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Hourly Non Linear Video Editor Jobs (NOW HIRING)

Qualifications * 1-2 years of recent sports production experience, ENG video production, and non-linear video editing experience - preferably for a college sports in-house production. * Excellent ...

Non-Exempt Accountable to: Producer Date Updated: April 2025 Position Summary: The Video Editor ... Hourly, 38 regular hours per week * May occasionally require variable hours and weekend work * No ...

Non-Exempt Accountable to: Producer Date Updated: April 2025 Position Summary: The Video Editor ... Hourly, 38 regular hours per week * May occasionally require variable hours and weekend work * No ...

About the Position (non-paid internship): Start-Up Guys is seeking a passionate volunteer Video Editor to help us produce high-quality, engaging content for our growing YouTube audience. This role ...

Perform non-linear video editing using professional editing systems and the Adobe Creative Cloud suite and plugins such as Red Giant; create animation and motion graphics using Adobe After Effects

Perform non-linear video editing using professional editing systems and the Adobe Creative Cloud suite and plugins such as Red Giant; create animation and motion graphics using Adobe After Effects

... and non-working days. * No remote work will be authorized for this position. Qualifications ... Proficiency with video editing software (e.g., Adobe Premiere Pro, Final Cut Pro) and camera ...

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Hourly Non Linear Video Editor information

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How much do hourly non linear video editor jobs pay per hour?

As of Jul 15, 2026, the average hourly pay for hourly non linear video editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What is the difference between Hourly Non Linear Video Editor vs Freelance Video Editor?

AspectHourly Non Linear Video EditorFreelance Video Editor
Work EnvironmentTypically employed by production companies or media agencies, working on multiple projects with set hours.Self-employed, working remotely or on-site for various clients, with flexible hours.
CredentialsOften requires proficiency in editing software and a portfolio; formal education is common but not mandatory.Similar credentials; emphasis on portfolio and experience, with less focus on formal education.
Industry UsageCommonly used in media, advertising, and entertainment industries within structured organizations.Used across diverse industries, including marketing, film, and online content creation, with independent contracts.

The main difference is that an Hourly Non Linear Video Editor works within a company on a fixed schedule, while a Freelance Video Editor operates independently, managing multiple clients with flexible hours. Both roles require similar skills and credentials but differ in work environment and employment structure.

More about Hourly Non Linear Video Editor jobs
What cities are hiring for Hourly Non Linear Video Editor jobs? Cities with the most Hourly Non Linear Video Editor job openings:
What are the most commonly searched types of Non Linear Video Editor jobs? The most popular types of Non Linear Video Editor jobs are:
What states have the most Hourly Non Linear Video Editor jobs? States with the most job openings for Hourly Non Linear Video Editor jobs include:
What job categories do people searching Hourly Non Linear Video Editor jobs look for? The top searched job categories for Hourly Non Linear Video Editor jobs are:
Infographic showing various Hourly Non Linear Video Editor job openings in the United States as of July 2026, with employment types broken down into 100% Full Time. Highlights an 100% In-person job distribution, with an average salary of $65,728 per year, or $31.6 per hour.
Video Coordinator

Full-time

Re-posted 12 days ago


Job description

REQUIRED: Applicants must provide/include a digital demo reel or link to professional work to be considered for this role.
Job Summary

The Video Coordinator serves as a video content/feature producer for Lightning Vision and VSG Productions. This includes all Tampa Bay Lightning home games and production projects originating at Benchmark International Arena, as well as select internal and occasional third-party events requiring these services.

Essential Duties & Responsibilities
  • Assist in creation, editing and production of video features and feature elements, commercials, promotional spots, etc. as directed for display in-game and/or on other team
    digital/social/website channels.
  • Assist with daily Tampa Bay Lightning team coverage including practices and home games.
  • Assist entire production team through coordinating with all internal departments on securing collateral, direction and deadlines to exceed expectations of deliverables.
  • Assist with the producing and editing of flagship long-form content initiatives such as Recharge and Bolts Beginnings.
  • Assist with producing and editing hype videos.
  • Assist in maintaining video footage database/archives.
  • Assist with maintenance/care of video equipment.
  • Collaborating across departments to ideate, produce and distribute content across all TBL/VSG channels.
  • Other duties as assigned
Game/Event Responsibilities
  • Game/Event Night responsibilities: Yes
  • Approximate number of events worked per year: 100+
  • Camera operation, including the capturing of highlights and exclusive footage to be used across all distribution platforms.
  • Fast paced editing of highlights and exclusive footage for us on social platforms.
  • Capturing and editing player and staff media availability both pre and postgame.
  • In-Game Lightning Vision Crew responsibility will be TBD by Director of Game Presentation and VP, Game Presentation on an as-needed basis.
Qualifications
  • 1-2 years of recent sports production experience, ENG video production, and non-linear video editing experience - preferably for a college sports in-house production.
  • Excellent interpersonal skills, positive attitude, and ability to maintain healthy relationships with co-workers, managers, executives, and Hockey Operations.
  • BA/BS in video and television production or relevant degree.
  • Creative mindset to bring fresh ideas to content brainstorms.
  • Knowledge of hockey is preferred, but not necessary.
  • Knowledge of Adobe Premiere video editing program and associated visual effect plug-ins.
  • Knowledge of Davinci Resolve Studio
  • Technical aptitude, including very good computer skills (troubleshooting abilities and a major interest in emerging video and display technologies).
Working Conditions
  • Ability to work efficiently and effectively in office and arena environment that can be exciting, loud and distracting
  • This is an onsite role; flexibility to work a minority of time remotely.
  • Ability to work extended hours including late nights, holidays, and weekends as needed
  • Ability to work prolonged periods sitting at a desk and working on a computer.
  • Ability to lift/carry/move up to 25lbs
  • Ability to work in cold/hot indoor and outdoor temperatures
  • Ability to commute to various venues throughout the Greater Tampa Bay Area
  • Ability to travel within the US and Canada for up to one-week at a time, multiple times per year
  • Ability to work in areas that can become crowded with equipment and/or people
  • Ability to stand on feet for long periods of time, walk long distances and climb stairs.
  • Ability to work comfortable around special effects including, but not limited to: haze, strobe lights, lasers, etc.

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.