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Game Audio Jobs in Utah (NOW HIRING)

Music Producer (Seasonal)

Salt Lake City, UT · On-site

$120K - $121K/yr

Operate live audio playback systems during all Utah Jazz home games and select special events during the season. * Attend and collaborate with the Game Presentation team in pre-production meetings ...

Ensure all arcade games and projectors are regularly being serviced, maintained, and cleaned ... Maintain all hardware elements of theater projectors, audio, and video systems of the center.

Ensure all arcade games and projectors are regularly being serviced, maintained, and cleaned ... Maintain all hardware elements of theater projectors, audio, and video systems of the center.

The Jazz are looking for an energetic and charismatic In-Arena Emcee to bring the game day ... This should be video, not just audio. Applicants should also submit their personal highlight reel ...

If your path into research engineering came through audio software development, game engine programming, embedded systems, HPC, or another field, we want to hear from you. What You'll Be Doing:

Associate

Sandy, UT · On-site

$15 - $16.75/hr

... games and/or bowling machines. Able to readily identify the most common problem with components like controls and audio systems. Other: Performs maintenance and repair tasks. Keeps a clean and ...

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Game Audio information

See Utah salary details

$7

$19

$34

How much do game audio jobs pay per hour?

As of Aug 25, 2026, the average hourly pay for game audio in Utah is $19.07, according to ZipRecruiter salary data. Most workers in this role earn between $12.93 and $21.68 per hour, depending on experience, location, and employer.

What is game audio?

Game Audio refers to all the sound elements used in video games, including music, sound effects, voice acting, and ambient sounds. Professionals in game audio design, create, and implement these sounds to enhance gameplay, create atmosphere, and support storytelling. Game audio specialists work closely with game developers and designers to ensure the sound fits seamlessly with the game's visuals and mechanics. Their work is essential for creating an immersive and engaging player experience.

What are game audio jobs?

Game audio jobs include work designing video game sound effects, composing original scores or incidental music for games, and producing audio for games. As a sound effects artist, your duties are to assess the visual composition of the game and design and produce sounds based on the action. Composer’s responsibilities also include watching the visual output of the game, but their goal is to compose a soundtrack that fits the mood of the game. Composers may work closely with lead designers or creative directors. Producers typically work with the composer or music director and the sound engineer to ensure that they record the audio properly and program it into the game.

What are the key skills and qualifications needed to thrive as a game audio professional, and why are they important?

To thrive as a Game Audio professional, you need strong musical and sound design skills, a solid understanding of audio engineering, and often a relevant degree or portfolio showcasing your work. Familiarity with digital audio workstations (DAWs), middleware like FMOD or Wwise, and game engines such as Unity or Unreal Engine is typically required. Creative problem-solving, collaboration, and effective communication are vital soft skills for integrating audio seamlessly with other game elements. These skills ensure immersive, high-quality audio experiences that enhance gameplay and player engagement.

How does a game audio professional typically collaborate with other departments during game development?

Game Audio professionals work closely with game designers, programmers, and artists to ensure that music, sound effects, and dialogue are integrated seamlessly into the game. Collaboration often involves attending development meetings, iterating on feedback, syncing audio assets with gameplay mechanics, and troubleshooting technical issues with the development team. Clear communication and adaptability are key, as priorities can shift quickly based on playtesting results or design changes. This teamwork ensures that the audio enhances the overall player experience and supports the game's vision.

What is the difference between Game Audio vs Sound Designer?

AspectGame AudioSound Designer
CredentialsAudio production, music, sound design certificationsAudio, music, sound design certifications
Work EnvironmentVideo game studios, interactive mediaFilm, TV, advertising, interactive media
Industry UsagePrimarily in gaming industryBroadly across entertainment and media
Search & ComparisonFocus on interactive sound for gamesFocus on sound for various media

Game Audio specialists focus on creating sound effects, music, and audio assets specifically for video games, often working within interactive environments. Sound Designers have a broader role, working on sound effects and audio for films, TV, and other media, but may also work in gaming. While both roles require similar skills and certifications, Game Audio professionals specialize in interactive sound design tailored for gameplay experiences.

Are game audio jobs in high demand?

Game audio jobs are in steady demand as the gaming industry continues to grow, requiring skilled audio designers, sound engineers, and composers. Professionals with experience in digital audio workstations, sound design, and interactive audio are sought after, especially in larger studios and independent development teams.

How to become a game audio engineer?

To become a game audio engineer, you typically need a bachelor's degree in audio engineering, music production, or a related field, along with experience in sound design, editing, and mixing. Proficiency with digital audio workstations (DAWs) and game development tools like Wwise or FMOD is essential, and building a portfolio of game audio projects can improve job prospects.

How to get a job in game audio?

To get a job in game audio, develop skills in sound design, editing, and mixing using tools like Pro Tools or Wwise. Building a portfolio of your work, gaining experience through internships or freelance projects, and understanding game development processes can improve your chances. A background in music, audio engineering, or related fields is often beneficial.

What are the most commonly searched types of Game Audio jobs in Utah?

The most popular types of Game Audio jobs in Utah are:

What are popular job titles related to Game Audio jobs in Utah?

For Game Audio jobs in Utah, the most frequently searched job titles are:

What cities in Utah are hiring for Game Audio jobs?

Cities in Utah with the most Game Audio job openings:

Infographic showing various Game Audio job openings in Utah as of August 2026, with employment types broken down into 81% Full Time, and 19% Part Time. Highlights an 100% In-person job distribution, with an average salary of $39,657 per year, or $19.1 per hour.

Music Producer (Seasonal)

Utah Jazz

Salt Lake City, UT • On-site

$120K - $121K/yr

Full-time

This job post has expired 1 day ago. Applications are no longer accepted.


Job description

Description


JOB SUMMARY:

The Music Producer is a 9-month seasonal position responsible for developing and executing the overall music strategy for Utah Jazz game presentation from September through May. This role will own the creation of a dynamic, engaging, and team-specific arena soundtrack by curating music libraries, building situational moments, producing custom audio assets, and collaborating with Game Presentation, Creative, Marketing, and Event Operations teams to elevate the fan experience throughout the season. *Candidates will need to live within the greater Salt Lake City area for the duration of the season*


DUTIES & RESPONSIBILITIES:

  • Own and manage all game-day music libraries and playlists across playback systems, ensuring content is current, organized, and aligned with the Utah Jazz brand identity.
  • Curate music selections for all in-game moments, including pregame, player introductions, timeouts, momentum shifts, defensive and offensive pushes, scoring runs, crowd engagement moments, breaks in play, and postgame celebrations.
  • Develop and maintain a comprehensive library of situational music moments and triggers that support game flow and enhance emotional storytelling.
  • Partner with Game Presentation Producers to align music selections with in-game scripts, promotions, sponsor moments, contests, and entertainment elements.
  • Create custom tracks, edits, remixes, stingers, sound effects, and audio moments specific to the Utah Jazz environment.
  • Collaborate with Video and Creative teams to support audio production needs for content creation, including selecting, editing, and preparing music for digital and social content.
  • Identify opportunities to improve timing, pacing, energy levels, and transitions throughout the live event experience.
  • Support the in-arena DJ and game presentation team with music direction, recommendations, and creative guidance.
  • Monitor trends in music, sports entertainment, and fan behavior to continuously evolve the arena soundtrack.


QUALIFICATIONS:

  • Strong understanding of music curation, live event production, and sports entertainment.
  • Experience DJing, producing music, or creating audio content.
  • Ability to understand crowd energy, game flow, and how music impacts fan behavior.
  • Knowledge of BPM, tempo mapping, and music theory as it relates to live entertainment pacing.
  • Strong knowledge of current music trends across multiple genres.
  • Experience with Ableton Live, Logic Pro, Pro Tools, Adobe Audition, or similar audio production software preferred.
  • Knowledge of the NBA rules and regulations is preferred. 


COMMITMENT (SEPTEMBER - MAY):

  • Operate live audio playback systems during all Utah Jazz home games and select special events during the season.
  • Attend and collaborate with the Game Presentation team in pre-production meetings and game-day rehearsals.
  • Assist with troubleshooting music playback systems and ensure all audio assets are properly prepared before events.
  • Maintain a minimum of 10 hours per week dedicated to music curation, audio production, playlist development, trend research, and preparation for upcoming games and events.
  • Maintain a flexible schedule, with weekly hours ranging from approximately 15 to 60 based on game schedules, rehearsals, special events, and production needs.
  • Ability to work nights, weekends, and a high volume of event days throughout the season.
  • This position is a 9-month seasonal role from September through May, aligned with the NBA season.


COMPENSATION:

  • Competitive contract compensation commensurate with experience and scope of work. We are seeking exceptional talent and are prepared to offer a competitive rate for the right candidate.


 PHYSICAL DEMANDS:

  • This person must be able to communicate and express themselves both in writing and verbally.
  • This person must be able to observe, inspect, estimate, and assess.
  • This person must be able to sit, stand, bend, walk, and climb stairs for long periods of time.
  • This person must be able to lift 20 lbs.

The Smith Entertainment Group provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state or local laws. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation and training.


We will ensure that individuals with disabilities are provided reasonable accommodation to participate in the job application or interview process, to perform essential job functions, and to receive other benefits and privileges of employment. Please contact us to request accommodation.


Note: The need may arise to revise, supplement, or rescind portions of this job description, and SEG reserves the right to do so at any time. Employees shall be required to meet the qualifications and perform the duties of any revised job description.




Utah Jazz logo

About Utah Jazz

Sourced by ZipRecruiter

Industry

Spectator sports

Company size

201 - 500 Employees

Headquarters location

Salt Lake City, UT, US

Year founded

1985