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Audio Post Production Engineer Jobs (NOW HIRING)

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Audio Editor or Audio Post-Production Specialist * Podcast Producer * Voice-Over Artist or Multimedia Specialist You should have solid experience with one or more of the following: * Audio editing ...

NPR

Audio Engineer

Washington, DC · On-site

Our engineers work in broadcast studios, a master control facility, and throughout the networked ... Two years' technical experience with audio production (radio and/or TV broadcast, post production ...

NPR

Audio Engineer

Washington, DC

Our engineers work in broadcast studios, a master control facility, and throughout the networked ... Two years' technical experience with audio production (radio and/or TV broadcast, post production ...

Zealot

Post Production Assistant

New York, NY · On-site

Post-Production Assistant (NY) ZEALOT is an award-winning creative advertising agency, crafting ... audio preps intended for out-of-house finishing. * QC final exports for delivery. * Organize ...

ZEALOT

Post Production Assistant

New York, NY · On-site

Post-Production Assistant (NY) ZEALOT is an award-winning creative advertising agency, crafting ... audio preps intended for out-of-house finishing. * QC final exports for delivery. * Organize ...

Jacob's Pillow Dance

Head Audio Engineer

MA · On-site

$23.58 - $26/hr

Head Audio Engineer STATUS: Seasonal LOCATION: Becket, MA REPORTS TO ... Production Manager of assigned venue DEPARTMENT: Production SUPERVISES: - WORKS WITH: Artistic ...

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Audio Post Production Engineer information

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$11K

$48.3K

$126.5K

How much do audio post production engineer jobs pay per year?

As of May 31, 2026, the average yearly pay for audio post production engineer in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as an Audio Post Production Engineer, and why are they important?

To thrive as an Audio Post Production Engineer, you need expertise in audio editing, mixing, and sound design, typically supported by a degree in audio engineering or related experience. Proficiency with digital audio workstations (DAWs) like Pro Tools, sound libraries, and industry-standard plugins is essential. Strong attention to detail, creativity, and effective communication skills help you collaborate with directors and producers to achieve the desired sound. These skills and qualities are crucial to ensure high-quality audio that enhances the overall impact and professionalism of film, television, or multimedia projects.

What are some common challenges Audio Post Production Engineers face when working on tight project deadlines?

Audio Post Production Engineers often work under tight deadlines, which can present challenges such as managing last-minute client revisions and ensuring high-quality sound within limited time frames. Balancing multiple projects simultaneously requires strong organizational skills and the ability to prioritize tasks efficiently. Additionally, collaborating closely with directors, editors, and other team members means that clear communication is essential to quickly resolve issues and maintain workflow continuity. Being adaptable and proactive in troubleshooting technical problems is also key to meeting deadlines without compromising audio quality.

What does an Audio Post Production Engineer do?

An Audio Post Production Engineer is responsible for editing, mixing, and mastering audio tracks for film, television, video games, and other media projects after the initial recording has been completed. Their work includes cleaning up dialogue, adding sound effects, balancing audio levels, and ensuring that the final sound meets the project's creative and technical requirements. They use specialized software and equipment to deliver polished, professional-quality audio that enhances the overall production. Collaboration with directors, producers, and sound designers is common to achieve the desired result.

What is the difference between Audio Post Production Engineer vs Sound Designer?

AspectAudio Post Production EngineerSound Designer
CredentialsTypically holds a degree in audio engineering or related fieldOften has a background in audio design, music, or sound arts
Work EnvironmentPost-production studios, film, TV, and advertisingFilm sets, game development, multimedia projects
Industry UsageUsed in film, TV, and commercial post-productionUsed in film, video games, and multimedia design

While both roles involve working with sound, an Audio Post Production Engineer focuses on editing, mixing, and mastering audio for media projects, ensuring technical quality. A Sound Designer creates and manipulates sound effects and audio elements to shape the auditory experience, often working earlier in the production process. Understanding these differences helps clarify career paths and job expectations in the audio industry.

More about Audio Post Production Engineer jobs
What cities are hiring for Audio Post Production Engineer jobs? Cities with the most Audio Post Production Engineer job openings:
What states have the most Audio Post Production Engineer jobs? States with the most job openings for Audio Post Production Engineer jobs include:
What job categories do people searching Audio Post Production Engineer jobs look for? The top searched job categories for Audio Post Production Engineer jobs are:
Audio Post Production Engineer jobs near you
Infographic showing various Audio Post Production Engineer job openings in the United States as of May 2026, with employment types broken down into 1% Internship, 1% As Needed, 94% Full Time, 1% Part Time, 1% Temporary, and 2% Nights. Highlights an 86% Physical, 2% Hybrid, and 12% Remote job distribution, with an average salary of $48,339 per year, or $23.2 per hour.

Audio/Lighting Production Technician

Christ Community Chapel

Hudson, OH • On-site

Full-time

Posted 17 days ago

Job description

Description:

The Audio/Lighting Production Technician will prepare audio and lighting for weekly worship services and events. This role will carry Front of House (FOH) mix and/or Lighting Operator responsibility for one venue each weekend. Responsibilities include setup, maintenance, and programming of production systems, as well as supporting various production projects as directed. This is a full-time position with the benefit of a 4-day work week and reports to the Associate Production Director.


Responsibilities:

  • Review Planning Center weekly to prepare and execute production of services according to their needs.
  • Assist the Audio Director or work independently to prepare and patch stages for services and events.
  • Mix Front of House (FOH) or operate Lighting for weekly worship services and serve in other production roles as needed.
  • Support lighting setup, programming, and execution as needed for services and events.
  • Perform production responsibilities for special events such as concerts, funerals, weddings, and other gatherings as needed with rotating ‘on call’ schedule.
  • Maintain a clean, organized, and well-functioning work environment, including regular care of consoles, microphones, cabling, lights, and other equipment.
  • Support stage design transitions, setup, and ongoing improvements.
  • Assist with installation of new equipment across CCC facilities.
  • Participate fully as a member of CCC staff, including all-staff gatherings and other responsibilities as assigned.
Requirements:
  • A dynamic and growing relationship with Jesus Christ.
  • College/technical degree or equivalent professional experience in audio production.
  • Strong problem-solving ability in live and post-production environments.
  • Self-motivated with strong work ethic, follow-through, and ability to work both independently and as part of a team.
  • Desire to learn and stay current with audio and lighting production best practices.
  • Proficiency with live production audio consoles (e.g., Yamaha QL/CL/PM series), including patching and programming.
  • Proficiency with live production lighting consoles (e.g., GrandMA), including patching and programming, as well as general DMX networking.
  • Strong musical sense and mixing ability.
  • Familiarity with theater, production, or church environments and industry best practices.
  • Familiarity with Vectorworks not required, but preferred.
  • Commitment to the mission and vision of Christ Community Chapel.

Physical Requirements:

  • Ability to sit for extended periods while working on a computer.
  • Ability to lift up to 75 pounds.
  • Ability to work at heights using ladders or lifts.