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Festival Design Jobs (NOW HIRING)

... Design Engineer who will focus their activities on designing and redesigning pieces of large Ag ... festivals in a close-knit, active community. · Cost of Living Significantly below national ...

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Bakery Clerk

Wausau, WI · On-site

$15 - $17.50/hr

At Festival, people are at the top of our list. Youll see it in everything from our daily interactions to how we treat our guests even in our extensive associate benefits and programs. Join Our Team ...

CAD Designer

Brentwood, NY

$27 - $37.25/hr

... design and fabrication, delivery and installation, on-site execution, and tear down ... These services span a variety of end verticals including golf, motorsports, music festivals, other ...

CAD Designer

Hauppauge, NY

$27.25 - $37.75/hr

... design and fabrication, delivery and installation, on-site execution, and tear down ... These services span a variety of end verticals including golf, motorsports, music festivals, other ...

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Festival Design information

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$63K

$121.5K

$191.5K

How much do festival design jobs pay per year?

As of Jul 14, 2026, the average yearly pay for festival design in the United States is $121,466.00, according to ZipRecruiter salary data. Most workers in this role earn between $95,000.00 and $138,500.00 per year, depending on experience, location, and employer.

What is a Festival Design job?

A Festival Design job involves creating the visual, structural, and thematic elements of a festival to enhance the overall experience. This includes designing stages, lighting, signage, décor, and interactive installations while ensuring a cohesive aesthetic that aligns with the festival's theme and brand. Festival designers collaborate with event organizers, artists, and production teams to bring creative concepts to life. They also consider logistical factors such as crowd flow, safety, and sustainability in their designs. The role requires a mix of creativity, technical skills, and practical problem-solving to produce immersive festival environments.

What are the key skills and qualifications needed to thrive in the Festival Design position, and why are they important?

To thrive in Festival Design, you need expertise in event planning, spatial design, and visual arts, often complemented by a degree in design, architecture, or a related field. Familiarity with CAD software, 3D modeling programs, and event-specific project management tools is typically required. Strong creativity, collaboration, and problem-solving abilities help designers bring ideas to life and adapt to changing scenarios onsite. These skills ensure festival environments are both functional and visually captivating, contributing to a memorable attendee experience and seamless event operations.

What are some common challenges faced by professionals working in Festival Design?

Professionals in Festival Design often encounter challenges such as coordinating with diverse teams, managing tight timelines, and adapting to evolving client visions or logistical constraints. They may also navigate unexpected weather, vendor delays, or last-minute changes that require quick problem-solving and flexibility. Collaboration with other key players, like production managers, artists, and technical crews, is essential to ensure every detail aligns with the festival’s concept and operational requirements. Despite these challenges, the role offers strong creative fulfillment and opportunities to develop expertise in both design and large-scale event production.

More about Festival Design jobs
What cities are hiring for Festival Design jobs? Cities with the most Festival Design job openings:
What are the most commonly searched types of Festival Design jobs? The most popular types of Festival Design jobs are:
What states have the most Festival Design jobs? States with the most job openings for Festival Design jobs include:
Infographic showing various Festival Design job openings in the United States as of July 2026, with employment types broken down into 89% Full Time, 8% Part Time, and 3% Contract. Highlights an 87% Physical, 3% Hybrid, and 10% Remote job distribution, with an average salary of $121,466 per year, or $58.4 per hour.

Great Lantern Festival 2026 Directors & Committee Members (Elk Grove)

Community Partners Advocate of Little Saigon Sacramento

Elk Grove, CA • On-site

Other

Posted 7 days ago


Job description

Great Lantern Festival returns to Derr-Okamoto Park in Elk Grove — Saturday, September 26, 2026, 4–9 PM. Rooted in Tết Trung Thu (Vietnamese Mid-Autumn), it is a free admission afternoon & evening festival capped by a lantern procession at dusk. Hosted by VACOS, cPALSs, and NVCC with CCSD (Cosumnes Community Services District).

This is a live product lab: co-chairs already hold permits, site, and vendor baseline — and bring fintech-style data and automation thinking plus an open-source ethos to nonprofit festival work: automate what repeats, improve quality, publish playbooks others can fork (the same share-it-forward spirit as the open source software we're grateful for). Every director is encouraged to find a counterpart at another festival or event — bounce ideas, get feedback, share learnings.

We're recruiting Directors (one owner per lane) and Committee Members (execution help on any lane). Nineteen director slots are open — and members are welcome on every lane, whether or not the director seat is filled. Each lane is a bounded module to test on a real weekend, document what worked, and publish as open best practice on Festival Season Network (https://cpalss.github.io/festival-network/) for any event producer improving their craft.

WHAT IS A DIRECTOR (PRODUCT LANE LEAD)

• Plan the module — volunteers, members, vendors, or contractors may execute; you don't have to do every task

• Advise on budget and schedule — flag when volunteers won't cover the lane and paid help is needed

• Contractor sourcing — multiple provider leads, fair selection process; co-chairs approve spend

WHAT IS A COMMITTEE MEMBER

• Join a lane team — the director plans the module; members help execute sub-projects and day-of work

• Bring a skill — vendor liaison, communications, crafts station, load-in crew, sponsor follow-up, and more

• No solo lane ownership required — good entry path if you want festival experience before directing

• Welcome on every lane — open director slots and filled ones (Sponsorship, Marketing, Honor our Elders)

WHAT YOU GET

• Live product test — real families, real budget constraints

• Repeatable ops — clean data, automation, and workflows so your lane isn't lost in one-off spreadsheets

• Open playbooks — forkable post-mortems on Festival Season Network; pay forward what we learned

• Cross-festival peers — find a counterpart at another event; bounce ideas, get feedback, share learnings (co-chairs can help intro)

• Coalition network — VACOS, cPALSs, NVCC, CCSD (three Vietnamese orgs + park district)

• Co-chair shell — you don't invent permits, insurance, or site map from scratch

SITE & OPERATIONS

• Finance & Administration — How can one keep festival money honest on a live event weekend?

• Foundation — How can one build a solid base of operations so every other lane can play?

• Operations & Logistics — How can one choreograph everyone so they know how to get to the site and load-in without causing a traffic jam?

• Security — How can one ensure safety on a sliding scale of available funds and plan for contingency conditions?

• Amenities — How can one keep guests comfortable so they can stay as long as they want?

• Power & Lighting — How can one power the park safely — load math, generators, and stage hookups?

PROGRAM & EXPERIENCE

• Stage — How can one ship an MVP stage stack — tent, sound, lion dance — on a community budget?

• Program & Entertainment — How can one keep the public entertained while keeping entertainment participants on time?

• Lantern Procession — How can one create a moment families — especially children — will remember?

• Children's Village — How can one keep children entertained through interaction, rather than walk-and-see — without it turning into chaos?

• Children's Show — How can one stage family sets that hold kids in 15–20 minute blocks?

• Light Up the Park — How can one design and install the park's dusk atmosphere so the vibes land for procession hour?

• Honor our Elders (director filled — members welcome) — How can one offer tea hospitality so every elder feels honored — including someone who showed up alone?

OUTREACH & PARTNERS

• Sponsorship (director filled — members welcome) — How can one create win-win-win situations — great guest experiences, producers who make it happen, and sponsors growing their business?

• Marketing (director filled — members welcome) — How can one get the word out and gather public feedback that feeds into future event design?

• Vendor Operations — How can one create a winning balance of vendor profitability and guest experience — families looking for great tastes?

• Volunteers — How can one create a great experience for volunteers — and help them see the value of their contributions?

• Partnerships & Grants — How can one position Great Lantern Festival as a pillar of the community-at-large — and build mutually beneficial relationships with every organization around it?

CO-CHAIRS (not recruiting): Festival co-chairs — Thuy Pham · Bao Thien Ngo

Open and filled volunteer roles (directors and committee members): https://greatlantern.com/team/

GOOD FIT IF YOU

• Want to test-run event production on a live community weekend — as Director or Member

• Want to contribute on a bounded committee without owning the full lane (Member path)

• Are open to networking with a counterpart at another festival — same lane, bounce ideas, share learnings (directors especially)

• Can commit planning time now through September and event weekend

• Communicate clearly — directors own the plan; members execute with director backup

• Have event or committee experience (helpful for Director; Member path is a strong entry point if you're building experience)

HOW WE PLACE DIRECTORS

• We review applications on a rolling basis while director seats are open — no closing date to wait for.

• Reply within a few business days = we acknowledged your application — not that you are placed.

• Co-chairs confirm Director seats after a short triage conversation (lane fit, season conflicts, scope). Applying early does not reserve a lane.

• If several people apply for the same lane, we compare fit after triage — not first-come-first-served.

• Director placements need lead time. We generally do not place new directors after:

— Aug 1, 2026 — Site & Operations, Foundation, Finance, Vendor Operations

— Aug 15, 2026 — Program, Outreach, Volunteers, and other lanes

After those dates we may still welcome Committee Members or discuss a future season.

• Check open and filled roles: https://greatlantern.com/team/

WHEN YOU APPLY: Tell us which product lane(s) interest you and whether you want Director or Member — open or filled lane. Include your preferred contact method (email, text, or phone) and any events you're already committed to this season so we can coordinate schedules.

Unpaid volunteer roles — not employment. One director name on the roster per lane; members welcome on every committee, including filled director slots.