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Broadcast Production Manager Jobs (NOW HIRING)

City of Chandler

Broadcast Engineer

Chandler, AZ

$84K - $122K/yr

We support a state-of-the-art broadcast, multi-media production studio, and audiovisual environment ... management platforms, supporting collaborative multi-user production environments. Skilled in ...

ICM Asia Pacific

Broadcast Engineer

Chicago, IL · On-site

Broadcast Management Group (BMG) a leading global broadcast production company focused on providing managed services to major broadcast networks, corporations, and studios. It is also a top producer ...

City of Chandler, AZ

Broadcast Engineer

Chandler, AZ · On-site

$84K - $122K/yr

We support a state-of-the-art broadcast, multi-media production studio, and audiovisual environment ... management platforms, supporting collaborative multi-user production environments. * Skilled in ...

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Broadcast Production Manager information

See salary details

$29.5K

$70.9K

$114K

How much do broadcast production manager jobs pay per year?

As of Jun 29, 2026, the average yearly pay for broadcast production manager in the United States is $70,872.00, according to ZipRecruiter salary data. Most workers in this role earn between $56,000.00 and $80,500.00 per year, depending on experience, location, and employer.

What does a broadcast production manager do?

A broadcast production manager oversees the planning, coordination, and execution of television or radio broadcasts. They manage production schedules, coordinate technical staff, ensure equipment is functioning properly, and maintain compliance with broadcasting standards. Strong organizational skills and knowledge of broadcast technology are essential for this role.

What is the difference between Broadcast Production Manager vs Broadcast Engineer?

AspectBroadcast Production ManagerBroadcast Engineer
Primary ResponsibilitiesOversees production workflows, manages staff, coordinates schedulesMaintains and repairs broadcast equipment, ensures technical quality
Required SkillsProject management, leadership, communicationTechnical expertise, troubleshooting, equipment operation
Work EnvironmentStudio or control room, office settingsTechnical facilities, broadcast stations, on-site
CertificationsProject management or broadcast production certificationsTechnical certifications like Cisco, Broadcast Engineering certifications

The Broadcast Production Manager focuses on managing production processes and teams, ensuring smooth operations. In contrast, the Broadcast Engineer handles technical equipment and troubleshooting. Both roles are essential in broadcast environments but serve different functions.

What are some common challenges a Broadcast Production Manager faces during live broadcasts, and how can they be addressed?

Broadcast Production Managers often encounter challenges such as last-minute technical issues, tight production schedules, and coordinating between multiple teams under time pressure. Dealing with unexpected equipment failures or changes in the production rundown requires quick thinking and strong problem-solving skills. Effective communication with technical crews, talent, and post-production teams is essential to ensure smooth operations. Proactively preparing contingency plans and maintaining clear, real-time communication can help mitigate these challenges and keep broadcasts on track.

How much does a production manager get paid?

A broadcast production manager typically earns between $50,000 and $90,000 annually, depending on experience, location, and the size of the organization. Salaries can vary based on the complexity of productions managed and additional skills such as technical knowledge or certification in media production tools.

What is the hardest job in film?

The Broadcast Production Manager role can be challenging due to the need to coordinate complex live or recorded broadcasts, manage tight schedules, and troubleshoot technical issues under pressure. It requires strong organizational skills, technical knowledge of broadcasting equipment, and the ability to work long hours, often on tight deadlines. The job's difficulty stems from balancing creative, technical, and logistical demands in a fast-paced environment.

What jobs pay 2000 a day?

Broadcast Production Managers typically do not earn $2000 a day; such high daily rates are more common in specialized freelance roles like senior consultants, high-level executives, or certain legal and medical professionals. Some executive or consulting positions in media or entertainment industries may reach this level with extensive experience and expertise. Generally, earning $2000 a day requires advanced skills, significant experience, and often working on a contract or freelance basis.

What are the key skills and qualifications needed to thrive as a Broadcast Production Manager, and why are they important?

To thrive as a Broadcast Production Manager, you need expertise in television or radio production, project management, and a solid understanding of broadcast operations, usually backed by a degree in communications or a related field. Familiarity with broadcast automation systems, editing software like Adobe Premiere or Avid, and scheduling tools is typically required. Strong leadership, organizational, and problem-solving skills help ensure smooth workflows and effective team coordination. These skills are crucial for delivering high-quality broadcasts on time and within budget in a fast-paced media environment.
More about Broadcast Production Manager jobs
What cities are hiring for Broadcast Production Manager jobs? Cities with the most Broadcast Production Manager job openings:
What are the most commonly searched types of Broadcast Production jobs? The most popular types of Broadcast Production jobs are:
Who are the top companies hiring for Broadcast Production Manager jobs? The top employers for Broadcast Production Manager jobs are:
What states have the most Broadcast Production Manager jobs? States with the most job openings for Broadcast Production Manager jobs include:
What job categories do people searching Broadcast Production Manager jobs look for? The top searched job categories for Broadcast Production Manager jobs are:
Broadcast Production Manager jobs near you
Infographic showing various Broadcast Production Manager job openings in the United States as of June 2026, with employment types broken down into 95% Full Time, 4% Part Time, and 1% Nights. Highlights an 95% Physical, 1% Hybrid, and 4% Remote job distribution, with an average salary of $70,872 per year, or $34.1 per hour.
Broadcast Production Management

Broadcast Production Management

University of Montevallo

Montevallo, AL • On-site

$11/hr

Part-time

Posted 2 days ago

Key responsibilities

  • Supervise and coordinate student and technical crews for FloSports volleyball, basketball, baseball, softball, and lacrosse broadcasts.

  • Oversee and execute broadcast production elements including graphics, commercial playback, audio, video, and network transmission setup.

  • Operate and set up production equipment, cameras, and video systems at designated venues, and act as on-site crew manager during game broadcasts.

Job description

Posting Details
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Position Information
Posting Number
Job Title
Broadcast Production Management
Department
Communication (Mass Comm)
Rate of Pay
$11.00 hourly
FLSA
Non-Exempt
Estimated Number of Hours Per Week
Employment Status
Part Time Temporary
Student Appointment Type
Jobship
General Description
Producer:
Acts as student supervisor for FloSports volleyball and basketball broadcasts, ensuring the story of the game is delivered with professional quality; Ensures all FloSports broadcast requirements including graphics, commercial playback, and broadcast quality are met; Operates Production Truck computer and switches shots for FloSports baseball, softball, and lacrosse broadcasts.
Director:
Acts as supervisor to technical crew for FloSports volleyball and basketball broadcasts, ensuring the visual story of the game is delivered with professional quality, and ensures all technical aspects are in working order.
Remote Producer:
Acts as remote field supervisor for FloSports volleyball and basketball broadcasts in Trustmark Arena. Operate game camera as needed; The Remote Producer ensures that communication and TV signals between Strong Hall and Central State Bank arena are working, and acts as the on-site crew manager for the broadcasts.
Essential Job Duties
Producer:
Act as supervisor for student crew: work with Ops Staff and MC faculty to ensure all crew confirmed; Create broadcast rundown in Ross Inception; Manage commercials for local and network playback; Oversee gameday crew meeting and any crew training necessary; Ensure FloSports network test completed no later than 1 hour before show start; Coordinate show content plan and execution with talent and director; Oversee rehearsals and recording of show content including intros and any interviews required;
Director:
Conduct gameday technical crew meeting and rehearsals; provide any crew training required; ensure all Strong Hall audio, video and intercom systems are configured for game broadcast; Confirm network transmission with FloSports; Manage in-game broadcast content including game action, commercial breaks, replays, and interviews; Coordinate with FloSports Broadcast Producer for execution of production content.
Remote Producer:
Setup cameras for game operation in Trustmark Arena; Confirm Intercom connection to Strong Hall; Setup Press Row audio and video; Setup video display in remote room; Connect SAC scoreboard camera to Strong Hall; Confirm Official Video Review system receiving game cameras; Operate in-game camera as needed; Act as on-site crew manager in Trustmark Arena during game broadcasts; Operate handheld camera for volleyball, basketball, and Acrobatics & Tumbling.
Education and Experience
High School Diploma or GED equivalent
Preference given to students who have earned a "B" or better in MC 411.
Skills, Knowledge, and Abilities
Producer:
Working knowledge of Ross Inception; Ability to manage a crew of up to 15 peer students; MS office suite; knowledge of the rules and flow of volleyball and basketball games; familiarity with each of the crew positions in Strong Hall; Ability to operate in a team environment on a deadline basis;
Director:
Working knowledge of the technical crew positions required for the FloSports broadcast; ability to manage a crew of up to 14 peer students; Ability to operate in a team environment on a deadline basis; Understanding of the rules and flow of volleyball and basketball games is preferred.
Remote Producer:
Ability to operate in a team environment on a deadline basis; Ability to lift 10lb. cameras and connect media cables as directed; Knowledge of video composition
Preferred Major
Licenses, Certification or Registrations
N/A
Number of Vacancies
Desired Start Date
Open Date
07/02/2025
Close Date
Open Until Filled
Yes
Additional Statement
The University of Montevallo does not discriminate against job applicants based on their national origin or citizenship or immigration status. Because of the costs associated with visa sponsorship/transfer, the University typically will not sponsor applicants for a work visa or transfer of an existing visa. No commitment for visa assistance and/or sponsorship can be made until a thorough search is conducted, including a proper and methodical review of all applicants.
EEO Statement
UM is an Equal Employment Opportunity Institution

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