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Freelance Audio Book Editor Jobs (NOW HIRING)

Content Creator - Freelance

Santa Monica, CA · On-site

$141K/yr

Our freelance Content Creator develops, produces, captures, and edits original content across ... audio finishing competence for finished pieces; comfort handing off to a specialist editor when the ...

Remote About the Opportunity We are seeking an experienced freelance Video Editor to edit premium ... Perform color correction, audio balancing, and overall video quality enhancements. * Create ...

The Audio Specialist partners with our internal team and external freelance resources to support ... Audio Post-production Mixer - Extensive experience in editing VO, music, and sound effects, and ...

The Books editor will help us sharpen how we connect readers to the expertise, recommendations and ... audio, video, and design teams to expand the Books desk's footprint across formats (e.g., The Book ...

... • Manage a freelance roster of 8-12 contributors • Partner with data and product teams to ... audio production* Preferred : • Experience at a consumer publisher or digital media company ...

Deputy Ideas Editor

Boston, MA · On-site

$90K - $122K/yr

Experience working with writers, particularly freelancers. * The candidate should have produced ... editors on audio, video, graphics, and social media. * Relationships with a diverse network of ...

The Books editor will help us sharpen how we connect readers to the expertise, recommendations and ... audio, video, and design teams to expand the Books desk's footprint across formats (e.g., The Book ...

You'll run our NYC studio setup (camera, lighting, audio) and make every speaker look and sound ... not solely agency or freelance) - you understand what it means to own outcomes, not just ...

You'll partner with editorial, managing editorial, manufacturing, design, freelancers, and other ... book by book, we have changed more than 300 million lives. Join us as we change 300 million more!

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Freelance Audio Book Editor information

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$18K

$72.1K

$112.5K

How much do freelance audio book editor jobs pay per year?

As of Aug 17, 2026, the average yearly pay for freelance audio book editor in the United States is $72,056.00, according to ZipRecruiter salary data. Most workers in this role earn between $49,500.00 and $94,000.00 per year, depending on experience, location, and employer.

What does a freelance audio book editor do?

A Freelance Audio Book Editor is responsible for editing and refining audio recordings of books to ensure they are clear, engaging, and meet publishing standards. This includes removing background noise, correcting mistakes, adjusting pacing, and sometimes adding special audio effects. The editor works closely with narrators and publishers to deliver a polished final product that provides a smooth listening experience for audiences.

What skills and qualifications are needed to thrive as a freelance audio book editor?

To thrive as a Freelance Audio Book Editor, you need a solid understanding of audio editing, sound engineering, and storytelling, often supported by experience or training in audio production. Proficiency with digital audio workstations (DAWs) like Audacity, Adobe Audition, or Pro Tools, as well as familiarity with industry standards for audiobook formatting, is essential. Attention to detail, time management, and strong communication skills help you deliver high-quality projects and collaborate effectively with authors and narrators. These competencies ensure polished, professional audiobooks that meet client expectations and industry requirements.

What are common challenges freelance audio book editors face when working with authors and publishers?

Freelance audio book editors often encounter challenges such as managing inconsistent audio quality from various narrators, meeting tight publishing deadlines, and aligning on creative expectations with authors and publishers. Effective communication is key, as project requirements can vary greatly, and feedback cycles may be frequent. Additionally, freelancers must balance multiple projects simultaneously and ensure that final audio files meet industry standards for clarity, pacing, and formatting.

What is the difference between Freelance Audio Book Editor vs Freelance Voice Over Artist?

AspectFreelance Audio Book EditorFreelance Voice Over Artist
CredentialsAudio editing skills, audio engineering knowledgeVocal training, voice acting skills
Work EnvironmentHome studio, editing softwareHome studio, recording equipment
Industry UsagePublishing, audiobook productionAdvertising, narration, multimedia
Search & ComparisonOften compared for audio production rolesDifferent focus on vocal performance

While both roles involve audio work, a Freelance Audio Book Editor focuses on editing and mastering audiobooks, ensuring sound quality and consistency. A Freelance Voice Over Artist provides the vocal performance for various media. They often collaborate but serve different functions in audio production.

Are freelance audio book editors in demand?

Freelance audio book editors are in increasing demand due to the growth of the audiobook industry and the need for high-quality editing. Skills in audio editing software and a good ear for sound are essential, and many editors find opportunities through online platforms and publishing companies seeking remote freelance work.

How much do freelance audiobook editors make?

Freelance audiobook editors typically earn between $25 and $75 per hour, depending on experience, project complexity, and client budget. Many charge per finished hour of audio, with rates ranging from $50 to $150 per hour of edited content. Earnings can vary widely based on skill level, reputation, and the volume of work completed.
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Infographic showing various Freelance Audio Book Editor job openings in the United States as of August 2026, with employment types broken down into 84% Full Time, 10% Part Time, 1% Temporary, and 5% Contract. Highlights an 86% Physical, 3% Hybrid, and 11% Remote job distribution, with an average salary of $72,056 per year, or $34.6 per hour.

Content Creator - Freelance

Nebraska Broadcasters Association

Santa Monica, CA • On-site

$141K/yr

Full-time

Medical, Dental, Vision, Life, Retirement, PTO

Re-posted 7 days ago


Job description

Our freelance Content Creator develops, produces, captures, and edits original content across Facebook, Instagram, TikTok, X, and YouTube. The role serves as the team's end-to-end creator, bringing ideas from concept to publication with speed, creativity, and a strong understanding of platform-native storytelling. The freelance Content Creator identifies content opportunities, responds to emerging trends, and produces engaging content designed to drive audience growth and engagement across channels.

The freelance Content Creator is equally comfortable creating fast-turn, mobile-first content and producing higher-polish branded, original, and tentpole projects. The role captures content using both smartphone and professional camera equipment, including DSLR and mirrorless systems, while also managing audio and production elements as needed. Working across multiple teams, the freelance Content Creator collaborates with the Senior Social Media Manager on social content initiatives and partners with the Director of Video Content on video production planning and coordination. The role works closely with the Social Media Specialist on trend-driven and user-generated content executions, the Social Graphics Content Specialist on visual packaging, the Short-Form Video Producer Lead on video development, and the on-shift coordinator to align content delivery with publishing priorities. Through strong creative instincts and hands-on production expertise, the freelance Content Creator helps deliver timely, engaging, and platform-optimized content across the brand's digital ecosystem.

This freelance role is expected to be approximately 40 hours per week, with schedules aligned to tournament coverage needs. Flexibility to work weekends may be required during key tournaments and high-volume event periods. This freelance engagement is anticipated to run through December 2026, with the potential to be extended through the end of 2027 based on business needs and performance.

This is a freelance position and onsite in Santa Monica, CA. 

In this freelance role, you will... 

Lead Content & Creative Direction  (primary lane - concept, produce, capture, edit) 

  • Concept content end-to-end across the five social platforms - trend-driven pieces, branded content, recurring serialized formats, tentpole moments, original creator concepts, and one-off campaign creative. 
  • Produce shoots from concept to set - define the shot list, coordinate talent, locations, props, and timing; manage logistics on the day. 
  • Capture content using both production modes: 
  •   Phone-first capture - vertical video, BTS moments, court-side reactions, trend executions, fast-turn pieces. 
  •   DSLR / mirrorless + audio capture - interviews, branded content, original series segments, higher-polish tentpole pieces. Comfortable running camera, lenses, lavalier and shotgun microphones, basic lighting. 
  • Edit captured content end-to-end - phone or CapCut for fastest-turn pieces, Premiere Pro for polished and longer-form work. 
  • Bring on-camera presence and voice-over capability where the piece calls for it. 
  • Operate under the Tennis Channel brand voice and visual standard set by the Senior Social Media Manager and the Director of Video Content; flag content-quality concerns up before publish. 

Bring Production Expertise  (what this role brings to the team) 

  • Phone-first production: fluent shooting vertical content directly on phone, with on-the-go lighting and audio when needed. 
  • DSLR / mirrorless production: owns end-to-end setup - camera body and lenses, monitor, lighting basics, lavalier and shotgun mics, on-camera and ambient audio. 
  • Audio capture: comfortable running lavs, shotguns, and USB mic setups for podcast-style or interview-style content. 
  • Self-editing in CapCut Pro (fast-turn vertical) and Premiere Pro (polished horizontal and vertical). 
  • Color and audio finishing competence for finished pieces; comfort handing off to a specialist editor when the piece warrants deeper finishing. 

Lead Campaign Execution

  • Lead end-to-end content creation for assigned tournament tentpoles, brand campaigns, sponsor activations, and serialized formats - concept, produce, capture, edit, and publish. 
  • Coordinate with the Senior Social Media Manager and Director of Video Content on which campaigns the Content Creator owns end-to-end vs. supports. 
  • Contribute the Content Creator's owned content slots to the Master Cross-Platform Content Calendar and the video team's 90-day pipeline view. 
  • Travel to select tournaments and shoots to capture on-the-ground content - typically 8-15 weeks per year on the road. 

Stay Ahead of Platform Expertise & Trends 

  • Live inside platform trend cycles on TikTok, Reels, Shorts, Instagram, and YouTube - sound choices, edit timing, format awareness, creator-economy moves. 
  • Bring concepts to the Weekly Trending Content Meeting (chaired by the Senior Social Media Manager) - daily and tournament concepts built on emerging trends - and own follow-through on what gets approved. 
  • Run a tight reactive-content loop: when a trend or moment breaks between meetings, ship a creator response fast under brand-voice guardrails. 
  • Run platform-feature tests on creator output (new format, new placement, new edit style); document what works and surface to the Senior Social Media Manager and Director of Video Content. 

Drive Strategy & Planning 

  • Maintain a 90-day forward view of creator-content opportunities aligned with the team's tournament tentpoles, brand campaigns, and serialized programming. 
  • Identify creator-content growth opportunities (new format, new on-camera concept, new platform-native execution) and bring them to the Senior Social Media Manager and Director of Video Content with a recommended action and a resource ask. 

Analyze Performance & Report Insights 

  • Surface content performance insights - which pieces performed, which formats are tired, what to test next - to the Senior Social Media Manager and Director of Video Content. 
  • Provide qualitative content read-back weekly to feed the cross-platform executive narrative. 
  • Track personal output volume and cycle time against targets set by the Senior Social Media Manager. 

Partner Cross-Functionally

  • Partner with the Senior Social Media Manager on social-side content concepting, brand voice, and the Master Cross-Platform Content Calendar. 
  • Partner with the Director of Video Content on video-pipeline coordination - when a creator piece needs production support, an editor pairing, or longer-form finish. 
  • Partner with the Social Media Specialist on UGC, trending executions, and on-the-ground tournament capture. 
  • Partner with the Social Graphics Content Specialist when a creator piece needs custom graphics (titles, lower-thirds, end cards). 
  • Partner with the Short-Form Video Producer Lead, Video Editor (short-form), and YouTube Editor when a piece needs polished editing beyond fast-turn self-edit. 
  • Coordinate with the on-shift coordinator on publish-window timing for creator-owned content. 

Key Performance Indicators 

  • Creator content output volume per tournament week and per non-tournament week. 
  • Engagement and reach on creator-owned content across the five platforms. 
  • Trend response time: trend identified to published content (target: under 24 hours, often under 6 hours during active tournaments). 
  • New creator format pilots launched per year - and percent that get repeated as serialized programming. 
  • Contribution to YoY platform growth: IG (+50%), FB (+50%), TikTok (+100%), and YouTube (+100% via Shorts and creator-led long-form). 
  • On-camera content performance vs. brand baseline (where on-camera is the format). 
  • Quality bar across creator output (qualitative review by Senior Social Media Manager and Director of Video Content). 
  • Production reliability: shoots executed on plan, deliverables hit on time, on-set issues resolved without surfacing as blockers. 

Key Qualifications 

  • 3-5 years as a creator in social media, brand, or creator-economy environment - ideally in sports, live events, news, or entertainment. 
  • Demonstrable portfolio across multiple platforms (TikTok, Reels, Shorts, Instagram, YouTube). 
  • Hands-on capture experience with BOTH phone-first production AND DSLR / mirrorless + audio production - required, not preferred. 
  • Owned or willing-to-own production kit: camera body and lenses, lavalier and shotgun microphones, basic lighting. 
  • Self-editing fluency in CapCut Pro and Premiere Pro. 
  • On-camera and voice-over comfort. 
  • Strong concept instincts and brand-voice sensibility - able to translate a brand into native-feeling content for each platform. 
  • Comfort traveling for tournaments and shoots (8-15 weeks per year on the road). 
  • Strong organizational skills under live-event pressure and creator-cycle pace. 
  • Tennis or live sports knowledge a strong plus. 

Tennis Channel is proud to be equal opportunity employer and a drug free workplace. Employment practices will not be influenced or affected by virtue of an applicant's or employee's race, color, religion, sex (including pregnancy, gender identity, and sexual orientation), national origin, age, disability, genetic information, military or veteran status or any other characteristic protected by law.

About Tennis Channel

Tennis Channel is the only multiplatform destination dedicated solely to tennis year-round. Together, the Tennis Channel flagship network, Tennis Channel 2, and the Tennis Channel app (tennischannel.com) deliver the most accessible and concentrated single-sport coverage anywhere. As the exclusive U.S. home of the ATP Tour and WTA Tour, Tennis Channel features live coverage of every Masters 1000 tournament - including Indian Wells, the Miami Open, Madrid, Rome, Cincinnati, and more - alongside live studio programming including its premier series, TC Live. Tennis Channel 2, a free FAST channel available in over 100 million homes, brings fans matches from across the globe at every level of the game. The Tennis Channel app brings it all together in one place, delivering live and on-demand matches, original content, and a personalized multi-view experience for fans, available on mobile and connected TV devices. Owned by Sinclair, Tennis Channel is also a co-owner of PickleballTV (pickleballtv.com), a joint venture with the Professional Pickleball Association.


About Sinclair
Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates and/or provides services to 177 television stations in 79 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; and multicast networks CHARGE, Comet, ROAR and The Nest. Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found at www.sbgi.net.


About the Team
The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open-door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let's talk.

The base salary compensation range for this freelance role is $90,000 to $100,000. Final compensation for this role will be determined by various factors such as a candidates' relevant work experience, skills, certifications, and geographic location. Full time positions are eligible for benefits that include participation in a retirement plan, life and disability insurance, health, dental and vision plans, flexible spending accounts, sick leave, vacation time, personal time, parental leave and employee stock purchase plan.

#tennis


Nebraska Broadcasters Association logo

About Nebraska Broadcasters Association

Sourced by ZipRecruiter

The Nebraska Broadcasters Association (NBA) is a key player in the communications industry located in Omaha, NE, US. Officially established in 1934, it was founded with the mission of fostering effective cooperation among broadcasters in Nebraska, advocating for their rights and promoting the highest standards of broadcasting. NBA is the voice for Nebraska’s free over-the-air radio and television broadcasters, serving the public interest since 1934. As a non-profit association, it relies on dues from member broadcasting stations to fulfill its purpose. Among its notable achievements, the association has played a major role in supporting broadcasters and ensuring they maintain adherence to regulations.

Industry

Media and telecom

Company size

1 - 10 Employees

Headquarters location

Omaha, NE, US

Year founded

1934

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