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Music Production Audio Recording Professor Jobs

(EDO) Entertainment Data Oracle, Inc.

... music production, media production, or a related field, or equivalent experience. * 3+ years of professional audio experience in live event production, studio recording, and post-production audio ...

Weekday AI

Music Production Expert - Swedish

$42 - $78/hr

Production and mixing quality * Classify and label songs according to genre, musical structure ... Audio Engineer * Mixing Engineer * Recording Engineer * Or in a closely related professional audio ...

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Music Production Audio Recording Professor information

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$11K

$48.3K

$126.5K

How much do music production audio recording professor jobs pay per year?

As of Sep 12, 2026, the average yearly pay for music production audio recording professor in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What does a music production audio recording professor do?

A Music Production Audio Recording Professor teaches students the technical and creative aspects of music production and audio engineering. They design and deliver courses on topics such as sound recording, mixing, mastering, and the use of digital audio workstations (DAWs). In addition to classroom instruction, they often provide hands-on training in studios, mentor students on projects, and stay current with industry trends to ensure relevant curriculum. Professors may also conduct research or collaborate with industry professionals to enhance their teaching and contribute to the field.

What are the key skills and qualifications needed to thrive as a music production audio recording professor?

To thrive as a Music Production Audio Recording Professor, you need a deep understanding of audio engineering, music theory, production techniques, and typically a graduate degree in music or audio technology. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, studio hardware, and familiarity with industry-standard recording equipment is essential. Strong communication, mentorship, and organizational skills help inspire and effectively teach students from diverse backgrounds. These skills ensure you can provide relevant, hands-on education and prepare students for success in the evolving music industry.

How does a music production audio recording professor typically collaborate with students and industry professionals during the academic term?

As a Music Production Audio Recording Professor, collaboration is integral to both teaching and professional growth. Professors frequently guide students through hands-on projects in studio environments, facilitating teamwork and real-world problem-solving. Additionally, they often connect students with guest lecturers, organize workshops, and foster partnerships with local studios or industry professionals, providing invaluable networking and experiential learning opportunities. These collaborations enhance the educational experience and help students develop practical skills relevant to the music industry.

What is the difference between Music Production Audio Recording Professor vs Audio Engineer?

AspectMusic Production Audio Recording ProfessorAudio Engineer
CredentialsTypically requires a master's or doctoral degree in music, audio production, or related fieldsOften requires a bachelor's degree in audio engineering, music technology, or related areas; certifications like Avid Pro Tools are common
Work EnvironmentAcademic settings, teaching students, conducting research, and curriculum developmentRecording studios, live sound environments, broadcasting facilities, and post-production
Employer & IndustryUniversities, colleges, and educational institutionsRecording studios, media companies, concert venues, and broadcasting stations

In summary, a Music Production Audio Recording Professor primarily works in academia, focusing on teaching and research, while an Audio Engineer works in professional audio environments, handling recording, mixing, and sound design for various media projects.

What are popular job titles related to Music Production Audio Recording Professor jobs?

For Music Production Audio Recording Professor jobs, the most frequently searched job titles are:

Infographic showing various Music Production Audio Recording Professor job openings in the United States as of July 2026, with employment types broken down into 76% Full Time, 21% Part Time, 1% Temporary, and 2% Contract. Highlights an 89% Physical, 1% Hybrid, and 10% Remote job distribution, with an average salary of $48,339 per year, or $23.2 per hour.

Audio Engineer

Scottsdale, AZ • On-site

Alliance Defending Freedom
Law Firms • 201 - 500 employees
Learn more about Alliance Defending Freedomexternal

Full-time

Medical, Dental, Life, Retirement, PTO

Posted 19 days ago

Job description

Make a difference with us! At Alliance Defending Freedom, we believe God has brought you here for His purpose-to stand for truth and defend the God-given right to live and speak it. Together, we protect religious freedom, free speech, the sanctity of life, marriage and family, and parental rights. Review our Statement of Faith to ensure we're a fit for you.
Locations: Scottdale, AZ
Team Overview
As the Audio Engineer, you will serve as the lead audio engineer for ADF's live and virtual events-conferences, seminars, galas, and webinars-owning front-of-house, monitor, and broadcast mixes so that every speaker and program element is heard clearly. Between events, you serve as the primary audio engineer for ADF's Arizona studio and media hit studio, capturing and mixing audio for video productions, podcasts, and live national media appearances.
Key Responsibilities
Live Event Audio
  • Serve as the A1 for assigned ADF events, designing and operating the audio system-front of house, monitors, and broadcast/stream mixes-to a high standard of clarity, intelligibility, and consistency.
  • Design system and loudspeaker configurations for each room, tune and align systems to the space, and adapt to venue acoustics and house infrastructure.
  • Coordinate and manage wireless microphone and in-ear monitor systems, including frequency coordination, RF scanning, antenna distribution, and battery management, to keep channels clean in congested environments.
  • Prepare input lists, patch sheets, stage plots, and console show files in advance of load-in, and communicate audio requirements to the producer, venue, and crew.
  • Mic, sound check, and support presenters, panelists, and musicians, briefing them on microphone technique and monitoring so they are comfortable on stage.
  • Load in, set up, operate, strike, and load out audio systems, including consoles, amplification, loudspeakers, cabling, playback, and production intercom.
  • Coordinate audio with video switching, lighting, and show control cues so that the program runs as a single, rehearsed production.
  • Diagnose and resolve audio problems in real time during live events, applying redundancy and backup plans to minimize disruption to attendees and stream audiences.

Studio & Media Hit Audio
  • Serve as the primary audio engineer for ADF's Arizona studio and media hit studio, setting up and operating microphones, mixers, and monitoring for video shoots, podcasts, and interviews.
  • Provide audio for live media hits with national broadcast outlets, including IFB, mix-minus, and clean feeds to remote networks, and confirm signal quality and levels before air.
  • Record, edit, mix, and master audio for produced content, including dialogue cleanup, noise reduction, loudness normalization, and delivery to broadcast and web specifications.
  • Maintain and improve studio acoustics, signal flow, and routing, including audio-over-IP networks (e.g., Dante) where deployed.
  • Deliver finished audio assets to the standards required by ADF's post-production and communications teams, and archive session files and raw audio for reuse.

Systems, Maintenance & Readiness
  • Maintain, test, and repair audio equipment and inventory, including consoles, wireless systems, microphones, and cabling, and keep firmware and show files current.
  • Prepare and pack audio packages for travel, tracking equipment out and back and confirming everything returns in working order.
  • Recommend equipment purchases, upgrades, and standardization to the Production Manager, Arizona, including specifications and cost estimates.
  • Maintain safe working conditions during load-in, show, and load-out, including safe electrical loading, rigging of loudspeaker arrays where applicable, and cable management.
  • Observe hearing conservation and sound level practices appropriate to each venue, program, and audience.

Collaboration & Continuous Improvement
  • Partner with the Live Event Producer, video and lighting technicians, and freelance crew to deliver a unified production, and serve as the audio point of contact for presenters, communications staff, and event owners.
  • Train and support other AV team members on basic audio operation so that events the A1 cannot cover are still well served.
  • Conduct post-event review of audio performance and apply lessons learned to future events and studio work.
  • Research developments in audio technology and recommend adoption where they would strengthen ADF's events and studio capabilities.

Minimum Qualifications
  • Bachelor's degree in audio engineering, music production, media production, or a related field, or equivalent experience.
  • 3+ years of professional audio experience in live event production, studio recording, and post-production audio settings, including primary A1 responsibility for events using professional-grade systems.
  • Demonstrated experience with mixing front of house and monitors live, for spoken word and music, in rooms of varying size and acoustics.
  • Ability to manage multiple events, studio sessions, and competing deadlines simultaneously, delivering consistent audio quality with sometimes limited crew, taking a show from load-in through load-out independently when required.
  • Knowledge of live sound reinforcement principles, digital audio consoles and the workflow of building, saving, and recalling show files (Yamaha, DiGiCo, Allen & Heath, Avid).
  • Knowledge of RF and wireless microphone systems, audio-over-IP and digital audio networking as applied to production (Dante, AES67), and the networking fundamentals that support it.
  • Knowledge of broadcast and steaming audio requirements, studio recording and post-production practices.
  • Ability to lift, carry, and set up audio equipment and road cases, and work from ladders or lifts where loudspeaker deployment requires it.
  • Ability to travel to and work on-site at event venues, including some evenings and weekends as events require-approximately 20% travel (85% domestic, 15% international; the ability to obtain a valid passport is required for international travel).

Preferred Qualifications
  • Dante certification, AVIXA CTS (Certified Technology Specialist) or similar industry certifications.

Pay & Benefits
At Alliance Defending Freedom, we offer a competitive compensation and benefits package to support your well-being and growth. While we do not disclose specific salary ranges, our compensation is competitive with top non-profit law firms. Our benefits include 100% covered medical and dental insurance, medical and dependent care reimbursement, paid disability, long-term care, life insurance, and a 401(k) plan with a 4% company match. We prioritize work-life balance with paid time off and 12 paid holidays each year.
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