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Broadcast Production Associate Jobs (NOW HIRING)

VG Systems

Auditorium A/V Lead

Huntsville, AL

Strong understanding of broadcast production environments and technical standards. * Ability to ... Associate's degree in Studio Production, Music Production, or a related arts discipline with 7 ...

VG Systems

Auditorium A/V Lead

Huntsville, AL · On-site

Strong understanding of broadcast production environments and technical standards. * Ability to ... Associate's degree in Studio Production, Music Production, or a related arts discipline with 7 ...

VG SYSTEMS, LLC.

Auditorium A/V Lead

Huntsville, AL · On-site

Strong understanding of broadcast production environments and technical standards. * Ability to ... Associate s degree in Studio Production, Music Production, or a related arts discipline with 7 ...

NASCAR

Remote Broadcast Engineer

Concord, NC · On-site

Working closely with broadcast partners, production teams, and vendors, this position helps drive ... Associate degree (A. A.) or equivalent from two-year college or technical school. * Minimum of six ...

AEG

Remote Broadcast Engineer

Concord, NC · On-site +1

Working closely with broadcast partners, production teams, and vendors, this position helps drive ... Associate degree (A. A.) or equivalent from two-year college or technical school. * Minimum of six ...

Nascar

Remote Broadcast Engineer

Concord, NC · Remote

Working closely with broadcast partners, production teams, and vendors, this position helps drive ... Associate degree (A. A.) or equivalent from two-year college or technical school. * Minimum of six ...

Creative Technology UK

We've supported some of the world's most watched productions and live events in sports ... Associates or Technical Degree preferred. Various forms of education and experience will be ...

NEP Group

Broadcast Studio Engineer

New York, NY · On-site

Our technology solutions and unique Global Production Ecosystem empower content creators and rights ... Associates or Technical Degree preferred. Various forms of education and experience will be ...

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Broadcast Production Associate information

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How much do broadcast production associate jobs pay per hour?

As of Sep 11, 2026, the average hourly pay for broadcast production associate in the United States is $16.82, according to ZipRecruiter salary data. Most workers in this role earn between $14.42 and $18.27 per hour, depending on experience, location, and employer.

What does a broadcast production associate do?

A Broadcast Production Associate supports the production team in creating television or radio programs by handling a variety of tasks such as preparing scripts, coordinating schedules, setting up equipment, and managing communication between departments. They assist producers and directors during live or recorded broadcasts to ensure everything runs smoothly. Their role is critical in troubleshooting issues quickly and maintaining the flow of production activities. This position often serves as an entry point for those looking to advance in the broadcast industry.

What are the key skills and qualifications needed to thrive as a broadcast production associate, and why are they important?

To thrive as a Broadcast Production Associate, you need a solid understanding of television production processes, video editing, and strong organizational skills, often supported by a degree in communications or a related field. Familiarity with broadcast equipment, editing software like Adobe Premiere or Avid, and newsroom management systems is typically required. Outstanding attention to detail, multitasking abilities, and strong communication help you excel in fast-paced, deadline-driven environments. These skills and qualities are crucial for ensuring smooth production workflows and high-quality broadcasts.

What are some common challenges broadcast production associates face when working on live broadcasts?

Broadcast Production Associates often deal with the fast-paced nature of live television, where timing is crucial and last-minute changes are frequent. They must be prepared to troubleshoot technical issues quickly, coordinate effectively with multiple departments (such as audio, video, and on-air talent), and adapt to changing scripts or schedules. Staying calm under pressure and maintaining clear communication are essential for ensuring a smooth production. These challenges offer valuable learning experiences and help associates build resilience and versatility in broadcast environments.

What is the difference between Broadcast Production Associate vs Camera Operator?

AspectBroadcast Production AssociateCamera Operator
CredentialsHigh school diploma or equivalent; some roles may prefer technical certificationsHigh school diploma; technical training or certification often preferred
Work EnvironmentStudio or field production settings, supporting production teamsStudio or on-location filming, operating cameras during live or recorded broadcasts
Industry UsageUsed across TV stations, production companies, and media outletsPrimarily in television, film, and live event production

The Broadcast Production Associate typically supports the production process by coordinating logistics, managing equipment, and assisting the crew. In contrast, the Camera Operator focuses on operating cameras to capture footage. While both roles work closely in broadcast environments, the associate has a broader support role, whereas the camera operator specializes in camera operation during productions.

What are the most commonly searched types of Broadcast Production jobs?

The most popular types of Broadcast Production jobs are:

What states have the most Broadcast Production Associate jobs?

States with the most job openings for Broadcast Production Associate jobs include:

What are popular job titles related to Broadcast Production Associate jobs?

For Broadcast Production Associate jobs, the most frequently searched job titles are:

Infographic showing various Broadcast Production Associate job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 69% Full Time, 27% Part Time, 1% Temporary, and 2% Contract. Highlights an 97% Physical, 1% Hybrid, and 2% Remote job distribution, with an average salary of $34,996 per year, or $16.8 per hour.

Auditorium A/V Lead

Huntsville, AL

VG Systems
11 - 50 employees
Learn more about VG Systemsexternal

Full-time

Re-posted 17 days ago

Job description

Job Description
VG Systems, LLC is seeking a skilled Audio Visual (A/V) Lead to provide broadcast-quality support for auditorium environments, conferences, senior-level meetings, ceremonies, and special events. This role is responsible for delivering high-quality audio/visual production services, providing technical oversight, and ensuring seamless execution of all A/V requirements in alignment with PWS objectives. The position requires advanced expertise in production lighting, sound engineering, and video systems within a live or broadcast production environment.


Responsibilities include, but are not limited to:

  • Perform broadcast-quality audio/visual support for conferences, senior-level meetings, ceremonies, and events.
  • Provide technical oversight of A/V equipment operation and requirements in coordination with subject matter experts (SMEs) and leadership.
  • Operate and manage production lighting systems, sound and audio controls, and video switching equipment.
  • Ensure high-level proficiency in video formatting and resolution conversion within a broadcast/production environment.
  • Support the integration and execution of presentations, graphics, video content, and audio tracks for auditorium functions.
  • Deliver creative audio support, including original music scoring and soundtrack development for events and agency products.
  • Troubleshoot and resolve technical issues to ensure uninterrupted event execution.
  • Collaborate with internal teams to ensure all A/V deliverables meet mission and event requirements.
  • Create, maintain, and update Standard Operating Procedures (SOPs) related to A/V operations and production workflows.
  • Ensure SOPs remain current and accurately reflect equipment usage, processes, and technical standards.
  • Document procedures and provide guidance to team members to ensure consistency and compliance.
  • Support requirements outlined in Performance Objective 3 - Motion Media Services.


Requirements:

  • Active Top Secret security clearance is required (must have at time of hire).
  • Advanced knowledge of audio/visual production systems, including lighting, sound, and video switching.
  • Strong understanding of broadcast production environments and technical standards.
  • Ability to manage and execute multiple events and priorities simultaneously.
  • Strong problem-solving and troubleshooting skills in live production settings.
  • Excellent communication and coordination skills.
  • High attention to detail and commitment to delivering high-quality production support.


Education/Experience:

  • Minimum: Bachelor's degree (BA/BS) in Studio Production, Music Production, or a related arts discipline with 5 years of experience providing creative, high-quality service/support on a DoD or commercial VIPC-type contract (supporting requirements similar to those identified in the PWS).
  • Substitution: Associate's degree in Studio Production, Music Production, or a related arts discipline with 7 years of experience providing creative service/support on a DoD or commercial VIPC-type contract (supporting requirements similar to those identified in the PWS).
  • No additional substitutions are authorized.


HUBZone Preference:
VG Systems, LLC gives preference to candidates who reside in a designated HUBZone. Selected candidates must be able to sign a HUBZone attestation and provide required SBA documentation upon hiring.


Equal Opportunity Statement:
VG Systems, LLC does not discriminate based on race, sex, color, religion, age, national origin, marital status, disability, veteran status, genetic information, sexual orientation, gender identity, or any other reason prohibited by law in the

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