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Film Trailer Editor Jobs (NOW HIRING)

Taylor University

Assistant Media Engineer

Upland, IN · On-site

... editing equipment, live television control room, remote television control trailer, computers/software (especially those related to film/video/audio production) and classroom technology. The person ...

Cardone Ventures

Social Content Creator

Scottsdale, AZ · On-site

$85K - $100K/yr

This is a film-heavy, editing-forward role for a skilled creator who understands professional ... social clips, trailers, recaps, podcast promotions, executive thought-leadership content ...

Tiny Hero

Internship

Burbank, CA · On-site

Check out the original film premiering on Prime Video June 12th Check out the new season of Devil ... An interest in trailer-specific editing or marketing is preferred, but we are open to all ...

Valnet Freelance

MovieWeb: Movies & TV Reporter

Atlanta, GA · Remote

$25 - $34/hr

Only serious candidates with strong knowledge of the film industry will be considered. * A passion ... Previous writing experience (Editing experience is a plus) * The ability to analyze content and ...

Dieffenbach's Snacks

DATA ENTRY- BTH Team C

Bethel, PA · On-site

$18.25/hr

Staging corrugate, film, and raw materials so production never skips a beat * Hand-stacking ... Editing and printing case labels and pallet tags as runs change * Loading finished goods onto ...

Dieffenbach's Inc.

$18.25/hr

Staging corrugate, film, and raw materials so production never skips a beat Hand-stacking finished ... Editing and printing case labels and pallet tags as runs change Loading finished goods onto ...

Dieffenbach's Inc.

DATA ENTRY- BTH Team C

Bethel, CT · On-site

$18.25/hr

Staging corrugate, film, and raw materials so production never skips a beat Hand-stacking finished ... Editing and printing case labels and pallet tags as runs change Loading finished goods onto ...

Sequel

Storyteller ($100-150k)

Los Angeles, CA · On-site

$100K - $150K/yr

... film and edit visually stunning, end-to-end content that tells compelling, impactful stories ... Most content roles are built around a single skill: editing, filming, or writing. At sequel, a ...

Sequel

Storyteller ($100-150k)

Los Angeles, CA · On-site

$100K - $150K/yr

... film and edit visually stunning, end-to-end content that tells compelling, impactful stories ... Most content roles are built around a single skill: editing, filming, or writing. At sequel, a ...

Sequel

Storyteller ($100-150k)

Los Angeles, CA · On-site

$100K - $150K/yr

... film and edit visually stunning, end-to-end content that tells compelling, impactful stories ... Most content roles are built around a single skill: editing, filming, or writing. At sequel, a ...

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Film Trailer Editor information

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How much do film trailer editor jobs pay per hour?

As of Sep 11, 2026, the average hourly pay for film trailer editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What does a film trailer editor do?

A Film Trailer Editor is responsible for crafting compelling and engaging trailers that showcase a film's best moments while maintaining narrative intrigue. They select key scenes, edit footage, add music, sound effects, and graphics to create an exciting preview that attracts audiences. Their goal is to balance storytelling and marketing, ensuring the trailer entices viewers without revealing too much of the plot.

What does a typical workflow look like for a film trailer editor, and how do they interact with other creative professionals during the editing process?

A Film Trailer Editor typically begins by reviewing the full film and any creative briefs to understand key themes and marketing goals. Throughout the editing process, they select impactful scenes, craft the narrative arc, and synchronize visual elements with soundtracks and effects. Editors frequently collaborate with directors, producers, and marketing teams, incorporating feedback and making revisions to align the trailer with the film’s vision and promotional objectives. Communication and teamwork are integral, as editors may participate in multiple rounds of creative discussions to finalize a trailer that appeals to target audiences and meets release deadlines.

What are the key skills and qualifications needed to thrive as a film trailer editor, and why are they important?

To thrive as a Film Trailer Editor, you need expertise in video editing, storytelling, and pacing, typically supported by a background in film production or a related field. Proficiency with industry-standard editing software such as Adobe Premiere Pro, Avid Media Composer, or Final Cut Pro is crucial, and certification in these tools can be advantageous. Strong communication, adaptability, and creative collaboration skills help editors interpret directors' visions and respond to feedback efficiently. These skills ensure the production of compelling trailers that captivate audiences and effectively promote films.

How do you become a film trailer editor?

To become a film trailer editor, you typically need experience in video editing, proficiency with editing software like Adobe Premiere Pro or Avid Media Composer, and a strong understanding of storytelling and pacing. Many trailer editors have backgrounds in film, television, or advertising, and develop their skills through internships, freelance work, or entry-level editing positions before advancing to trailer-specific roles.

How much do film trailer editors make?

Film trailer editors typically earn between $40,000 and $80,000 annually, depending on experience, location, and the complexity of projects. Senior editors or those working on high-profile trailers can earn higher salaries, especially with advanced skills in editing software like Adobe Premiere Pro or Avid Media Composer.
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Film Trailer Editor jobs near you
Infographic showing various Film Trailer Editor job openings in the United States as of September 2026, with employment types broken down into 2% As Needed, 43% Full Time, 54% Part Time, and 1% Contract. Highlights an 100% Physical job distribution, with an average salary of $65,728 per year, or $31.6 per hour.

Assistant Media Engineer

Upland, IN • On-site

Taylor University
Colleges, Universities, and Professional Schools • 501 - 1,000 employees
Learn more about Taylor Universityexternal

Part-time

Re-posted 2 days ago

Taylor University rating

7.0

Company rating: 7.0 out of 10

Based on 6 frontline employees who took The Breakroom Quiz

Job description

Location : Upland
Job Type: Part Time Staff
Job Number: 202300029
Area: School of Arts and Humanities
Opening Date: 06/11/2026
Summary
Mission and Commitment
Taylor's mission is to develop servant-leaders marked with a passion to minister Christ's redemptive love, grace, and truth to a world in need.
As a community, Taylor faculty, staff, and students commit to living out Christ's love and truth in the here and now. We worship together, serve one another, and grow in faith as we learn in the classroom, on the field, at chapel, and anywhere else we're doing Life Together.
Position Summary
The Assistant Media Engineer supports the activities, both curricular and co-curricular, of the Film & Media Arts program. As directed by the Chief Media Engineer, the Assistant Media Engineer will work with faculty, students and technology to further the goals of the film & media arts major, dealing primarily with technology such as cameras, Steadicam, jibs, dollies, lighting equipment, networked video, networked editing equipment, live television control room, remote television control trailer, computers/software (especially those related to film/video/audio production) and classroom technology. The person in this position needs to have people skills as well as a very broad and deep understanding of the technology involved in modern film and media production and be able to conform to the processes that have been implemented by the Chief Media Engineer.
Duties and Responsibilities
This position is primarily responsible to:
  • Testify to personal experience of salvation in Jesus Christ, affirm belief in the University's Statement of Faith, abide by and practice our Life Together Covenant, and both personally agree with and support the Foundational Documents of Taylor University.
  • Assist the Chief Media Engineer with research, development, maintenance, repair, and troubleshooting of media production equipment and systems.
  • Diagnose and repair issues with:
    • Cameras and camera support systems
    • Steadicam Shadow and Pilot systems
    • Tripods, dollies, and jibs
    • Professional lighting, dimming, and control systems
    • Live television production systems
    • Editing and post-production software
    • Networked storage, archiving, and asset management systems
  • Troubleshoot equipment and systems to the component level.
  • Document findings and report issues and recommendations to the Chief Media Engineer.
  • Initiate corrective actions, including:
    • Contacting vendors and manufacturers
    • Obtaining technical information and replacement parts
    • Preparing equipment for shipment and repair
  • Plan and execute maintenance projects independently or in collaboration with the Chief Media Engineer.
  • Provide regular verbal progress updates and recommendations regarding equipment maintenance, repair, and operational processes.
  • Interact professionally with students, faculty, staff, vendors, and manufacturers.
  • Support departmental productions, events, and technology operations while maintaining sound judgment and stewardship of valuable equipment.
  • Other duties as assigned.

Typical Qualifications
Education and Experience
  • High school diploma or GED; at least 6 months of experience directly related to the duties and responsibilities specified.
  • Bachelor's degree in a media-related field, preferred.
  • 1 - 2 years professional experience, preferred.
  • Steadicam training, preferred.
Skills and Competencies
Required
  • Experience with:
    • Large-format digital, broadcast, and DSLR cameras
    • Steadicam Shadow and Steadicam Pilot systems
    • Jibs and dollies
    • Professional lighting equipment
    • Pro Tools
    • Apple and PC computer systems
    • Live television production systems
    • Lighting boards and dimmers
    • Audio boards
    • Video switchers and routers
  • Ability to:
    • Read waveform monitors and vectorscopes
    • Solder and crimp connectors
    • Troubleshoot media equipment to the component level
  • Strong communication, organizational, and problem-solving skills.
  • Ability to work independently and collaboratively.
Preferred
  • Steadicam training.
  • Understanding of live music production, electronics, mixing, and mastering.
  • Knowledge of post-production audio workflows.
  • Experience with audio mixing and mastering.
  • Experience using iZotope RX Advanced for audio cleanup and noise removal.
  • Demonstrated ability to meet deadlines while working independently.

Supplemental Information
  • Supervisory Responsibility
    • Reports directly to the Chief Media Engineer.
  • Travel Requirements
    • Periodic in-state travel for recruiting visits, conferences, and departmental activities.
  • Work Schedule
    • Occasional evening and weekend work required.
    • Support may be needed for events such as:
      • Envision Film Festival
      • Red Eye Film Frenzy
      • Concert productions
      • Other department-sponsored media events
    • Approximately 6-7 special events per year.
  • Physical Requirements
    • Ability to stand, walk, crawl, and climb ladders.
    • Ability to lift and carry equipment weighing up to 90 pounds.
    • Perform tasks involving cable installation, lighting maintenance, and equipment setup.
  • Work Environment
    • Primarily indoor work with occasional outdoor event support.
    • Use of cleaning chemicals for maintaining equipment.
    • Required use of hearing protection when appropriate.
    • Commitment to safe work practices when using ladders, lighting systems, and production equipment.
  • Additional Information
    • All essential functions are subject to reasonable accommodation.
    • Additional job-related duties may be assigned by the supervisor.
    • Significant changes to job responsibilities may result in a position review and reclassification.

01
Please use this link to navigate to the Taylor University website to review the following documents, which are part of our Foundational Documents: - Mission Statement- Statement of Faith- Sanctity of Life Statement- Statement on Human Sexuality- Multicultural Philosophy Statementhttps://taylor.edu/about/mission-distinctions-beliefs
  • Yes, I have read this page in its entirety and understand its contents
  • No, I have not read this page in its entirety or I do not understand its contents.

02
In reference to the Foundational Documents: Do you personally support these statements to be your own example of belief, and if hired by Taylor University, would you agree to abide by the Life Together Covenant, Sanctity of Life Statement, the Statement of Human Sexuality, the Statement on Multicultural Philosophy, Taylor University Mission Statement, and Statement of Faith?
  • Yes
  • No

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