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Literary Agents Jobs (NOW HIRING)

Associate Editor

Austin, TX · On-site

$60K - $65K/yr

Build and maintain relationships with literary agents to solicit submissions, read and evaluate manuscripts, and meet with prospective authors to discuss editorial and strategic vision * Present ...

Associate Editor

Manhattan, NY · On-site

$60K - $65K/yr

Build and maintain relationships with literary agents to solicit submissions, read and evaluate manuscripts, and meet with prospective authors to discuss editorial and strategic vision * Present ...

Associate Editor

Manhattan, NY · On-site +1

$60K - $65K/yr

Build and maintain relationships with literary agents to solicit submissions, read and evaluate manuscripts, and meet with prospective authors to discuss editorial and strategic vision * Present ...

Associate Editor

Manhattan, NY · On-site +1

$60K - $65K/yr

Build and maintain relationships with literary agents to solicit submissions, read and evaluate manuscripts, and meet with prospective authors to discuss editorial and strategic vision * Present ...

Contacts among academics, journalists, writers, and literary agents. * Ability to work cross-functionally with other groups, companies, and organizations on shared long-term projects. * Demonstrated ...

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Literary Agents information

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$66.9K

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How much do literary agents jobs pay per year?

As of Aug 3, 2026, the average yearly pay for literary agents in the United States is $66,913.00, according to ZipRecruiter salary data. Most workers in this role earn between $44,000.00 and $74,500.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Literary Agent, and why are they important?

To thrive as a Literary Agent, you need a strong grasp of the publishing industry, excellent negotiation skills, and a keen eye for marketable manuscripts, often supported by a degree in English, communications, or a related field. Familiarity with contract management systems, digital submission platforms, and rights management tools is typically required. Outstanding interpersonal skills, persistence, and effective communication help build strong author relationships and industry networks. These skills ensure the successful placement of authors' works and foster long-term success in a competitive literary marketplace.

How do I get a job as a literary agent?

To become a literary agent, you typically need a strong understanding of the publishing industry, excellent communication skills, and a network of contacts. Many agents start with experience in publishing, editing, or writing, and some pursue internships or entry-level roles to gain industry knowledge before applying for agent positions.

What are the qualifications to be a literary agent?

To become a literary agent, candidates typically need a bachelor's degree in English, literature, or a related field, along with strong communication, negotiation, and industry knowledge. Experience in publishing, editing, or related roles can be beneficial, and understanding of contracts and market trends is important for success in the profession.

What is the difference between Literary Agents vs Literary Scouts?

AspectLiterary AgentsLiterary Scouts
CredentialsTypically require industry knowledge, networking skills, and sometimes a background in literature or publishingRequire strong knowledge of market trends, literary works, and industry contacts, often with experience in publishing or editing
Work EnvironmentWork primarily in offices or remotely, representing authors and negotiating dealsWork in publishing houses or as freelancers, scouting for marketable content and trends
Employer & Industry UsageRepresent authors to publishers, mainly in publishing industryAssist publishers and editors by identifying new talent and market opportunities
Search & Comparison IntentUnderstanding roles in author representation and deal negotiationUnderstanding roles in content sourcing and market analysis

Literary agents focus on representing authors and negotiating publishing deals, while literary scouts specialize in identifying market trends and discovering new content for publishers. Both roles require industry knowledge but serve different functions within the publishing industry.

How much money do literary agents make?

Literary agents typically earn a commission of 15% on the earnings from the authors they represent, which can result in annual incomes ranging from $30,000 to over $100,000 depending on the success of their clients and the number of deals they secure. Many agents work independently and need strong industry knowledge, negotiation skills, and a good network to succeed.

What are some common challenges literary agents face when representing new authors?

One common challenge literary agents face when working with new authors is securing publishing deals in a highly competitive market. Agents must carefully evaluate manuscripts, provide editorial feedback, and effectively pitch projects to publishers. Additionally, building trust and clear communication with debut authors is essential, as many may be unfamiliar with the publishing process. Agents also need to stay informed about current market trends to position their clients' work for success.

What are literary agents and what do they do?

Literary agents are professionals who represent writers and their written works to publishers, film producers, and other potential buyers. Their main role is to help authors navigate the publishing process, negotiate contracts, and advocate for the best possible deals. Literary agents often help writers polish their manuscripts and select suitable publishers. They also manage rights and royalties, ensuring that authors receive fair compensation for their work.

Did JK Rowling use an agent?

Yes, J.K. Rowling used a literary agent to help sell her Harry Potter books. Most authors work with agents to navigate the publishing process, negotiate contracts, and secure publishing deals.
More about Literary Agents jobs
What cities are hiring for Literary Agents jobs? Cities with the most Literary Agents job openings:
What are the most commonly searched types of Literary Agents jobs? The most popular types of Literary Agents jobs are:
What states have the most Literary Agents jobs? States with the most job openings for Literary Agents jobs include:
Infographic showing various Literary Agents job openings in the United States as of July 2026, with employment types broken down into 95% Full Time, 3% Part Time, and 2% Contract. Highlights an 94% Physical, 1% Hybrid, and 5% Remote job distribution, with an average salary of $66,913 per year, or $32.2 per hour.

Senior Editor, Quirk Books Imprint

ANDREWS MCMEEL UNIVERSAL INC

Philadelphia, PA

Other

Re-posted 8 days ago


Job description

Quirk Books, an imprint of Andrews McMeel Publishing, is seeking a Senior Editor to develop, acquire, and manage Quirk’s unconventional list of commercial fiction and select nonfiction titles, while leading the strategic growth of Quirk’s signature fiction publishing program.

This creative role is made for an idea person–an experienced writer/editor who has strong creative instincts, sharp market awareness, and a demonstrated ability to both originate concepts and acquire outside projects, strengthening both along the way. The Senior Editor will oversee Quirk’s fiction list, including approximately 4–6 original titles annually in horror, mystery, and adjacent commercial genres distinguished by playful and humorous tones, high-concept hooks, reimaginations of pop-cultural tropes, inventive storytelling, and Quirk’s aim to live up to its name and publish cross-genre breakout books.

The ideal candidate is a strong creative collaborator, working closely with the in-house team as well as authors and creators to build projects from the ground up, in addition to acquiring and editing agented manuscripts. 

Key Responsibilities

Acquisitions & List Development

  • Acquire approximately 8–10 titles annually across fiction and select nonfiction categories aligned with Quirk’s publishing strategy.
  • Lead and manage Quirk’s fiction program, publishing 4–6 original fiction titles annually.
  • Identify market opportunities in horror, mystery, suspense, humor, speculative, and crossover commercial fiction.
  • Develop compelling P&Ls, acquisition memos, positioning rationale, and sales arguments for proposed titles.
  • Build and maintain strong relationships with literary agents, authors, and entertainment/creative partners.

Concept Creation & Creator Collaboration

  • Generate original book concepts rooted in Quirk’s brand strengths: playful twists, pop-cultural fluency, mash-ups, format innovation, and fresh takes on familiar genres or classics.
  • Collaborate with writers, IP holders, illustrators, and creators to shape proposals and manuscripts from early stages.
  • Pair clever concepts with talent and guide projects from ideation through publication.
  • Identify opportunities for reimaginations of classic literature, pop cultural tropes, nostalgic formats, and genre conventions. Remember that sometimes a great title gets you halfway there.

Editorial Management

  • Edit acquired manuscripts and proposals through all stages: developmental editing, line editing, copy preparation, and production handoff.
  • Manage schedules, author communication, contracts coordination, and title progress against deadlines.
  • Present projects effectively to internal stakeholders including sales, marketing, publicity, and design teams.
  • Write jacket copy, positioning documents, metadata guidance, and launch materials as needed.

Cross-Functional Leadership

  • Partner with Marketing, Publicity, Design, Production, and Sales to maximize title performance.
  • Help shape seasonal list balance and long-range publishing strategy.
  • Mentor junior editorial staff or interns as assigned.
  • Serve as a visible internal advocate for fiction publishing opportunities and trends.

 
Qualifications & Requirements

  • 5+ years of book publishing editorial experience, with meaningful acquisitions responsibility.
  • Proven track record acquiring and/or editing successful commercial fiction.
  • Strong knowledge of horror, mystery, suspense, and adjacent genre fiction markets.
  • Demonstrated ability to develop original concepts and collaborate creatively with authors.
  • Experience working with literary agents and negotiating acquisitions internally.
  • Excellent editorial skills, including developmental editing and manuscript shaping.
  • Strong understanding of positioning, audience targeting, and marketplace trends.
  • Ability to manage multiple projects simultaneously and meet deadlines.
  • Strong written, verbal, and presentation skills.

 
Preferred Qualifications

  • Experience with humor-forward or genre-blending fiction–ideas that “so crazy they just might work.”
  • Proven experience in adaptation, licensing, and IP-driven publishing opportunities.
  • A passion for pop-culture publishing and inventive concepts and formats.
  • Existing relationships with agents representing commercial fiction.

 
Core Competencies

  • Creative Development: Builds killer ideas into viable books through collaboration and iteration.
  • Commercial Instinct: Understands audience demand, positioning, and breakout sales potential.
  • Editorial Judgment: Identifies potentially strong concepts, talent, and marketable manuscripts and knows how to improve them.
  • Relationship Management: Builds and retains trust with agents, authors, and internal partners.
  • Project Management: Keeps multiple books moving on schedule and on budget.
  • Communication: Clear, persuasive, professional, and positive across all settings.
  • Initiative: Proactively generates opportunities
  • Adaptability: Responds effectively to changing market conditions and priorities.

 
Salary Range: $70,000-90,000 annually
Status: Full-time, exempt
Work Model: Hybrid; on-site expectations based on team needs

EEO Statement

Andrews McMeel Publishing and Quirk Books are committed to building a diverse, equitable, and inclusive workplace. We welcome applicants from all backgrounds and do not discriminate on the basis of race, color, religion, sex, sexual orientation, gender identity, age, national origin, disability, veteran status, or any other protected status.