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Film Trailer Editor Jobs (NOW HIRING)

Sequel

Storyteller ($100-150k)

Los Angeles, CA · On-site

$100K - $150K/yr

... film and edit visually stunning, end-to-end content that tells compelling, impactful stories ... Most content roles are built around a single skill: editing, filming, or writing. At sequel, a ...

Sequel

Storyteller ($100-150k)

Los Angeles, CA · On-site

$100K - $150K/yr

... film and edit visually stunning, end-to-end content that tells compelling, impactful stories ... Most content roles are built around a single skill: editing, filming, or writing. At sequel, a ...

Sequel

Storyteller ($100-150k)

Los Angeles, CA · On-site

$100K - $150K/yr

... film and edit visually stunning, end-to-end content that tells compelling, impactful stories ... Most content roles are built around a single skill: editing, filming, or writing. At sequel, a ...

Company3

Vault Technician

Santa Monica, CA · On-site

They will shelve, re-shelve, shift, and re-pack media including, but not limited to film, video ... Experience with editing and composing business communications (i.e., letters, notices, e-mails)

NBCUniversal

Coordinator, Digital Marketing

Los Angeles, CA · Hybrid

$47K - $63K/yr

We create world-class content, which we distribute across our portfolio of film, television, and ... Support team initiatives for trailer launches and events * Handle light administrative tasks for ...

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Film Trailer Editor information

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How much do film trailer editor jobs pay per hour?

As of Aug 20, 2026, the average hourly pay for film trailer editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What does a film trailer editor do?

A Film Trailer Editor is responsible for crafting compelling and engaging trailers that showcase a film's best moments while maintaining narrative intrigue. They select key scenes, edit footage, add music, sound effects, and graphics to create an exciting preview that attracts audiences. Their goal is to balance storytelling and marketing, ensuring the trailer entices viewers without revealing too much of the plot.

What does a typical workflow look like for a film trailer editor, and how do they interact with other creative professionals during the editing process?

A Film Trailer Editor typically begins by reviewing the full film and any creative briefs to understand key themes and marketing goals. Throughout the editing process, they select impactful scenes, craft the narrative arc, and synchronize visual elements with soundtracks and effects. Editors frequently collaborate with directors, producers, and marketing teams, incorporating feedback and making revisions to align the trailer with the film’s vision and promotional objectives. Communication and teamwork are integral, as editors may participate in multiple rounds of creative discussions to finalize a trailer that appeals to target audiences and meets release deadlines.

What are the key skills and qualifications needed to thrive as a film trailer editor, and why are they important?

To thrive as a Film Trailer Editor, you need expertise in video editing, storytelling, and pacing, typically supported by a background in film production or a related field. Proficiency with industry-standard editing software such as Adobe Premiere Pro, Avid Media Composer, or Final Cut Pro is crucial, and certification in these tools can be advantageous. Strong communication, adaptability, and creative collaboration skills help editors interpret directors' visions and respond to feedback efficiently. These skills ensure the production of compelling trailers that captivate audiences and effectively promote films.

How do you become a film trailer editor?

To become a film trailer editor, you typically need experience in video editing, proficiency with editing software like Adobe Premiere Pro or Avid Media Composer, and a strong understanding of storytelling and pacing. Many trailer editors have backgrounds in film, television, or advertising, and develop their skills through internships, freelance work, or entry-level editing positions before advancing to trailer-specific roles.

How much do film trailer editors make?

Film trailer editors typically earn between $40,000 and $80,000 annually, depending on experience, location, and the complexity of projects. Senior editors or those working on high-profile trailers can earn higher salaries, especially with advanced skills in editing software like Adobe Premiere Pro or Avid Media Composer.
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Film Trailer Editor jobs near you
Infographic showing various Film Trailer Editor job openings in the United States as of August 2026, with employment types broken down into 70% Full Time, 12% Part Time, and 18% Contract. Highlights an 70% In-person, 12% Hybrid, and 18% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.

Sr. Coordinator, Global Creative Content Post Production Operations

Sony Pictures Entertainment

Culver City, CA • On-site

Full-time

Re-posted 12 days ago

Job description

Sony Pictures Television Distribution's Global Creative Content team is seeking a highly organized and technically proficient Senior Coordinator, Post-Production Operations to support the day-to-day operational workflows of a fast-paced creative marketing organization.
Global Creative Content is Sony Pictures Entertainment's in-house creative services organization supporting worldwide television marketing initiatives. The team develops creative solutions through television promotion, trailers, sales presentations, FAST channels, digital marketing, experiential campaigns, branding, motion graphics, editorial content, and emerging media. Working closely with global marketing partners, production teams, and creative leadership, Global Creative Content produces high-quality marketing assets that support the lifecycle of Sony Pictures Television content across domestic and international markets.
This role is responsible for coordinating media asset intake, sourcing, quality control, delivery, archival management, workflow optimization, and technical operations across a high volume of creative marketing projects. Working closely with producers, editors, designers, marketing stakeholders, IT, and external post-production partners, the Senior Coordinator ensures creative assets are organized, technically validated, delivered, and archived while maintaining efficient post-production workflows.
The ideal candidate has a strong foundation in post-production workflows, media management, and digital asset operations. This role is well suited for someone with previous experience as an Assistant Editor, Post-Production Coordinator, or Post-Production Operations professional looking to expand into a specialized operations role within a studio environment.
Responsibilities
Post-Production Operations & Workflow Management
  • Coordinate and manage day-to-day media intake, asset sourcing, quality control, delivery, and archival workflows supporting a high volume of creative marketing projects.
  • Manage project assets throughout the creative lifecycle, ensuring materials are received, organized, accessible, and delivered according to established standards.
  • Coordinate asset sourcing across internal and external repositories, production partners, studio systems, and third-party vendors.
  • Evaluate incoming media and proactively identify missing assets, technical issues, and workflow risks.
  • Track project and asset status while maintaining proactive communication with producers, editors, designers, and creative stakeholders.

Media Management & Delivery
  • Maintain media organization across Ci Media Cloud, Runner, shared servers, and Digital Asset Management (DAM) systems.
  • Perform technical quality control of incoming and outgoing media assets, editorial deliverables, graphics packages, and After Effects project collections.
  • Validate deliverables against technical specifications, metadata standards, naming conventions, and archival requirements.
  • Prepare and deliver final assets to internal archive and Digital Asset Management teams.
  • Support ongoing media lifecycle management, storage optimization, archive initiatives, and asset integrity.

Technical Operations & Production Support
  • Liaise with editors, post-production vendors, color facilities, audio partners, finishing houses, and external service providers.
  • Coordinate media transfers, delivery requirements, revisions, and technical troubleshooting.
  • Serve as the primary liaison between Global Creative Content and IT/Technical Operations for editorial workstations, software, plug-ins, shared storage, licenses, and post-production infrastructure.
  • Support software updates, plug-in compatibility, storage management, workstation readiness, and operational continuity.
  • Maintain productive relationships with internal partners and external vendors.

Workflow Optimization
  • Document and maintain workflows, delivery specifications, and best practices.
  • Identify opportunities to improve workflow efficiency, automation, asset management, and operational scalability.
  • Support troubleshooting related to media files, codecs, transcoding, storage systems, and post-production platforms.
  • Assist in evaluating emerging production technologies and AI-enabled workflow tools.

Reporting & Communication
  • Maintain accurate project tracking through Wrike, Airtable, Jira, or comparable systems.
  • Provide proactive communication regarding asset readiness, delivery status, schedule risks, and workflow challenges.
  • Ensure stakeholders have visibility into project progress and operational needs.

Qualifications
  • 2+ years of experience supporting post-production, media operations, assistant editing, asset management, or production coordination within a studio, entertainment marketing agency, production company, or post-production facility.
  • Bachelor's degree from an accredited four-year college or university (Film, Television, Media Production, Communications, or related field preferred).
  • Demonstrated ability to manage large volumes of digital media assets while maintaining organization and file integrity.
  • Experience supporting episodic television, feature film, trailers, promotional content, or creative marketing workflows.
  • Strong understanding of media asset management, codecs, file formats, transcoding, delivery specifications, and archive processes.
  • Working knowledge of Adobe Premiere Pro and Adobe Media Encoder for QC, transcoding, and delivery preparation.
  • Familiarity with Adobe After Effects sufficient to validate project collections, linked assets, and graphics packages.
  • Experience supporting multiple concurrent projects in a deadline-driven environment.
  • Strong communication, organization, and problem-solving skills.

Core Competencies
  • Exceptional organization and attention to detail.
  • Strong ownership, accountability, and follow-through.
  • Ability to anticipate needs and proactively resolve operational challenges.
  • Technical curiosity and desire to improve workflows.
  • Ability to manage multiple priorities in a fast-paced environment.
  • Service-oriented mindset with strong cross-functional communication.
  • Adaptability under changing priorities and deadlines.

Preferred Qualifications
  • Previous experience as an Assistant Editor, Post Production Coordinator, or Post Production Operations professional.
  • Candidates with Assistant Editor backgrounds seeking to transition into post-production operations, media management, or creative operations are strongly encouraged to apply.
  • Experience supporting a film, television, streaming, studio, agency, or entertainment marketing environment is highly preferred.
  • Working knowledge of Adobe Photoshop and Adobe Illustrator to distinguish layered production assets (PSD, AI), key art packages, title treatments, logos, and other creative deliverables during quality control and archive preparation.
  • Familiarity with DaVinci Resolve for specialized event workflows.
  • Familiarity with Avid Media Composer and common studio editorial workflows.
  • Experience with Frame.io, Ci Media Cloud, Google Workspace, DAM systems, AWS/GCP, Wrike, Airtable, or Jira.
  • Knowledge of subtitling, captioning, localization, accessibility, and international delivery workflows.
  • Familiarity with Dolby Vision, Dolby Atmos, HDR/UHD, and modern post-production delivery specifications.
  • Working knowledge of AI-enabled production, media management, and workflow

The anticipated base salary for this position is $56,000 to $75,000. This role may also qualify for annual incentive and/or comprehensive benefits. The actual base salary offered will depend on a variety of factors, including without limitation, the qualifications of the individual applicant for the position, years of relevant experience, level of education attained, certifications or other professional licenses held, and if applicable, the location of the position.
Sony Pictures Entertainment is an equal opportunity employer. We evaluate qualified applicants without regard to race, color, religion, sex, national origin, disability, veteran status, age, sexual orientation, gender identity, or other protected characteristics.
SPE will consider qualified applicants with arrest or conviction records in accordance with applicable law.
Sony Pictures does not allow audio recording, video recording or use of AI note-taking tools during interviews. Please be aware these tools may be enabled as a default and can be difficult to disable once the interview has started, so we recommend you check your device and disable these tools prior to the start of your interview. If recording or the use of the tools occurs during the interview and cannot be promptly turned off or disabled, the interviewer may end the interview.
To request an accommodation for purposes of participating in the hiring process, you may contact us at SPE_Accommodation_Assistance@spe.sony.com.

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