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Head Audio Jobs in Arizona (NOW HIRING)

CTI

Audio Visual Integration Technician

Phoenix, AZ · On-site

What are your responsibilities? - Install audio, video, control systems, video conferencing ... your head, have a valid driver's license, and the ability to pass a Motor Vehicle Check and a ...

CTI

Audio Visual Integration Technician

Phoenix, AZ · On-site

What are your responsibilities? - Install audio, video, control systems, video conferencing ... your head, have a valid driver's license, and the ability to pass a Motor Vehicle Check and a ...

mcw

The Head of Growth Marketing is responsible for accelerating profitable customer acquisition ... audio, direct mail, and emerging platforms). * Drive an optimized mix of single retail washes and ...

mcw

The Head of Growth Marketing is responsible for accelerating profitable customer acquisition ... audio, direct mail, and emerging platforms). * Drive an optimized mix of single retail washes and ...

Mister Car Wash, Inc.

Head of Growth Marketing

Tucson, AZ · On-site

$90 - $120/hr

We're currently seeking a Head of Growth Marketing to join our Headquarters team. Role and ... audio, direct mail, and emerging platforms). * Drive an optimized mix of single retail washes and ...

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Head Audio information

What are some common challenges faced by a Head Audio in coordinating large-scale productions?

As a Head Audio, one frequent challenge is managing communication and collaboration across multiple departments, such as lighting, stage management, and video, to ensure audio needs are aligned with the overall production. Balancing high-quality sound delivery while troubleshooting unexpected technical issues under tight deadlines is also common. Additionally, the role often involves scheduling and supervising a team of audio technicians, so strong leadership and adaptability are crucial to address evolving production requirements efficiently.

What is the difference between Head Audio vs Audio Engineer?

AspectHead AudioAudio Engineer
CredentialsTypically requires experience in audio production, leadership skills, and sometimes certifications in audio technologyRequires a degree or certification in audio engineering or related field
Work EnvironmentLeads audio teams, oversees production, and manages audio projects in studios or live settingsOperates audio equipment, mixes sound, and records in studios or live venues
Industry UsageCommonly used in media production, broadcasting, and live event companiesUsed across music, film, broadcasting, and live sound industries

In summary, a Head Audio typically oversees audio projects and manages teams, requiring leadership experience, while an Audio Engineer focuses on technical sound work like mixing and recording. Both roles are essential in audio production but differ in responsibilities and seniority.

What are the key skills and qualifications needed to thrive as a Head Audio?

To thrive as a Head Audio, you need extensive knowledge of audio engineering principles, experience with live and studio sound, and often a degree in audio production or a related field. Mastery of digital audio workstations (DAWs), mixing consoles, microphones, and audio networking systems is typically required, along with relevant certifications like Dante or Avid Pro Tools. Excellent leadership, problem-solving, and communication skills make someone stand out by ensuring effective team management and collaboration. These skills and qualities are crucial for delivering high-quality audio experiences and managing complex technical operations in live or recorded environments.

What does a Head Audio do?

A Head Audio, often known as the Head of Audio or Lead Audio Engineer, is responsible for overseeing all aspects of sound production in a venue, studio, or production company. Their duties include managing audio teams, ensuring the quality of sound during live events or recordings, maintaining audio equipment, and coordinating with other departments to meet the project's sound requirements. They may also design sound systems, troubleshoot technical issues, and set audio standards to ensure optimal performance. Effective communication, leadership, and technical expertise are key skills for this role.
What are the most commonly searched types of Audio jobs in Arizona? The most popular types of Audio jobs in Arizona are:
What are popular job titles related to Head Audio jobs in Arizona? For Head Audio jobs in Arizona, the most frequently searched job titles are:
What job categories do people searching Head Audio jobs in Arizona look for? The top searched job categories for Head Audio jobs in Arizona are:
What cities in Arizona are hiring for Head Audio jobs? Cities in Arizona with the most Head Audio job openings:
Head Audio jobs near you
Infographic showing various Head Audio job openings in Arizona as of August 2026, with employment types broken down into 1% As Needed, 80% Full Time, 16% Part Time, 1% Temporary, 1% Contract, and 1% Nights. Highlights an 93% Physical, 3% Hybrid, and 4% Remote job distribution.

On Call Head Audio

Madison Elementary District

Phoenix, AZ • On-site

$30/hr

Other

Re-posted 28 days ago

Job description

Madison Elementary School District #38
Position Title: On Call Head Audio
Length of Work Year: On Call/Substitute
Salary Information: $30.00/hour
Department: Madison Center for the Arts
Supervision: Supervised by Technical Director
Reports To: Stage Manager, Technical Director and Lighting Designer
This position is an on-call, activated on a show-by-show basis.
Overview: The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.
QUALIFICATIONS:
  1. 1-2 years experience of live audio mixing.
  2. Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  3. Professional experience with Yamaha Digital consoles
  4. Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  5. Experience with and working knowledge of live entertainment multi projector systems and programming.
  6. Experience with both Audio and Video system network setup and troubleshooting.
  7. Experience with Shure ULXD, and Wireless Workbench a plus.
  8. Ability to work closely with people in a professional and positive manner.
  9. Ability to work closely and creatively with design teams, directors, and other members of the staff.
  10. Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  11. Ability to multitask while maintaining productivity.
  12. Ability to remain levelheaded in high-stress environments.
  13. Ability to troubleshoot under pressure and remain composed.
  14. Ability to work independently and meet deadlines.
RESPONSIBILITIES:
  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  1. Serve as the primary audio contact for the event or show.
  2. Assist with event load-in, setup, operation, and load-out.
  3. Manage and maintain the venue's audio systems and equipment.
  4. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  5. Supervise and mentor the audio team.
  6. Ensure compliance with safety protocols.
  7. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  8. Review sound plots to evaluate feasibility and implementation in The Madison
  9. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  10. Collaborate to produce show-related audio paperwork.
  11. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  12. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.

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