1

Contract Audio Composer Jobs (NOW HIRING)

Contract Work Type: Onsite Shift: (Wed-Sat or Sun-Wed) (8-6 or 9-7) Responsibilities: * The ... Proficiency with broadcast production systems and software, including audio consoles, intercom ...

Experience with digital audio workstations such as Ableton Live, Logic Pro, FL Studio, Pro Tools ... Contract Role * Potential for long-term employment or full-time role * $200-$450 per episode

Creative Dubbing Director

Seattle, WA · On-site +1

$25 - $28/hr

Avid Media Composer * DaVinci Resolve * Pro Tools * Adobe Audition * Similar audio/video post ... Job Type & Location This is a Contract position based out of Seattle, WA. Pay and Benefits The pay ...

Contract Audio Composer information

See salary details

$29.5K

$84.5K

$171.5K

How much do contract audio composer jobs pay per year?

As of Sep 9, 2026, the average yearly pay for contract audio composer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What cities are hiring for Contract Audio Composer jobs?

Cities with the most Contract Audio Composer job openings:

What are the most commonly searched types of Audio Composer jobs?

The most popular types of Audio Composer jobs are:

What states have the most Contract Audio Composer jobs?

States with the most job openings for Contract Audio Composer jobs include:

What are popular job titles related to Contract Audio Composer jobs?

For Contract Audio Composer jobs, the most frequently searched job titles are:

Infographic showing various Contract Audio Composer job openings in the United States as of August 2026, with employment types broken down into 76% Full Time, 20% Part Time, 1% Temporary, and 3% Contract. Highlights an 88% Physical, 2% Hybrid, and 10% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Sr. Production/Broadcast Engineer

Stamford, CT • On-site

Contractor

Re-posted 11 days ago


Job description

Role: Sr. Production/Broadcast Engineer

Location: Stamford, CT,

Job Type: Contract: W2 only
Job Description:
The Production/Broadcast Engineer will be responsible for providing front-line broadcast engineering and technical support across multiple studios and control rooms within the Stamford Sports facility. The role involves supporting all broadcast systems and technology for live day-of-air programs, troubleshooting hardware and systems, complying with computer security policies, and managing projects that include system design, integration, and commissioning. This position requires a combination of maintenance and project management/system engineering skills. The support needs span seven days a week, with certain periods requiring availability as part of a 24x7 schedule.
Location: onsite schedule - 1 Blachley Road NBCU Sports Building, Stamford, CT 06902 United States
Schedule Options: 10 hour shifts - Wed - Sat OR Sun - Wed. Shift to change - 8 to 6 OR 9 to 7
Responsibilities:
Perform system-level troubleshooting of technical facilities, including control rooms, studio equipment, audio equipment, and associated computer systems.
Conduct preventative maintenance on studio and control room equipment.
Assist Studio Operations with technical setup in control rooms and studios.
Collaborate with production and operations teams to implement technical solutions that meet production initiatives.
Install and update equipment and systems software.
Repair and troubleshoot equipment to the module level using industry-standard test equipment.
Manage projects, design systems, and assist with system integration and commissioning.
Required Qualifications:
4+ years of experience in a television broadcast environment or an equivalent combination of education and experience.
BS degree in Engineering, Communications, or a related field or equivalent relevant experience. Desired Characteristics: Proficiency with broadcast production systems and software, including audio consoles, intercom systems, video switchers, wireless audio, server-based playout, and test and measurement equipment. Understanding of TCP/IP networks. Knowledge of digital TV (HDSDI).
Proficiency in software-driven broadcast video equipment.
Ability to read and understand system signal flow diagrams for television control room and studio facilities.
Excellent interpersonal skills, with the ability to remain calm and focused under the pressures of live television. Strong hands-on problem-solving skills with broadcast-related equipment and systems.
Understanding of the urgent needs of on-air sports and the ability to remain productive in a fast-paced, constantly changing environment.
Ability to support a 24x7 production environment.
Willingness and ability to learn new production technologies. Preferred experience in live production environments. Knowledge of computer server installation and maintenance. Specific experience with: Sony cameras and switchers EVS Servers, IP Director, XSquare Evertz and Grass Valley routing RTS Intercom Calrec audio consoles Tektronix and Leader test and measurement systems. Knowledge of SMPTE 2110 standards.
Experience in system design, AutoCAD, and project management. Understanding of wireless audio and communication technologies.
Experience with 1080P and 4K HDR production.
Comms Systems (RTS ADAM/Omneo) knowledge Experience with Avid Media Composer Experience with Avid Interplay Experience with Comms Systems (RTS ADAM/Omneo) Proficient in Chyron graphic systems Strong customer focus with a commitment to delivering high-quality technical support.
Self-starter with the ability to meet deadlines and work effectively both independently and as part of a team. Excellent written and verbal communication skills, with the ability to diplomatically engage with colleagues across various departments.