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Live In Documentary Producer Jobs (NOW HIRING)

... Creative Producing, Documentary, and Screenwriting on the Loop campus and at DePaul Cinespace ... MFA in documentary plus professional credits on distributed or broadcasted work, or significant ...

Entertainment Producer

Dallas, TX

$122K - $124K/yr

Experience producing and managing productions in documentary, unscripted, or series content with real-world and field-based production demands * Background working with small teams building content ...

Entertainment Producer

Dallas, TX · On-site

$122K - $124K/yr

Experience producing and managing productions in documentary, unscripted, or series content with real-world and field-based production demands * Background working with small teams building content ...

Video Producer

Spring, TX · On-site

$55 - $65/hr

Conduct interviews for documentary style stories and direct actors in scripted content * Edit ... Live Production * Set up and maintain broadcast equipment (cameras, switchers, recording devices)

Conduct interviews for documentary style stories and direct actors in scripted content * Edit ... Live Production * Set up and maintain broadcast equipment (cameras, switchers, recording devices)

Be Seen First

Requirements * 5 to 10 years of experience producing, including a minimum of 3 years as a YouTube, reality TV, or documentary producer with experience in international shoots and a run-and-gun style ...

Live Producer

Atlanta, GA · On-site

$70 - $110/hr

Live Producer Brand Apart is looking for a Live Producer to help plan, manage, and execute high ... Calls shows with confidence, directing timing, cues, and content flow in coordination with ...

Video Producer

New York, NY · Hybrid

$80K - $90K/yr

... documentaries to explainers and social video, in collaboration with CFR experts, writers, editors, and the production team. The Video Producer is a video journalist and visual storyteller who brings ...

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Live In Documentary Producer information

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$38K

$75.5K

$129K

How much do live in documentary producer jobs pay per year?

As of Sep 5, 2026, the average yearly pay for live in documentary producer in the United States is $75,498.00, according to ZipRecruiter salary data. Most workers in this role earn between $58,000.00 and $87,500.00 per year, depending on experience, location, and employer.

What is a live in documentary producer?

A Live In Documentary Producer is a filmmaker who resides with their documentary subjects for an extended period to capture authentic, in-depth stories. By living alongside their subjects, they build trust and gain unique access, allowing for more intimate and immersive storytelling. This approach often results in documentaries that offer deeper insight into the lives, environments, and experiences of the people being featured. The producer is responsible for overseeing all aspects of the documentary’s production, from planning and filming to editing and post-production.

What are the key skills and qualifications needed to thrive as a live in documentary producer?

To thrive as a Live In Documentary Producer, you need strong storytelling skills, experience in video production, and a background in media, journalism, or film studies. Proficiency with camera equipment, editing software (such as Adobe Premiere Pro or Final Cut Pro), and audio recording tools is essential. Outstanding interpersonal skills, adaptability, and the ability to build trust with subjects are crucial soft skills in this immersive role. These abilities ensure compelling, authentic content creation while navigating the unique challenges of living and working alongside documentary subjects.

What unique challenges might a live in documentary producer face while working on location for extended periods?

A Live In Documentary Producer often encounters challenges such as adapting to unfamiliar environments, balancing the need for continuous presence with personal boundaries, and managing logistics for both production and daily living. Working closely with subjects over long periods requires strong interpersonal skills, cultural sensitivity, and the ability to maintain professional objectivity. Additionally, producers must be prepared to handle unpredictable schedules, evolving storylines, and technical issues while ensuring the wellbeing of both crew and participants.

What is the difference between Live In Documentary Producer vs Field Producer?

AspectLive In Documentary ProducerField Producer
CredentialsExperience in documentary filmmaking, relevant video production skillsExperience in field production, video editing, and storytelling
Work EnvironmentWorks closely with crew on location, often living on-site during shootsWorks on location, managing shoots and coordinating logistics
Industry UsageCommon in documentary and reality TV projectsUsed across various TV genres, including news, reality, and documentary

Both roles require strong storytelling skills and field experience. The Live In Documentary Producer typically oversees entire projects and lives on-site during filming, while the Field Producer focuses on managing shoots and logistics on location. Understanding these differences helps clarify career paths and job expectations in documentary production.

What cities are hiring for Live In Documentary Producer jobs?

Cities with the most Live In Documentary Producer job openings:

What are the most commonly searched types of Documentary Producer jobs?

The most popular types of Documentary Producer jobs are:

What states have the most Live In Documentary Producer jobs?

States with the most job openings for Live In Documentary Producer jobs include:

Infographic showing various Live In Documentary Producer job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 66% Full Time, 30% Part Time, and 3% Contract. Highlights an 83% Physical, 2% Hybrid, and 15% Remote job distribution, with an average salary of $75,498 per year, or $36.3 per hour.

Documentary Film Teaching Artist

Depth of Field Nonprofit

Los Angeles, CA • On-site

$50/hr

Other

Posted 5 days ago


Job description

Teaching Artist (Documentary Filmmaking Mentorship Program)


Organization: Depth of Field

Location: Los Angeles

Schedule: Part-time | 10 hours/week | In-person

Dates: Mid-September 2025 – May 2026

Compensation: $50/ Hour


Documentary Filmmaking Mentor


About Depth of Field

Depth of Field is a nonprofit documentary production studio that produces original films while creating pathways for young and underrepresented filmmakers to become authors of their own stories.


Our model brings professional documentary production and filmmaking education together. Participants receive access to professional equipment, training, mentorship, and production support while taking meaningful creative roles in films rooted in their own lives and communities.

Rather than treating education and production as separate programs, we build professional filmmaking environments in which emerging filmmakers can learn by making ambitious work intended for audiences beyond the classroom.


About What We Carry


What We Carry is a feature-length documentary exploring family, memory, identity, and the stories we inherit.


The film will be developed and shot in collaboration with a multi-generational family, who will turn the cameras toward their own lives and communities to explore the people, memories, places, and experiences that have shaped who they are.


Participants will work with professional filmmaking equipment, including RED cinema cameras, and receive hands-on training in cinematography, interviewing, sound, documentary storytelling, archival research, and other aspects of nonfiction production.


The resulting material will become the foundation of a feature-length documentary produced by Depth of Field.


The Role


Depth of Field is seeking a Documentary Filmmaking Mentor to work closely with the young filmmakers throughout the development and production of What We Carry.

This is a hybrid filmmaking, teaching, and mentorship position. The mentor should be an experienced documentary filmmaker with the technical ability to train participants on professional cinema equipment and the creative instincts to help them recognize and develop compelling documentary material.


The mentor will work with participants twice each week: one session focused on filmmaking instruction and one focused on reviewing and developing the footage participants have shot.

Because participants will be working with RED cinema cameras, professional experience operating digital cinema cameras and a strong understanding of camera systems, lenses, exposure, focus, media management, and production workflows is required. Direct RED experience is preferred.


At the same time, this role requires a filmmaker who understands the distinction between mentorship and authorship. The mentor's job is not to determine what participants' stories should be, but to give them the technical skills, creative feedback, and professional support to make increasingly intentional decisions for themselves.


Weekly Schedule & Compensation


10 paid hours per week at $50/hour — $500/week


3 hours — Filmmaking lesson: A two-hour in-person instructional session, with one additional paid hour allocated for travel, setup, breakdown, and related session needs.


3 hours — Footage review: A two-hour in-person session dedicated to screening and discussing participants' footage, identifying emerging storylines, and providing creative and technical feedback, with one additional paid hour allocated for travel, setup, breakdown, and related session needs.


4 hours — Lesson planning and preparation: Developing curriculum, preparing exercises and materials, reviewing upcoming production needs, and planning future sessions.


Responsibilities


Develop and teach hands-on lessons in documentary filmmaking, including cinematography, interviewing, sound, story development, documentary ethics, archival material, and visual storytelling.


Train participants to confidently and responsibly operate professional cinema equipment, including RED camera systems.


Teach core technical concepts including exposure, lenses and focal lengths, focus, frame rates, camera movement, composition, audio recording, media management, and basic production workflows.


Help participants translate technical knowledge into intentional creative choices rather than simply teaching equipment operation.


Review participant footage each week and provide thoughtful, specific creative and technical feedback.


Help participants recognize compelling characters, scenes, relationships, themes, and emerging storylines within their material.


Help participants identify gaps in their footage and think strategically about what they should capture next.


Support each filmmaker in developing an individual visual and narrative voice.


Prepare participants for interviews and documentary shoots.


Encourage experimentation, curiosity, and creative risk-taking while maintaining professional production standards.


Foster an environment in which participants feel comfortable sharing unfinished work, asking questions, and developing ideas.


Approach personal, familial, and emotionally sensitive material with care and a strong understanding of documentary ethics and informed consent.


Collaborate with the Depth of Field production team as the feature develops.


Qualifications


Professional experience in documentary filmmaking, cinematography, directing, producing, or a closely related field.


Professional proficiency with digital cinema camera systems.


The technical ability to train emerging filmmakers to operate RED cinema cameras safely and confidently.


Strong knowledge of lenses, exposure, focus, camera settings, sound, media management, and professional production workflows.


Strong instincts for documentary character, story, and visual storytelling.


Experience reviewing raw documentary footage and identifying what is working, what is missing, and where a story might develop.


Experience teaching, mentoring, or working creatively with young people.


The ability to translate professional filmmaking concepts into accessible, engaging instruction.


Sensitivity when working with personal, familial, or emotionally complex material.


Patience, curiosity, flexibility, and excellent communication skills.


A collaborative approach to mentorship and a genuine belief in supporting emerging filmmakers' creative authorship.


RED or comparable professional digital cinema camera experience required; direct RED experience preferred.


Experience working with young people and communities historically underrepresented in film and media is strongly valued.


What We're Looking For


What We Carry is both a filmmaking program and the production of a feature documentary. We are therefore looking for someone who can move comfortably between the responsibilities of a professional film set and those of a classroom.


The strongest mentor will be technically rigorous without being intimidating, creatively ambitious without imposing their own vision, and capable of recognizing a young filmmaker's instincts even before that filmmaker has developed the vocabulary or technical skills to fully articulate them.


Our goal is for participants to leave the production not only knowing how to operate a professional camera, conduct an interview, and construct a documentary scene, but understanding themselves as filmmakers whose perspectives and creative decisions have value.


To apply, please email your CV and Coverletter to jade.lee@ourdepthoffield.org with the subject line "Teaching Artist Application".