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Audio Crew Jobs (NOW HIRING)

Stagehand - Van Buren

Phoenix, AZ

$17.50 - $23/hr

Cabling; assist audio & lighting crew as directed * Band Set changes * Ensure that members of the Band(s) have required items needed to perform the show(s). * Responsible for communicating the ...

Stagehand

Atlanta, GA · On-site

$16.75 - $22.25/hr

Cabling; assist audio & lighting crew as directed * Band Set changes * Ensure that members of the Band(s) have required items needed to perform the show(s). * Responsible for communicating the ...

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Audio Crew information

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$10

$21

$32

How much do audio crew jobs pay per hour?

As of Jun 30, 2026, the average hourly pay for audio crew in the United States is $21.28, according to ZipRecruiter salary data. Most workers in this role earn between $16.83 and $24.76 per hour, depending on experience, location, and employer.

What are Audio Crew?

Audio crew are professionals responsible for managing all aspects of sound during live events, theater productions, film shoots, or broadcasts. Their duties include setting up microphones, operating soundboards, mixing audio for clarity and balance, and troubleshooting technical issues. They work closely with performers, directors, and other crew members to ensure high-quality sound experiences for audiences. Audio crew roles can range from sound engineers to boom operators, depending on the production.

What is the difference between Audio Crew vs Audio Technician?

AspectAudio CrewAudio Technician
CredentialsBasic audio training, on-the-job experienceFormal education or certifications in audio engineering or sound technology
Work EnvironmentEvent venues, live concerts, film setsRecording studios, broadcast stations, live events
Employer & Industry UsageEvent production companies, concert organizersMedia companies, production studios, broadcasting
Common Search & ComparisonOften compared for entry-level roles in live soundMore technical, specialized sound work

In summary, the Audio Crew typically handles setup and support for live events with less formal training, while Audio Technicians possess specialized skills and certifications for more technical sound engineering tasks. Both roles are essential in the audio industry but differ in complexity and work environment.

What are some common challenges faced by members of an audio crew during live events?

Audio crew members often face challenges such as managing last-minute technical issues, adapting to changes in event schedules, and ensuring clear communication with performers and other technical teams. Working in high-pressure environments, especially during live events, requires quick troubleshooting and the ability to stay calm under pressure. Collaboration with lighting, stage, and production teams is essential to ensure seamless event execution and high-quality sound for audiences.

What are the key skills and qualifications needed to thrive as an Audio Crew member, and why are they important?

To thrive as an Audio Crew member, you need a solid understanding of sound engineering principles, audio equipment setup, and troubleshooting, often supported by relevant technical training or experience. Familiarity with digital audio workstations (DAWs), mixing consoles, microphones, and audio signal flow is typically required, along with certifications like AVIXA CTS being advantageous. Excellent teamwork, communication, and problem-solving skills help you adapt quickly to live event demands and collaborate effectively with other crew members. These abilities ensure high-quality audio production and smooth technical operations in dynamic, time-sensitive environments.
More about Audio Crew jobs
What cities are hiring for Audio Crew jobs? Cities with the most Audio Crew job openings:
Infographic showing various Audio Crew job openings in the United States as of June 2026, with employment types broken down into 75% Full Time, 19% Part Time, and 6% Nights. Highlights an 100% Physical job distribution, with an average salary of $44,261 per year, or $21.3 per hour.

Supervisor Audio Systems

MSG Entertainment Holdings, LLC

Las Vegas, NV • On-site

Other

This job post has expired 1 day ago. Applications are no longer accepted.


Key responsibilities

  • Oversee the operation, programming, and maintenance of production audio systems throughout events.

  • Schedule, direct, and supervise stagehand audio crew and union and non-union labor for daily audio department operations.

  • Coordinate with Sphere Studios and outside production crews to implement new show audio files and facilitate audio discussions.


Job description

Who are we hiring?

The Supervisor of Audio Systems will be responsible for the operation and maintenance of the production audio system, and would oversee all in-house mixing provided by others. This position will coordinate with Sphere Studios for the implementation of new shows audio files and file uploads and facilitate audio discussions with outside productions. This may include pre-production meetings with the Studios and guest productions, organizing how best to accomplish the planned events throughout the performance.

What will you do?

  • Coordinate with production managers to Schedule and manage stagehand audio crew. Schedule and direct union and non-union labor associated with the daily operation of audio department.
  • Responsible for oversight of the install of audio Front Fils per event specifications.
  • Oversee the operation of systems pertaining to audio throughout the entire event. Oversee proper control board operation & programming.
  • Implement all audio changes at the direction of the Director, Audio Systems.
  • Supervise maintenance and repair of audio equipment. 
  • Ensure the maintenance and repair of audio equipment is up to date.
  • Accommodate artist and/or event A/V requirements as assigned by Director, Audio Systems.
  • Assist with the technical advance with Artist's representatives.
  • Interact with visiting production crews to ensure a successful show.
  • Ensure proper care, handling, and inventory of all rental audio equipment.
  • Ensure Special Events audio needs are scheduled and met as assigned by Director, Audio Systems.
  • Understand and communicate with all parties the work rules for Union & Non-Union labor teams.
  • Troubleshoot event day issues and be highly responsive to emergencies in a fast paced, time sensitive environment.
  • Oversee transition from day of event activities to the load out of all equipment for assigned events.
  • Oversee operation, programming, and maintenance of playback and specialty audio systems.
  • Supervision of Union & Non-Union Crews.
  • Provide exceptional experiences for our guests, partners, and team members, including by adhering to our appearance and presentation guidelines while on-site.  

What do you need to succeed?

  • Candidates who have completed a minimum of 60 credit hours of college-level coursework (representing 2 years), or have shown similar self-development through certifications, trade school coursework, etc., are preferred.
  • 7+ years working experience in audio design, audio tech and engineering for film, television, live events, and/or themed entertainment.
  • Technical knowledge surrounding production audio specific items including but not limited to Ravenna, Dante, AES67, digital audio consoles, Meyer Sound D-Mitri, Q-Sys, Smaart, etc., and working with Union & Non-Union Crews.
  • Strong organizational skills, time management skills, and exceptional attention to detail.
  • Excellent written and verbal communication skills.
  • Possess problem solving, reasoning, motivational, and strong interpersonal skills.
  • Ability to work independently when necessary and use sound business judgement.
  • Ability to work collaboratively in a team environment.
  • Ability to resolve conflicts in time sensitive manner.
  • Adept at maintaining positive, open, approachable, and professional relationships with a diverse group.
  • Demonstrate integrity, tact, diplomacy, and a commitment to company values and principles.
  • Computer skills including MS Word, Excel, Outlook, PowerPoint.
  • Computer Aided Drafting skills and/or the ability to read construction drawings is a plus.
  • Must be able to work a flexible schedule inclusive of weekends, nights, and holidays.

Special Requirements

  • Extensive standing, walking, keyboard usage and general administrative duties.
  • Physical labor as necessary including but not limited to load-in/load-out of events, flying PA, working at height, and running cable; This position is required to carry and lift 50 lbs or more.
  • This is a 100% onsite role.
  • Required to have completed the OSHA 30-Hour training course.

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