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Entry Level Non Profit Video Editing Jobs (NOW HIRING)

May Street

Video Editor

Boston, MA · Remote

$60 - $85/hr

We make films for independent schools, nonprofits, healthcare organizations, and corporate clients ... We're looking for freelance editors to bring on project by project. You'd get a shoot's worth of ...

Atonom

Digital Video & Graphics Specialist

Provo, UT · On-site

... Entry-Level ABOUT ATONOM Atonom.ai builds Cloud Employees - intelligent AI agents that execute ... Proficient in Adobe Premiere Pro or Final Cut Pro for video editing, and After Effects or similar ...

Atonom

Digital Video & Graphics Specialist

Provo, UT · On-site

$40K - $55K/yr

... Entry-Level ABOUT ATONOM Atonom.ai builds Cloud Employees - intelligent AI agents that execute ... Proficient in Adobe Premiere Pro or Final Cut Pro for video editing, and After Effects or similar ...

Atonom

Digital Video & Graphics Specialist

Provo, UT

... Entry-Level ABOUT ATONOM Atonom.ai builds Cloud Employees - intelligent AI agents that execute ... Proficient in Adobe Premiere Pro or Final Cut Pro for video editing, and After Effects or similar ...

Power to Decide

Social Video & Design Fellow

Power to Decide is a national nonprofit, nonpartisan organization. At Power to Decide, we envision ... This full-time fellowship supports short-form video editing, social-first creative production ...

LB Capital

Short-form Video Editor

Blue Bell, PA · On-site

This is not an entry-level editing role. We're looking for someone who can own the outcome , not ... You know why a video works, and can repeat that success * You can adjust based on performance data ...

LB Capital

Short-form Video Editor

Blue Bell, PA · On-site

This is not an entry-level editing role. We're looking for someone who can own the outcome , not ... You know why a video works, and can repeat that success * You can adjust based on performance data ...

firstname.co

Program Associate, Video

Minneapolis, MN · On-site +1

$45K - $55K/yr

Job Summary and Responsibilities {{firstname}} is seeking an innovative content editor/manager with a passion for content creation and for helping nonprofits. The Program Associate, Video role ...

Oregon Catholic Press

Music Editor I

Lake Oswego, OR

$60K - $64K/yr

WHO WE ARE OCP is a self-supporting, non-profit Catholic publishing company striving to help people ... Music video editing, if incoming skill set is commensurate * Certain copywriting for marketing ...

Oregon Catholic Press

Music Editor I

Lake Oswego, OR

$60K - $64K/yr

WHO WE ARE OCP is a self-supporting, non-profit Catholic publishing company striving to help people ... Music video editing, if incoming skill set is commensurate * Certain copywriting for marketing ...

OCP

Music Editor I

Lake Oswego, OR · On-site

$60K - $64K/yr

WHO WE ARE OCP is a self-supporting, non-profit Catholic publishing company striving to help people ... Music video editing, if incoming skill set is commensurate * Certain copywriting for marketing ...

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Entry Level Non Profit Video Editing information

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How much do entry level non profit video editing jobs pay per hour?

As of Aug 17, 2026, the average hourly pay for entry level non profit video editing in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What is an entry level non profit video editor?

Entry level non profit video editors are professionals who create and edit video content for nonprofit organizations, typically starting in their careers. Their work often involves assembling footage, adding graphics, and ensuring videos effectively communicate the nonprofit’s mission or campaign message. They use basic video editing software and may also help film events or interviews. These roles usually require strong storytelling skills, attention to detail, and a passion for social causes, but only minimal prior experience. Entry-level editors often work under supervision while learning industry best practices and nonprofit-specific messaging.

What are the key skills and qualifications needed to thrive as an entry level non profit video editor?

To thrive as an Entry Level Non Profit Video Editor, you need a basic understanding of video editing principles, storytelling, and a portfolio demonstrating relevant projects, often supported by a degree or coursework in film, communications, or a related field. Familiarity with industry-standard editing software such as Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve is typically required. Strong organizational skills, creativity, and the ability to collaborate with teams on tight deadlines are crucial soft skills in this role. These skills ensure compelling content is produced efficiently, effectively conveying the nonprofit's mission and engaging its audience.

What are some common challenges faced by entry level non profit video editors?

Entry-level video editors in non-profits often encounter challenges such as working with limited budgets, tight deadlines, and diverse content needs. You may need to be creative with available footage, use free or low-cost editing tools, and juggle multiple projects at once. Collaboration is key, as you'll work closely with program managers, communications staff, and volunteers to ensure the final videos effectively tell the organization's story and inspire action. These challenges also provide valuable learning opportunities and the ability to make a meaningful impact through your work.

What is the difference between Entry Level Non Profit Video Editing vs Entry Level Corporate Video Editing?

AspectEntry Level Non Profit Video EditingEntry Level Corporate Video Editing
CredentialsBasic video editing skills, possibly some nonprofit or volunteer experienceBasic video editing skills, often with some familiarity with corporate branding
Work EnvironmentNonprofit organizations, often collaborative and mission-drivenCorporate offices, marketing departments, or agencies
Industry UsageUsed in nonprofit campaigns, awareness videos, and fundraising materialsUsed in promotional videos, product launches, and internal communications

Entry Level Non Profit Video Editing and Entry Level Corporate Video Editing share foundational editing skills but differ mainly in their work environment and content focus. Nonprofit roles emphasize mission-driven projects, while corporate roles focus on branding and marketing. Both require basic editing skills, but the context and purpose of the videos vary.

Are entry level non profit video editors still in demand?

Entry level non profit video editors are still in demand as organizations increasingly rely on video content for outreach and advocacy. Skills in editing software like Adobe Premiere Pro or Final Cut Pro, along with a strong understanding of storytelling, can improve job prospects in this sector.

What cities are hiring for Entry Level Non Profit Video Editing jobs?

Cities with the most Entry Level Non Profit Video Editing job openings:

What are the most commonly searched types of Non Profit Video Editing jobs?

The most popular types of Non Profit Video Editing jobs are:

What states have the most Entry Level Non Profit Video Editing jobs?

States with the most job openings for Entry Level Non Profit Video Editing jobs include:

Entry Level Non Profit Video Editing jobs near you

Video Editor

May Street

Boston, MA • Remote

$60 - $85/hr

Full-time

Posted 10 days ago

Job description

May Street is a Boston-based video production company. We make films for independent schools, nonprofits, healthcare organizations, and corporate clients — brand films, event and gala pieces, interview-driven storytelling, and sizzle reels. Most of our work is multicam, with real interview audio and a lot of documentary-style b-roll.

We're looking for freelance editors to bring on project by project. You'd get a shoot's worth of footage, a creative brief, and a deadline — and be trusted to build something we're proud to deliver. Assignments typically run from a single 90-second sizzle to a 5–8 minute film with multiple interview subjects.

This is not a full-time role and there's no guaranteed volume. It's a bench we're building: editors we can call when the schedule gets tight, who already know how we work.

What you'd be doing

  • Assembling multicam interview footage into a clear narrative from transcripts and a brief (knowledge of Premiere multicam workflows needed)
  • Cutting music-driven b-roll sequences with real sense of pace
  • Basic color correction and grading, and clean audio mixing (dialogue, music beds, room tone)
  • Lower thirds, titles, and simple motion graphics to brand spec
  • Delivering spec-correct exports for web, social, and event playback
  • Taking client notes across two to three rounds without losing the thread of the original cut

Rate: $60–$85 per hour, depending on experience and project scope

Requirements

  • Fluent in Adobe Premiere Pro — you know the shortcuts, you organize your bins, and someone else could open your project file and find things
  • Comfortable cleaning up dialogue audio to a broadcast-ready standard
  • Working knowledge of After Effects for titles and light graphics
  • Experience cutting interview-based or documentary-style work; you can find the story in an hour of talking heads
  • Reliable turnaround and clear communication about your capacity — we'd rather hear "I can't take this one" than get a late delivery
  • Your own hardware, software licenses, and a connection that can handle large media transfers
  • A reel or portfolio with at least two pieces relevant to this kind of work

Nice to have: color grading experience, familiarity with nonprofit or education clients, comfort with cloud-based client review workflows.