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Film Video Editor Remote Jobs in Arizona (NOW HIRING)

Self-directed. Remote means remote - you don't need hand-holding to deliver. Nice-to-Haves ... Motion graphics or video editing capabilities * Familiarity with WordPress/CMS-based design ...

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Film Video Editor Remote information

What does a film video editor remote do?

A remote film video editor is responsible for assembling, editing, and enhancing video footage to create a final product according to the director’s vision, all while working from a location outside of a traditional studio. They use editing software to cut scenes, adjust audio, add effects, and ensure the story flows smoothly. Collaboration with directors, producers, and other team members is typically done through online communication tools. This role requires strong technical skills, creativity, and the ability to work independently to meet project deadlines.

What skills and qualifications are needed to thrive as a film video editor remote?

To thrive as a Film Video Editor (Remote), you need a strong grasp of visual storytelling, editing techniques, and a portfolio that demonstrates proficiency, often supported by a relevant degree or certification. Expertise in industry-standard editing software like Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve is crucial for efficient workflow and high-quality output. Exceptional attention to detail, creativity, and strong communication skills help remote editors understand client visions and collaborate effectively despite distance. These skills and qualities are essential for delivering compelling content that meets project objectives and client expectations in a remote work environment.

How do film video editors remote typically collaborate with directors and other team members during post-production?

Remote film video editors often use cloud-based platforms and video conferencing tools to communicate with directors, producers, and sound designers. They share draft edits via secure file-sharing services, receive feedback through review tools or virtual meetings, and frequently update project files to reflect collaborative input. Staying organized and responsive is crucial, as clear communication helps ensure the creative vision is met despite working from different locations. Regular check-ins and detailed notes can help minimize misunderstandings and keep projects on schedule.

What is the difference between Film Video Editor Remote vs Film Video Editor?

AspectFilm Video Editor RemoteFilm Video Editor
Work EnvironmentRemote, home-basedStudio, post-production house, or on-site
CredentialsRelevant editing certifications, portfolioSame as remote, often with additional industry experience
Industry UsageFreelance or remote company rolesStudio or production company roles
Tools & SoftwareEditing software like Adobe Premiere, Final Cut ProSame as remote, with possibly more hardware setup

Both roles require similar skills and software knowledge, but the main difference lies in the work environment. Film Video Editor Remote works from home or any location, offering flexibility, while Film Video Editors often work on-site in studios or post-production facilities. The credentials and tools are generally the same, making remote editing a popular choice for experienced editors seeking flexibility.

What are the most commonly searched types of Film Video Editor jobs in Arizona?

The most popular types of Film Video Editor jobs in Arizona are:

What job categories do people searching Film Video Editor Remote jobs in Arizona look for?

The top searched job categories for Film Video Editor Remote jobs in Arizona are:

What cities in Arizona are hiring for Film Video Editor Remote jobs?

Cities in Arizona with the most Film Video Editor Remote job openings:

Infographic showing various Film Video Editor Remote job openings in Arizona as of August 2026, with employment types broken down into 77% Full Time, 18% Part Time, 1% Temporary, and 4% Contract. Highlights an 83% Physical, 3% Hybrid, and 14% Remote job distribution.

Senior Meta Media Buyer - Ecomm/DTC Brands Only (100% Remote)

The Brick Agency Ltd

Gilbert, AZ • On-site, Remote

$55K - $90K/yr

Contractor

Re-posted 19 days ago


Job description

The Opportunity
We're not another generalist agency where "media buyer" means babysitting whatever accounts walk in the door.
Brick Social runs paid media and creative for e-commerce and DTC brands only - SHITI Coolers, Drake Waterfowl, ButcherBox for Pets, Spotlight Oral Care. One niche, total depth. You'll never context-switch from a plumber's lead-gen campaign to a B2B webinar funnel. Every account is a Shopify-economy brand where your buying decisions show up in revenue the same week you make them.
Here's the thing most buyers never get: a creative engine behind them. Our pods ship roughly 136 new assets a month - about 7 fresh ads a day - from a dedicated creative strategist, video editor, and designers who sit in your pod. When you spot a fatiguing ad at 9am, you brief its replacement the same day. You will never beg a client for creative again, and you will never take the blame for a stale account you couldn't refresh.
And you're paid like an owner, not a seat. Our pod profit share pays out 20% of pod profit above the margin floor, quarterly. When your accounts grow, your paycheck does - the math is shared openly, and it's the same math the founders use.
Your Mission (Should You Choose to Accept It): Own paid social for up to 8 e-commerce accounts inside one pod. Structure, launch, pace, and scale Meta campaigns against each client's revenue projection - with a creative team feeding you fresh assets daily and a documented launch process behind you. Your job is simple to say and hard to do: hit revenue-to-projection, every account, every month.
The Role - What You'll Own
1. Account performance - full-funnel Meta buying for up to 8 DTC accounts (~$30K+/mo spend levels): structure, budgets, pacing, scaling decisions. You decide what gets tested, when, and why.
2. The launch machine - fixed Mon/Wed/Fri launch windows with hard cutoffs. Creative is logged on arrival, triaged within 1 business day, live within 5. You run the pre-launch QA checklist and confirm live to the client - the touchpoint that builds trust.
3. The feedback loop - daily pulse with your pod (15 min), weekly creative-media sync with your strategist, client deep dives (2/day, one assigned day per client), and a Friday safety sweep so nothing bleeds over a weekend.
Your Targets (Radical Transparency)
You'll see your scorecard on Day 1. Reviews here have zero surprises.
KPIs:
  • Revenue to Projections: 90%+
  • Spend to Projection: 90%+
  • On Time Launches: 95%+

You don't need to be perfect on day one. But you do need to be the kind of person who sees these numbers, gets excited, and immediately starts thinking about how to beat them.
Who You Are
Deal-Makers:
  • Agency-side, multi-account experience - you've juggled 5-8 ecomm accounts at once and know the rhythm; this is not a first-agency-job role
  • Hands-on Meta buying, right now - in-platform weekly for the last 2+ years, personally managing $50K+/mo per account (up to $500k/mo)
  • Scaling proof - you can name accounts you grew, with before-and-after spend and revenue numbers
  • Tracking literacy - pixel/CAPI, GA4, and at least one attribution stack (Triple Whale, Northbeam, or similar); you trust your numbers because you set them up
  • Creative fluency - you give strategists usable feedback (hooks, angles, fatigue signals), not "make it pop"
  • Time zone - 4+ hours of daily overlap with US Eastern, and you're at the Mon/Wed/Fri launch windows without fail

Deal-Breakers:
  • ❌ You haven't personally bought media in-platform in the last 2 years (managers who only "oversee" - this is a hands-on seat)
  • ❌ You've never been accountable to a revenue or ROAS target - only activity metrics
  • ❌ You've only ever run 1-2 in-house accounts and have never carried an agency load
  • ❌ You want set-and-forget account management with no daily ownership

You're Perfect If You:
  • Can't stop screenshotting ads in your feed and reverse-engineering why they're scaling
  • Get genuinely annoyed when spend paces 12% hot and nobody noticed but you
  • Bonus: you've bought for Shopify-economy DTC brands and know what a 2%+ conversion-rate store feels like from inside the ad account

The Package
Compensation: Base $5,000-$7,500/month USD + quarterly pod profit (based on experience and location)
Perks That Matter:
  • 100% remote - always has been, always will be
  • A creative team in your pod - you'll never be blocked on assets
  • Weekly group training hour w/ Founder + monthly 1:1
  • $5K referral bonus when you bring us an A-player

Our Values
1. Extreme Ownership - when something breaks in your account, you say 'that's mine' before anyone asks.
2. Growth - you're better at this job in December than you were in January, every year.
3. Exceeding Expectations - 'delivered as promised' is the floor, not the goal.
4. Openness - you speak up for what you believe in.
Include the number (1, 2, 3, or 4) of the value that resonates most with you in your application.
The Process
1. Apply - takes 10 minutes
2. One-way video interview (~15 min)
3. Skills test (1 hour, capped)
4. Two interviews
5. Reference check → offer within a week of your first interview
[APPLY HERE]
Incomplete applications will not be reviewed.
PS: A few years ago I was the guy doing all the buying - 60-70 hour weeks, on every client call, personally covering accounts every time someone left. I built Brick's pod system so that never happens to anyone here: you get a creative team, a documented launch process, real targets you see on day one, and a share of the profit you create. If you're the kind of buyer who wants to own accounts inside a system that actually supports you - I'd love to meet you.
- Tony, Co-Founder of Brick Social