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Audio Editing Jobs in Massachusetts (NOW HIRING)

WGBH

Show Editor/Producer

Boston, MA

Exceptional audio editing skills using professional-grade software (e.g., Pro Tools, Adobe Audition, or equivalent). * Strong narrative storytelling skills and the ability to find and execute ...

Beasley Media Group

Associate Producer

Boston, MA · On-site

Produce and edit audio and video content using industry-standard editing software. * Contribute content across the station's digital and social media platforms. * Operate the Wheatstone audio board ...

Beasley Media Group

Associate Producer

Boston, MA · On-site

Produce and edit audio and video content using industry-standard editing software. * Contribute content across the station's digital and social media platforms. * Operate the Wheatstone audio board ...

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Audio Editing information

See Massachusetts salary details

$19

$34

$58

How much do audio editing jobs pay per hour?

As of Aug 20, 2026, the average hourly pay for audio editing in Massachusetts is $34.00, according to ZipRecruiter salary data. Most workers in this role earn between $28.37 and $38.32 per hour, depending on experience, location, and employer.

What is audio editing?

Audio editing is the process of manipulating and arranging sound recordings using specialized software. This includes tasks such as cutting, trimming, mixing, cleaning up noise, adjusting levels, and adding effects to ensure high-quality audio output. Audio editors work with various audio formats and are essential in industries like music production, podcasts, film, and broadcasting. The goal is to create a polished and professional audio product that meets the intended purpose and audience expectations.

What are audio editing jobs?

Audio editing is used in TV, music, and film production to create and edit the perfect soundtrack. A sound editor or engineer builds the soundtrack by cutting the picture to synchronize it with sound elements. Their duties involve working with dialogue tracks, recordings, and analog and digital foley. Re-recording mixer responsibilities focus on the final sound balance, paying attention to volume levels as well as sound quality. Audio editing supervisors handle the sound post-production. They collaborate with the director to ensure the production soundtrack meets the requirements, stays within the budget, and everything proceeds as scheduled.

What are some common challenges audio editors face when collaborating with producers and other team members?

Audio editors often work closely with producers, sound designers, and other creatives, which can lead to challenges around aligning artistic vision and meeting tight deadlines. Communication is key in resolving feedback loops, managing revisions, and ensuring the final product matches the intended style. Adapting to different workflows, file formats, and software preferences among collaborators is also common. Building strong organizational habits and maintaining clear, frequent communication can help audio editors navigate these challenges successfully.

What is the difference between Audio Editing vs Audio Engineering?

AspectAudio EditingAudio Engineering
Required CredentialsBasic audio editing software skills, sometimes certifications in editing toolsAdvanced knowledge of audio equipment, certifications in sound engineering or production
Work EnvironmentPost-production studios, editing suites, remote editing setupsRecording studios, live venues, broadcast environments
Employer & Industry UsageMedia companies, film and TV production, podcastingMusic production, film sound, live sound reinforcement

Audio editing primarily involves manipulating and refining audio recordings using editing software, focusing on cutting, arranging, and enhancing sound clips. Audio engineering encompasses a broader scope, including recording, mixing, and managing sound during production. While both roles require technical skills, audio engineering often demands more advanced certifications and hands-on experience with audio equipment. Understanding these differences helps clarify career paths and job expectations in the audio industry.

More about Audio Editing jobs

What are the most commonly searched types of Audio Editing jobs in Massachusetts?

The most popular types of Audio Editing jobs in Massachusetts are:

What are popular job titles related to Audio Editing jobs in Massachusetts?

For Audio Editing jobs in Massachusetts, the most frequently searched job titles are:

What job categories do people searching Audio Editing jobs in Massachusetts look for?

The top searched job categories for Audio Editing jobs in Massachusetts are:

What cities in Massachusetts are hiring for Audio Editing jobs?

Cities in Massachusetts with the most Audio Editing job openings:

Audio Editing jobs near you
Infographic showing various Audio Editing job openings in Massachusetts as of August 2026, with employment types broken down into 66% Full Time, and 34% Part Time. Highlights an 96% In-person, and 4% Remote job distribution, with an average salary of $70,721 per year, or $34 per hour.

Show Editor/Producer

WGBH Educational Foundation

Boston, MA • On-site

Full-time

Re-posted 9 days ago

Job description

GBH enriches people's lives through programs and services that educate, inspire, and entertain, fostering citizenship and culture, the joy of learning, and the power of diverse perspectives.
At GBH, we believe in the advantages of coming together to build community, mentor and learn from colleagues, and connect more deeply with our mission. As a result, the majority of our staff are hybrid and work both from home and onsite. Our current hybrid approach requires staff to work onsite a minimum of two days each week, every Tuesday and Wednesday, Hybrid staff are also welcome to come in additional days each week or may be asked to come in on other days by their manager.
DEPARTMENT OVERVIEW
The World is Public Radio's leading daily global news program. It delivers journalism that is consequential, influential, and high-profile. Produced by the combined public media innovators PRX and GBH, The World reaches 2 million listeners across North America each week and nearly 1 million online. The newsroom in Boston is a place where passion and curiosity meet global politics and culture. The World team strives to tell deeply human stories in creative and innovative ways with an eye on diverse voices and regions of the world.
JOB OVERVIEW
Reporting to the Executive Editor, The World and Local Productions, the Show Editor/Producer has a leading dual role responsible for shaping The World's editorial output - the overall shape and sound of the show. They are a standard-bearer in the newsroom, committed to innovative journalism and the highest standards of editorial integrity, actively seeking out and promoting diverse, new voices, ensuring that multi-media opportunities are maximized and that digital activities are integrated into the broadcast in fresh ways. Working in tandem with the Supervising Producer Editor, they alternate on a regular basis between show producing the broadcast and editing stories and copy, playing a key role on the daily production helping to conceive and shepherd the broadcast from editorial meeting to live on-air. They are responsible for "the voice" of the show, editing or writing all the host copy and more, paying close attention to the flow between stories and the continuity of the broadcast. Additionally, they will manage and oversee the work of producers or reporters.
The ideal candidate writes so that their words lift off the page, in a voice that is both natural and essential at the same time. They write precisely and clearly, as quickly as the news breaks and with compassion and humor to set the right tone for the show. They are well-suited to creating and delivering distinct and engaging coverage, and for pushing the boundaries of global storytelling. They embrace the ever-changing media landscape and are responsive to the public radio station marketplace tapping into their knowledge of international news and curiosity about events and people that drive the news in all regions of the globe. They must know radio production and be able to provide guidance on conducting interviews and the creative use of audio.
RESPONSIBILITIES
  • Share the responsibility to lead the daily production process, providing editorial guidance and leadership to the production team, and assist with preparing content for the live broadcast, including scripting host intros, tags, and promotional materials.
  • Commission and edit stories from reporters and producers, and craft content in creative and distinct ways that help The World stand out on public radio.
  • Write and edit promotional copy for digital distribution (e.g. Content Depot)
  • Place items in the program to ensure coherence and, reflecting the mission of the broadcast.
  • Collaborate with editors to ensure that future coverage meets the program's needs and is appropriate.
  • Collaborate with the digital team to develop content for web, social, and other digital platforms.
  • Provide mentorship and feedback to producers and reporters to encourage and cultivate new voices guiding their storytelling to be more ambitious.
  • Pitch, develop, and produce compelling segments and long-form features on global news and international affairs.
  • Serve as an editor on assigned segments, guiding reporters and hosts in shaping scripts, ensuring journalistic rigor, and optimizing pieces for clarity, flow, and narrative impact within the constraints of public radio.
  • Fact-check, verify, and maintain the highest standards of accuracy, fairness, and balance across all assigned stories and edits.
  • Understand and navigate the unique co-production structure, ensuring effective communication and alignment of editorial decisions and production standards between GBH and PRX teams.
  • Work closely with the Supervising Producer, editors, producers, hosts, reporters, and the digital team to ensure a cohesive and strategic approach to content development across all platforms (broadcast, digital, social).
  • Maintain strict adherence to daily production deadlines and contribute to the smooth operation of the program's editorial workflow.
  • Potentially guide junior producers or interns on best practices for audio production and global news reporting.

SKILL SET
  • Demonstrated expertise in radio production and editing
  • A strong understanding of international affairs
  • Experience managing reporters, editors, or other content creators and developing new talent
  • Ability to meet strict deadlines and multi-task with ease
  • An ability to communicate clearly and efficiently with all members of staff, while making a positive contribution to a newsroom culture that values respect, diversity and high expectations
  • An audience-first orientation. Can understand the needs and experiences of the show's audience to continuously improve their work.
  • Experience in exercising news judgment at the highest level and the ability to generate original ideas.
  • Experience in leading change and innovation.
  • Ability to work collaboratively in high pressure, deadline driven environments.
  • A deep understanding of the public radio system and its needs.
  • Exceptional audio editing skills using professional-grade software (e.g., Pro Tools, Adobe Audition, or equivalent).
  • Strong narrative storytelling skills and the ability to find and execute compelling stories within a tight deadline structure.
  • Excellent written and verbal communication skills.
  • Ability to work effectively both independently and as part of a geographically diverse team.

EDUCATION AND EXPERIENCE
  • Bachelor's degree required or equivalent work experience. Relevant post-graduate qualification preferred.
  • 5-7 years of experience in broadcast news productions/editorial.
  • Minimum 2-3 years experience managing a team.

JOB SPECIFICS
  • The role requires occasional evening or weekend work during major news events or special projects.
  • Be able to travel when required for the job.
  • Boston based; staff position.
  • Hybrid position

LOCATION
1 Guest Street, Boston, MA 02135
This position is located in Boston, MA, and requires on-site presence.
Salary Range
$81,400 - $107,400Compensation offered within this range is determined by skills, experience and internal pay equity.
GBH is an equal opportunity employer. The community and audience we serve are diverse, and we wish to foster that diversity in our workplace. Toward that end, GBH does not discriminate against individuals in hiring, employment, or promotion based on race, religion, color, sex/gender, gender identity and gender expression, age, marital status, national origin, sexual orientation, citizenship, disability, veteran or military status, political belief, pregnancy, genetic information, or any other characteristic protected by law.
Application Process Assistance
GBH will reasonably accommodate applicants with disabilities who need adjustments to participate in the application or interview process. To initiate an accommodation request, contact the Human Resource department by sending an email to human_resources@wgbh.org or by calling 617-300-2000.

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