavy cable reels, television monitors, camera tripods and other equipment weighing up to 50 lbs. Must be able to climb 10-15 foot ladders and work and operate (in the field) under pressure and control heavier than normal, full-sized television remote live van.

Also, must have the ability to:

  • control heavier than normal, full sized television remote live van, which requires much greater braking distance than normal;
  • raise a fifty-foot, telescoping mast, and be able to avoid obstructions at that height, such as power lines, especially at night;
  • lift, run, and carry heavy cable reels, television monitors, camera tripods and other equipment weighing up to 40 pounds for live shots;
  • climb 10 to 15 foot ladders, set up shots on rooftops;
  • bend, reach, and kneel to retrieve, place and store equipment in assigned places in ENG trucks;
  • vision corrected to 20/20 with no impairments. Sight is very important for driving an ENG/ SNG van. Much driving is required, must have excellent depth perception;
  • move swiftly at breaking news locations;
  • climb several flights of stairs carrying heavy equipment;
  • use both hands, have ability to balance, kneel, crouch, crawl, and reach/work overhead to place and connect cables in buildings and on remote sites, and to transport and set up remote equipment;
  • work outside and on the roof of an ENG truck in all types of weather;
  • work and operate under pressure in a fast paced news environment.

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