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Audio Composer Jobs (NOW HIRING)

KQED

Post Production Lead

San Francisco, CA · On-site

Avid Media Composer * Adobe Premiere Pro * Extensive knowledge of server ingest and playout systems ... Experienced in proper use of audio and visual effects and a vision for how to creatively enhance ...

Logitech

Lead Android Platform Engineer

San Jose, CA · On-site

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

SurfaceFlinger, Hardware Composer, display HAL, graphics buffers, composition, HDMI/display output, resolution handling, refresh behavior, EDID handling, and display performance. Android Audio ...

Logitech

Lead Android Platform Engineer

San Jose, CA

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

SurfaceFlinger, Hardware Composer, display HAL, graphics buffers, composition, HDMI/display output, resolution handling, refresh behavior, EDID handling, and display performance. Android Audio ...

TrueShort

AI Music Composer & Editor

Los Angeles, CA · On-site +1

Experience with digital audio workstations such as Ableton Live, Logic Pro, FL Studio, Pro Tools, Reaper, or similar * Experience editing music to picture and matching cues to visual storytelling

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Audio Composer information

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$29.5K

$84.5K

$171.5K

How much do audio composer jobs pay per year?

As of Aug 16, 2026, the average yearly pay for audio composer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What does an audio composer do?

An Audio Composer creates original music and soundscapes for various media, including films, video games, advertisements, and podcasts. They use digital audio workstations (DAWs) and instruments to compose, arrange, and produce music that enhances storytelling and emotional impact. Their responsibilities may include collaborating with directors, sound designers, and producers to meet creative goals. Audio Composers must have a strong understanding of music theory, composition techniques, and audio production.

What are the key skills and qualifications needed to thrive as an audio composer?

To thrive as an Audio Composer, you need a strong background in music theory, composition, and audio production, often supported by a degree in music or related experience. Familiarity with digital audio workstations (DAWs) such as Logic Pro, Ableton Live, or Pro Tools, as well as proficiency in sound libraries and MIDI programming, is essential. Creativity, strong collaboration skills, and the ability to take feedback are important soft skills that set top composers apart. These competencies enable the creation of high-quality, original audio content that meets project specifications and client expectations.

What types of projects do audio composers typically work on, and how do they collaborate with other team members?

Audio Composers commonly work on projects such as film scores, video game soundtracks, commercials, jingles, podcasts, and multimedia presentations. They often collaborate closely with directors, producers, sound designers, and other musicians to ensure the audio elements align with the project's creative vision and technical requirements. Day-to-day responsibilities can include composing original music, editing audio files, integrating feedback, and participating in production meetings. Teamwork and open communication are crucial, as Audio Composers must adapt their work based on input from various stakeholders to deliver a cohesive final product.

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Audio Composer jobs near you
Infographic showing various Audio Composer job openings in the United States as of August 2026, with employment types broken down into 77% Full Time, 19% Part Time, 1% Temporary, and 3% Contract. Highlights an 88% Physical, 2% Hybrid, and 10% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Post Production Lead

KQED

San Francisco, CA • On-site

Full-time

Re-posted 10 days ago

Job description

Title: Post Production Lead
Schedule Format - Location: San Francisco, On Site
Pay Information:  $81.25/hr


Position Summary:  KQED is seeking a highly skilled TV post production lead engineer with broad experience in post production systems administration and operations to fulfill a key role within the Technical Operations division.  The successful candidate will be required to join NABET Local 51.
 This is a unique position ideally suited for an experienced editor who has exceptional technical skills and knowledge of post production systems and media management.  IT skills are key, and skills in other areas of production are a significant plus - experience directing, technical directing, videography, etc.KQED’s San Francisco facility contains multiple public event spaces and features The Commons.  The Commons is our state-of-the-art theatre/live event space, outfitted with 6 PTZ cameras and a control room for live production and streaming.  Our TV studio is a virtual environment powered by Vizrt Virtual Studio, utilizing a fully robotic and motion tracked camera system. Powering all of this and more is our TV Post Production core - running Avid MediaCentral/Interplay, Media Composer, Fastserve ingest and playout controlled by Command and iNews.  Workflows are orchestrated using telestream Vantage.  Our LTO tape archive is managed by Telestream Diva integrated with Interplay.   

KQED envisions a public media organization with a culture that centers on human dignity, equity, and belonging. This will enable us to better serve and reflect the Bay Area through diverse and inclusive storytelling. 

We value the contributions of marginalized people in society — including Black, Indigenous, and all people of color,  people with disabilities, and LGBTQIA+ people — and we believe that these communities must be centered in the work we do, and we strongly encourage members of these communities to apply.

KQED Code of Ethics  https://www.kqed.org/about/code-ethics

The mission that drives us:

KQED provide citizens of Northern California with a community-supported alternative to commercial media.   We provide citizens with the knowledge they need to make informed decisions; convene community dialogue; bring the arts to everyone and engage audiences to share their stories. We help students and teachers thrive in 21st-century classrooms, and take people of all ages on journeys of exploration- exposing them to new people, places and ideas.

This role will work onsite in KQED's newly renovated headquarters.

The successful candidate will be required to join National Association of Broadcast Employees and Technicians (NABET) Local 51.

Essential Functions:  The TV Post Production Lead will have specific expertise spanning multiple areas (including IT and engineering, post production workflows and editing) in order to function as a System Administrator and Lead Support Engineer, Media Manager and Editor.  Depending on experience and skillset, there will also be opportunities to work on KQED studio productions.The successful candidate for this role will:
  • Enjoy performing as an integral part of the production team and help lead the realization of ideas through the entire production process.
  • Serve as the system administrator and primary support engineer for our post production systems, including Avid, Adobe, Telestream Vantage, Diva and the LTO tape library.
  • Manage existing workflows and create new workflows, always adjusting to evolving needs and requirements.  Enjoy realizing creative and efficient solutions.
  • Document, communicate and teach workflows and best practices for editors, producers and engineers. 
  • Manage installation and rollout of NLE plugins. 
  • Have the ability to work well with editorial content teams as well as technical engineering teams.
  • Understand and help facilitate the utilization of NRCS MOS workflows from start to finish, while training coworkers along the way.
  • Assume responsibility for production values and technical standards of the output and take relevant measures to improve the product and solve problems.

Knowledge/Experience Required:
 
  • 5+ years related experience with post production systems, media management and archive management
  • 5+ years as a video editor
    • Avid Media Composer
    • Adobe Premiere Pro
  • Extensive knowledge of server ingest and playout systems and associated peripheral production equipment
  • Familiarity with NRCS (iNews) and MOS workflows
  • Have the expertise to conceptualize workflows and configure equipment and have the ability and desire to train others
  • Knowledge of and experience with Telestream Vantage
  • Experienced in proper use of audio and visual effects and a vision for how to creatively enhance production value tastefully
  • Knowledge of broadcast standards - ability to QC video and audio levels, audio tracks, closed captions, etc.
  • Familiarity with closed captioning post production workflows
  • Ability to steadily handle multiple tasks in a high-pressure production environment
  • Sense of ownership and tenacity to see the most elusive details through to completion
  • Enthusiasm towards learning new, complex workflows quickly and proven ability to adapt on the fly
  • Ability to analyze and resolve problems proactively when possible
  • Expertise to help provide creative solutions for production needs
  • Excellent communication, interpersonal and organization skills with a strong attention to detail
  • Ability to perform as a team player and maintain a professional manner when navigating various personality types
  • Ability to perform other duties determined by Technical Operations, including filling other technical production positions
  • Knowledge of video and audio formats, codecs and file types

 

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