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Internship Sport Camera Operator Jobs (NOW HIRING)

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide travel across the U.S. Compensation: $150-$400/Day + Travel Pay + All Expenses About DanceBUG ...

Sports Videographers

Newark, NJ · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide travel across the U.S. Compensation: $150-$400/Day + Travel Pay + All Expenses About DanceBUG ...

Production Assistant

Raleigh, NC

$14 - $18.25/hr

... operator to work live broadcasts and in-house productions for NC State University Athletics (football, basketball, baseball, soccer, etc.) in Raleigh, NC. Experience with live camera work in sports ...

Need your own broadcast quality gear (video camera, microphone, tripod, lavalier) * Must have experience shooting sports (high school football preferred) * Must be punctual * Must be willing to learn ...

Need your own broadcast quality gear (video camera, microphone, tripod, lavalier) * Must have experience shooting sports (high school football preferred) * Must be punctual * Must be willing to learn ...

Need your own broadcast quality gear (video camera, microphone, tripod, lavalier) * Must have experience shooting sports (high school football preferred) * Must be punctual * Must be willing to learn ...

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Internship Sport Camera Operator information

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$11

$19

$34

How much do internship sport camera operator jobs pay per hour?

As of Jul 23, 2026, the average hourly pay for internship sport camera operator in the United States is $19.34, according to ZipRecruiter salary data. Most workers in this role earn between $15.38 and $21.63 per hour, depending on experience, location, and employer.

What is the difference between Internship Sport Camera Operator vs Sports Broadcast Technician?

AspectInternship Sport Camera OperatorSports Broadcast Technician
CredentialsBasic camera operation skills, possibly some related courseworkTechnical knowledge of broadcast systems, certifications may be preferred
Work EnvironmentOn-field during sporting events, outdoor or stadium settingsBroadcast control rooms, technical support areas
Industry UsageEntry-level role for gaining experience in sports filmingSupporting live broadcasts, maintaining equipment

The Internship Sport Camera Operator typically focuses on operating cameras during sporting events, often as an entry-level position. In contrast, a Sports Broadcast Technician handles technical support and equipment maintenance for live broadcasts. While both roles require some technical knowledge, the camera operator role emphasizes on-field camera work, whereas the technician role involves behind-the-scenes technical support.

What are the key skills and qualifications needed to thrive as an Internship Sport Camera Operator, and why are they important?

To thrive as an Internship Sport Camera Operator, you need a basic understanding of camera operation, video production principles, and often some formal education or coursework in media or film studies. Familiarity with professional cameras, video editing software, and broadcasting equipment is typically required. Attention to detail, teamwork, adaptability, and strong communication skills help you capture dynamic footage and respond quickly in live sports environments. These skills and qualities are essential to ensure high-quality visual content that meets the fast-paced demands of sports broadcasting.

What types of projects and learning opportunities can I expect as an Internship Sport Camera Operator?

As an Internship Sport Camera Operator, you can expect to work alongside experienced professionals during live sporting events, assisting with camera setup, operation, and equipment maintenance. You'll gain hands-on experience capturing dynamic action shots, learning about camera angles, and troubleshooting technical issues on the spot. Interns often rotate between different camera positions and may be involved in both pre-production meetings and post-event reviews, offering valuable exposure to the full broadcast workflow. This role provides excellent opportunities to build your technical skills, develop a professional reel, and network within the sports production industry.

What does an Internship Sport Camera Operator do?

An Internship Sport Camera Operator assists in capturing live sports events on video by operating cameras under the guidance of experienced professionals. Responsibilities often include setting up and maintaining camera equipment, following directions to capture specific shots, and learning about different camera techniques used in sports broadcasting. This role provides hands-on experience in a fast-paced environment and helps interns build essential skills for a career in sports media production. Interns may also assist with post-production tasks and work closely with directors, producers, and other media staff.
More about Internship Sport Camera Operator jobs
What cities are hiring for Internship Sport Camera Operator jobs? Cities with the most Internship Sport Camera Operator job openings:
What are the most commonly searched types of Sport Camera Operator jobs? The most popular types of Sport Camera Operator jobs are:
What states have the most Internship Sport Camera Operator jobs? States with the most job openings for Internship Sport Camera Operator jobs include:
Infographic showing various Internship Sport Camera Operator job openings in the United States as of July 2026, with employment types broken down into 7% Internship, 46% Full Time, 33% Part Time, 7% Temporary, and 7% Summer. Highlights an 93% In-person, and 7% Remote job distribution, with an average salary of $40,232 per year, or $19.3 per hour.
Seasonal Part-Time Video Operator

Other

Posted 26 days ago


Job description

NFL Media Technical Operations is seeking a part-time Video Operator to lead in-studio and remote camera shading for live and pre-recorded news and sports productions across all platforms. This role is responsible for ensuring consistent, high-quality visual output across all camera feeds by managing real-time shading, color correction, and signal integrity. 

The Video Operator serves as a critical technical resource within the control room and engineering ecosystem, partnering with Technical Directors, Engineering, and production teams to deliver a seamless, broadcast-ready product in a fast-paced, high-pressure environment. 

Responsibilities

  • Perform real-time shading of multiple camera sources during live and recorded productions, ensuring consistent color, exposure, and visual quality  
  • Configure and manage camera shading systems, including Sony broadcast camera chains, CCUs, and RCPs   
  • Adjust iris, gamma, black levels, and color balance across multiple camera feeds to maintain a cohesive on-air look  
  • Color correct inbound video feeds using Selenio Network Processor Manager to ensure broadcast quality and consistency  
  • Manage video signal routing for shading and production workflows using Imagine Magellan Control systems   
  • Monitor and troubleshoot video signals using waveform monitors, vectorscopes, and diagnostic tools to maintain broadcast standards  
  • Collaborate with Technical Directors, Engineering, and production staff to support the creative and technical execution of productions   
  • Support setup, calibration, and testing of cameras, shading systems, and video infrastructure for studio and remote productions   
  • Adjust shading dynamically based on changing lighting conditions, production requirements, or environmental factors   
  • Operate effectively in a fast-paced, high-pressure environment, adapting quickly to real-time production changes and technical challenges   
  • Support advanced production environments, including robotic camera systems (Panasonic, Telemetrics), Ultimatte systems, and OLED display integrations   

Required Qualifications

  • 5-10+ years of experience in camera shading or broadcast video operations in studio and/or remote production environments  
  • Extensive experience with Sony broadcast camera systems, including studio and ENG configurations   
  • Experience shading, color correcting, and routing video using frame synchronizers and production systems (e.g., Imagine, Cobalt)   
  • Strong understanding of broadcast video formats, including 1080p, 1080i, and 720p   
  • Working knowledge of SMPTE 2110 or IP-based video workflows

Preferred Experience 

  • Experience working in live sports or fast-paced broadcast production environments  
  • Experience with automated and robotic camera systems (Panasonic, Telemetrics)  
  • Familiarity with Ultimatte compositing systems and virtual production workflows  
  • Experience working with OLED walls and large-format display environments   
  • Knowledge of HDR and emerging broadcast technologies   

Other Key Attributes / Characteristics

  • Exceptional attention to detail with a strong eye for color accuracy and visual consistency  
  • Ability to remain calm and make precise technical adjustments under pressure in live broadcast environments   
  • Strong interpersonal and communication skills, with the ability to collaborate across control room, engineering, and production teams   
  • Highly organized and able to manage multiple camera feeds and priorities simultaneously   
  • Strong technical aptitude with the ability to troubleshoot complex video and signal issues in real time   
  • Self-motivated and adaptable, with the ability to work independently or within a team environment

Physical Demands 

  • Ability to lift up to 25 lbs as required for production setup and support   

Terms / Expected Hours of Work

  • Schedule driven by production needs, including live broadcasts and events  
  • Must be available to work flexible hours, including nights, weekends, and holidays   
  • This is a part-time position based on operational requirements up to 29 hours per week
  • Seasonal employment up to 7 months 

Salary / Pay Range

This job posting contains a pay range, which represents the range of salaries or hourly rates that the NFL believes, in good faith, at the time of this posting that it might be willing to pay for the posted job in the location(s) specified. The NFL expects to hire for this position near the middle of the range. Only in truly rare and exceptional circumstances, where an external candidate has experience, credentials or expertise that far exceed those required or expected for the position, would the NFL consider paying a salary or rate near the higher end of the range.Â