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Immersive Audio Jobs (NOW HIRING)

Apple

Core Audio Software Engineer

Cupertino, CA

$184K - $324K/yr

This is a high-impact role where your architectural decisions shape how users across hundreds of millions of Apple devices experience immersive audio. Description In this role, you will architect and ...

Apple

Core Audio Software Engineer

Cupertino, CA · On-site

This is a high-impact role where your architectural decisions shape how users across hundreds of millions of Apple devices experience immersive audio. Description In this role, you will architect and ...

Apple

Audio Engineer

Cupertino, CA

$149K - $225K/yr

Support immersive and spatial audio workflows, ensuring accurate translation and audience experience. Ensure systems are aligned, tuned, documented, with signal flow diagrams, and production ready ...

Dolby

AI Multimodal Researcher

Atlanta, GA · On-site

Our team invents next-generation technologies that power immersive audio-visual experiences, combining machine learning with decades of leadership in perceptual signal processing. In this role, you ...

Amazon

Corporate Counsel, Amazon Music

Seattle, WA · On-site

We are seeking an exceptional Corporate Counsel to support Amazon Music, Amazon's immersive audio entertainment service that deepens connections between fans, artists, and creators. From personalized ...

Amazon

Corporate Counsel, Amazon Music

Seattle, WA · On-site

We are seeking an exceptional Corporate Counsel to support Amazon Music, Amazon's immersive audio entertainment service that deepens connections between fans, artists, and creators. From personalized ...

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All JobsImmersive Audio Jobs

Immersive Audio information

See salary details

$29.5K

$84.5K

$171.5K

How much do immersive audio jobs pay per year?

As of Jul 15, 2026, the average yearly pay for immersive audio in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is the difference between Immersive Audio vs Sound Designer?

AspectImmersive AudioSound Designer
CredentialsAudio engineering, sound design certifications, specialized training in spatial audioAudio engineering, sound design certifications, creative portfolio
Work EnvironmentRecording studios, post-production facilities, VR/AR environmentsFilm, TV, video game studios, advertising agencies
Industry UsageFocus on spatial, 3D, and immersive sound experiencesFocus on creating sound effects, atmospheres, and audio for media

Immersive Audio specialists focus on creating spatial and 3D sound experiences, often working with VR, AR, and advanced audio technology. Sound Designers craft sound effects and atmospheres for various media. While both roles require audio engineering skills, Immersive Audio emphasizes spatial audio expertise, whereas Sound Designers focus on creative sound effects for media production.

What is immersive audio?

Immersive audio refers to sound technology that creates a three-dimensional sonic environment, making listeners feel as if they are inside the audio experience. This is often achieved using spatial audio techniques, such as surround sound, binaural audio, or object-based audio formats like Dolby Atmos. Immersive audio is used in a variety of settings including virtual reality, gaming, film, and live events to enhance realism and engagement. The goal is to replicate real-world soundscapes or create new auditory experiences that envelop the listener from all directions.

What are the key skills and qualifications needed to thrive as an Immersive Audio Engineer, and why are they important?

To thrive as an Immersive Audio Engineer, you need a solid background in audio engineering, acoustics, and sound design, often supported by a degree in audio production or related fields. Expertise in digital audio workstations (DAWs), spatial audio tools, and familiarity with formats like Dolby Atmos or Ambisonics is typically required. Creativity, attention to detail, and strong collaboration skills are essential soft skills for delivering engaging audio experiences in multidisciplinary teams. These skills and qualifications are crucial to producing high-quality, realistic soundscapes that enhance user immersion in various media environments.

What are some common challenges faced by professionals working in immersive audio production, and how can they overcome them?

Professionals in immersive audio often encounter challenges such as accurately positioning sound in 3D space, ensuring compatibility across various playback systems, and balancing creative vision with technical limitations. Overcoming these hurdles typically involves staying current with evolving audio standards (like Dolby Atmos), frequent collaboration with sound designers and engineers, and rigorous testing on different devices. Building a strong foundation in spatial audio theory and using advanced audio tools can also help address these challenges effectively.
More about Immersive Audio jobs
What cities are hiring for Immersive Audio jobs? Cities with the most Immersive Audio job openings:
What are the most commonly searched types of Immersive Audio jobs? The most popular types of Immersive Audio jobs are:
What states have the most Immersive Audio jobs? States with the most job openings for Immersive Audio jobs include:
What job categories do people searching Immersive Audio jobs look for? The top searched job categories for Immersive Audio jobs are:
Immersive Audio jobs near you
Infographic showing various Immersive Audio job openings in the United States as of July 2026, with employment types broken down into 77% Full Time, 20% Part Time, 1% Temporary, and 2% Contract. Highlights an 89% Physical, 1% Hybrid, and 10% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.
Audio Engineer (A1)

Audio Engineer (A1)

Community Bible Church

San Antonio, TX • On-site

Full-time

Posted 5 hours ago

Job description

JOB SUMMARY
The Audio Engineer (A1) is responsible for delivering world-class audio experiences for both in-room and broadcast environments across all CBC campuses, services, conferences, and special events.
This role combines advanced live mixing, systems engineering, immersive audio technologies, broadcast integration, and technical leadership to create distraction-free worship experiences that
support ministry at the highest level. The ideal candidate understands that audio is more than technical execution - it is emotional support, clarity, atmosphere, storytelling, and leadership through sound.
This position requires a highly skilled engineer who thrives in fast-paced live production environments while maintaining excellence in preparation, communication, adaptability, and servant leadership. The Audio Engineer will work closely with worship leaders, production staff, volunteers, and creative teams to help deliver consistent and engaging experiences both in-room and online.
ESSENTIAL FUNCTIONS
Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.
  • Serve as lead A1 for weekend worship services, conferences, broadcasts, and special events
  • Mix high-level FOH, monitor, overflow, and broadcast audio environments
  • Deliver polished, balanced, and emotionally engaging mixes for:
  • In-room worship experiences
  • Online streaming audiences
  • Satellite campuses
  • Broadcast environments
  • Recording and archive playback
  • Overflow environments
  • Operate Yamaha Rivage and Yamaha DM7 console ecosystems across multiple production environments including:
  • Main Worship Center
  • Overflow venues
  • Monitor World
  • Broadcast environments
  • Build and maintain console show files, scenes, routing structures, macros, and workflows
  • Execute dynamic live mixes while adapting quickly to spontaneous service flow changes
  • Collaborate closely with worship leaders, pastors, broadcast teams, and production leadership to support ministry moments with intentional excellence
  • Maintain sonic consistency across multiple venues and campus environments
  • Mix and optimize audio specifically for online and broadcast environments
  • Understand the operational and creative differences between FOH and broadcast mixing
  • Manage vocal intelligibility, tonal balance, dynamics, and loudness consistency across streaming platforms
  • Collaborate with video engineering and broadcast teams to maintain synchronization and minimize latency issues
  • Understand audio-for-video workflows including:
  • Embedded SDI audio
  • Dante network audio systems
  • Multitrack recording
  • Playback systems
  • Lip sync management
  • Streaming signal paths
  • Help create immersive worship experiences for In room/online audiences
  • Operate, maintain, and troubleshoot advanced live audio systems including:
  • Yamaha Rivage console ecosystems
  • Yamaha DM7 console ecosystems
  • d&b Audiotechnik PA systems
  • d&b Soundscape immersive audio environments
  • Shure wireless microphone systems
  • Dante audio networking
  • RF coordination systems
  • Playback and recording systems
  • Configure and maintain Dante audio infrastructure and routing workflows across multiple venues
  • Coordinate wireless frequencies and RF environments for large-scale productions
  • Assist with PA optimization, gain structure management, and system tuning workflows
  • Troubleshoot complex signal flow and technical issues under live-event pressure
  • Maintain organized documentation including:
  • Patch sheets
  • Signal flow diagrams
  • System configurations
  • Equipment status reports
  • Ensure systems remain operationally reliable and service-ready
  • Record, edit, mix, and master audio for:
  • Video productions
  • Promotional content
  • Broadcast packages
  • Podcasts
  • Worship recordings
  • Support multitrack recording workflows and playback systems
  • Maintain organized session archives and audio assets
  • Assist in developing scalable playback and recording workflows for future production growth
  • Support guest artists, conferences, and special production environments with advanced preparation and execution
  • Serve as technical lead for smaller ministry events and gatherings
  • Adapt quickly between FOH, monitors, broadcast mixing, systems engineering, and production support roles
  • Cross-train in lighting, broadcast, and video systems to support overall production excellence
  • Help train and develop Audio All-Stars (volunteers) within CBC production culture and standards
  • Maintain calm, organized, and solutions-focused environments during high-pressure productions

COMPETENCIES
  • Strong attention to detail with exceptional listening skills
  • Calm and composed under live-event pressure
  • Highly organized and solutions-oriented
  • Team-focused with strong interpersonal communication skills
  • Self-motivated learner with a growth mindset
  • Reliable, punctual, and highly accountable
  • Passionate about excellence in both ministry and production environments
  • Adaptable and flexible within rapidly changing live-event environments

POSITION TYPE/EXPECTED HOURS OF WORK
Regular full-time, 36-40 hours per week. Weekend services and special events are required as part of scheduled responsibilities. Must work flexible hours including evenings and conferences.
PHYSICAL REQUIREMENTS
While performing the duties of this job, the employee may be regularly required to do the following:
  • Work extended periods on your feet in active live production environments, often during long services, rehearsals, and events.
  • Lifting, carrying, and setting up audio and production equipment weighing up to 50 lbs
  • Navigating stages, platforms, and technical areas

EDUCATION AND EXPERIENCE
  • High School Diploma or equivalent required
  • 3+ years of live audio production experience preferred
  • Experience in church, touring, concert, or broadcast production environments strongly preferred
  • Relevant certifications or advanced live audio training considered a plus

REQUIRED SKILLS
  • Strong experience with professional digital audio consoles in live production environments
  • Experience operating Yamaha Rivage and Yamaha DM7 systems preferred
  • Advanced understanding of:
  • FOH mixing
  • Broadcast mixing
  • Monitor engineering
  • EQ and dynamics processing
  • Gain structure
  • Signal flow
  • System optimization
  • Experience with Shure wireless systems and RF coordination
  • Understanding of Dante audio networking and digital audio infrastructure
  • Strong troubleshooting skills in high-pressure live production environments
  • Strong musical ear with understanding of dynamics, arrangement, frequency balance, and worship aesthetics

PREFERRED QUALIFICATIONS
  • Experience with d&b audiotechnik systems
  • Experience with d&b Soundscape immersive audio environments
  • Experience in large church, touring, concert, or broadcast production environments
  • Familiarity with Waves plugins, playback systems, multitrack recording, and audio postproduction workflows
  • Understanding of synchronization, latency management, and broadcast integration
  • Experience mentoring volunteers or technical team members
  • Familiarity with lighting and broadcast production systems

WORK ENVIRONMENT
Live production environments with high sound pressure levels
OTHER DUTIES
  • Must exemplify The CBC Way of Honor, Hospitality, Hustle, High Capacity, and Humility
  • Communicate proactively and professionally with production staff, worship teams, volunteers, and ministry leaders
  • Lead by preparation, professionalism, positivity, and adaptability
  • Support continuous improvement of CBC systems, workflows, and team development
  • Uphold the belief that production should support worship experiences without becoming distracting
  • CBC Member, genuine desire to serve God and the Church
  • Must live a life beyond reproach 1 Timothy 3
  • Maintain daily disciplines of Bible study and prayer

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