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Audio Broadcasting Jobs (NOW HIRING)

Director, Broadcasting

Anaheim, CA ยท On-site

$100K - $120K/yr

Be involved in the editing process for all audio and TV content pieces * Manage and oversee all Ducks Stream content and production * Execute and manage all aspects of the broadcast department

Director, Broadcasting

Anaheim, CA ยท On-site

$100K - $120K/yr

Be involved in the editing process for all audio and TV content pieces * Manage and oversee all Ducks Stream content and production * Execute and manage all aspects of the broadcast department

Broadcast Audio Engineer

Stafford, TX ยท On-site

$60 - $80/hr

The Broadcast Audio Engineer ensures our online congregation experiences crystal-clear audio during livestreams. You'll manage the separate audio mix sent to YouTube and Facebook Live, using the ...

Close collaboration with IT and Ballpark Operations to accomplish organizational A/V and broadcasting initiatives; * Maintain Daktronics technology and provide support on all LED Displays and ...

Position Summary The Wheeling Nailers are expanding their game day broadcast and looking to hire experienced Audio Engineers for the 2026-2027 home season. The Audio Engineer is responsible for the ...

The Audio Operations Director oversees the technical planning and broadcast engineering for the Met's broadcasts and participates as a member of the broadcast engineering team. The Audio Operations ...

$32.69 - $44.14/hr

Belmont Park (Elmont) Categories: TV Broadcast Operations Title: Audio Systems Technician Employee Status: Regular Part Time Work From Home Option: Not Applicable FLSA Status: Non-Exempt Job Overview:

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Showing results 1-20

Audio Broadcasting information

See salary details

$29.5K

$84.5K

$171.5K

How much do audio broadcasting jobs pay per year?

As of Sep 8, 2026, the average yearly pay for audio broadcasting in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is audio broadcasting?

Audio broadcasting is the transmission of audio content, such as music, news, talk shows, or other programs, to a wide audience through mediums like radio stations, online streaming platforms, or podcasts. It involves the use of microphones, mixers, transmitters, and other equipment to create and distribute sound to listeners. People working in audio broadcasting may be responsible for producing shows, operating technical equipment, and engaging with audiences. This field requires good communication skills and technical knowledge of audio equipment. Careers in audio broadcasting can include roles such as radio hosts, producers, sound engineers, and broadcast technicians.

What are the key skills and qualifications needed to thrive in audio broadcasting?

To thrive in Audio Broadcasting, you need a strong command of verbal communication, audio production techniques, and typically a background in media, communications, or journalism. Familiarity with audio editing software (like Adobe Audition or Pro Tools), broadcast consoles, and FCC regulations is commonly required. Creativity, adaptability, and the ability to engage audiences set standout professionals apart in this field. These skills ensure compelling content delivery, technical quality, and compliance with industry standards, all crucial for success in broadcasting.

What are some common challenges faced by professionals in audio broadcasting, and how can they be addressed?

Professionals in audio broadcasting often face challenges such as tight deadlines, technical difficulties with equipment, and the need to adapt quickly to breaking news or unexpected changes in programming. Managing time efficiently and staying updated with the latest audio technology can help overcome these issues. Additionally, strong communication and collaboration with producers, sound engineers, and on-air talent are crucial for ensuring smooth broadcasts and resolving problems as they arise.

What is the difference between Audio Broadcasting vs Radio Technician?

AspectAudio BroadcastingRadio Technician
Required CredentialsAudio engineering certifications, audio production skillsTechnical certifications in radio equipment, electronics
Work EnvironmentRecording studios, broadcast stations, live eventsRadio stations, maintenance facilities, field sites
Industry UsageContent creation, live broadcasting, audio editingEquipment setup, maintenance, troubleshooting

Audio Broadcasting involves creating, editing, and transmitting audio content for radio, TV, or online platforms. Radio Technicians focus on maintaining and repairing radio broadcasting equipment. While both roles work within the radio industry and require technical knowledge, Audio Broadcasting emphasizes content production, whereas Radio Technicians specialize in technical support and equipment management.

What cities are hiring for Audio Broadcasting jobs?

Cities with the most Audio Broadcasting job openings:

What states have the most Audio Broadcasting jobs?

States with the most job openings for Audio Broadcasting jobs include:

Infographic showing various Audio Broadcasting job openings in the United States as of August 2026, with employment types broken down into 68% Full Time, 29% Part Time, 1% Temporary, and 2% Contract. Highlights an 76% Physical, 2% Hybrid, and 22% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

$65.85/hr

Full-time

Posted 18 days ago


Key responsibilities

  • Operate audio consoles for live and taped studio productions using LAWO and SSL audio consoles.

  • Validate remote guests and manage audio signals to ensure high-quality sound production.

  • Collaborate with technical team, producers, show directors, and employees to support broadcast productions.


Job description

Description
POSITION OVERVIEW:
Perform on a daily, ongoing basis a variety of audio technician and related IBEW technician duties to support WETA, PBS NewsHour and other productions as needed. Primary responsibilities include, but not limited to, control room board audio for live and taped network productions in the studio. Thorough knowledge of audio signals and optimization. Knowledge of field audio acquisition and technologies. This position is covered by the IBEW union contract.
PRIMARY RESPONSIBILITIES:
โ€ข Audio console operator for both live and taped multiple format studio productions using LAWO audio consoles.
โ€ข Validate remote guests from a variety of technology platforms.
โ€ข Expertise with RTS ADAM Intercom and proven experience making modifications/adjustments in AZedit.
  • Operational knowledge of RTS software (VLINK, IPEDIT and TRUNK EDIT).
    • Operational knowledge of RTS peripherals (OMNEO keypanals, RVON, Program Assignment Panels, ROAMEO wireless intercom system.
    • Operational knowledge of Dante Controller Software and Dante audio Routing
    • Operational knowledge of Phonak and Lectrosonics IFB transmitters and receivers.
    • Familiarity with WAVES SoundGrid and WAVES audio Plugins.
    • Familiarity with ENCO HotShot Audio Playback and editing software.
    • Familiarity with Dugan Model-M auto mixer hardware and software.

โ€ข Comprehensive knowledge of current state of the art field audio gear and recording techniques.
โ€ข Work collaboratively, effectively and professionally with the technical team, producers, show directors and WETA/NewsHour employees.
โ€ข Performs other duties, as assigned in accordance with union jurisdiction.
CORE COMPETENCIES:
โ€ข Experienced in all aspects of audio production in both controlled and uncontrolled environments, especially as the lead audio technician (A-1).
โ€ข Familiar with the operation of LAWO audio consoles.
โ€ข Familiar with the operation of television production intercom systems and software including IFB's and telephone interfaces, and other technology/platforms utilized in broadcast production.
โ€ข Working knowledge of studio positions including; Studio and Robotic Cameras, Stage Manager and Transmission a plus.
โ€ข Must have the ability to work under pressure in live, fast-paced, ever-changing network environment. Must be able to think quickly, communicate well and keep pace with rapid-moving programming.
โ€ข The ability to quickly troubleshoot issues and make necessary modifications is required.
โ€ข Experience with AVID iNews a plus
โ€ข Must possess the skill set to discern subtleties in audio signals to maintain the highest quality control for everything related to audio and sound production.
ADDITIONAL SKILLS AND QUALIFICATIONS:
โ€ข Comprehensive knowledge of television production workflows and operations.
โ€ข Experience interfacing with on-air talent and effectively managing traffic flow during productions.
โ€ข Close and detailed oriented coordination with show directors, technical and editorial teams.
โ€ข Ability to communicate proactively and collaborate effectively with producers, directors, managers, and technicians with a high degree of professionalism at all times.
โ€ข Flexibility and adaptability to work on different assignments on a daily, or even hourly basis, and to work long and sometimes irregular shifts, and work holidays and weekends as necessary.
โ€ข Must be able to lift, carry and drag heavy loads ( > 50lbs. ).
EDUCATION:
โ€ข ? Minimum seven years of experience at a network, local station or equivalent as an audio broadcast technician (A-1 operator) in a live production environment.
LOCATION:
WETA and NewsHour Productions are Washington, DC established media and news organizations. We are a largely local workforce based out of the Campbell Place office in Arlington, VA. WETA and NewsHour Productions value employee flexibility when possible. Most positions based in our Arlington, VA office will be onsite or hybrid, depending upon the role.
COMPANY OVERVIEW:
WETA, the flagship public media station in the nation's capital, produces and distributes content that informs, inspires, and enriches lives.
As the second-largest producing station for the public media system, WETA creates programming to explore history, arts, and culture, partnering with acclaimed filmmakers such as Ken Burns and Dr. Henry Louis Gates, Jr. National WETA productions include The American Revolution and Finding Your Roots, among many others. WETA is also home to PBS News, the primary daily, breaking, and special news producer for PBS. Its broadcast productions include PBS News Hour, Washington Week with The Atlantic, Horizons from PBS News, and Compass Points from PBS News, as well as specials, documentaries, and a robust footprint across digital platforms.
Locally, WETA serves audiences across Washington, D.C., Virginia, and Maryland, through television, radio, and digital platforms. Audiences access WETA on broadcast channels WETA PBS, WETA UK, WETA Metro, WETA World, and WETA PBS Kids, and digitally through the free streaming platform WETA+. Listeners tune into WETA Classical, the exclusive home for classical music in the Greater Washington area, via radio, online, and the WETA Classical app. Benefits | WETA
EQUAL EMPLOYMENT OPPORTUNITY:
WETA and NewsHour Productions are equal opportunity employers committed to diversity and inclusion in the workplace. We prohibit discrimination and harassment of any kind based on race, color, sex, religion, sexual orientation, national origin, disability, genetic information, pregnancy, or any other protected characteristic as outlined by federal, state, or local laws.
This policy applies to all employment practices within our organization, including hiring, recruiting, promotion, termination, layoff, recall, leave of absence, compensation, benefits, training, and internships. WETA and NewsHour Productions make hiring decisions based solely on qualifications, merit, and business needs at the time.