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Assistant Finishing Editor Jobs (NOW HIRING)

Help Assistant Editors (AEs) and Finishing team as needed with media and coordination tasks such as YouTube rips, shotlist requests, etc. KPI's: * Error-free postings and links - maintain a

They will also assist in maintaining effective communication with the internal team and clients ... Episodic or Feature Finishing Post-Production Experience. * Basic knowledge of offline editing, VFX ...

Color Assist

Santa Monica, CA · On-site

$21 - $30/hr

The Colorist Assist will work directly with the Colorists, Finishing Artists and Production Team in ... They will have a background and/or knowledge of offline editing. They will have file based workflow ...

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Assistant Finishing Editor information

See salary details

$23.5K

$51.2K

$65K

How much do assistant finishing editor jobs pay per year?

As of Jun 30, 2026, the average yearly pay for assistant finishing editor in the United States is $51,214.00, according to ZipRecruiter salary data. Most workers in this role earn between $41,500.00 and $59,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as an Assistant Finishing Editor, and why are they important?

To thrive as an Assistant Finishing Editor, you need a solid understanding of post-production processes, color grading, and editing techniques, often supported by a relevant degree or training in film or media. Proficiency with industry-standard software such as Adobe Premiere Pro, DaVinci Resolve, and Avid Media Composer is typically required. Attention to detail, strong organizational skills, and effective communication are valuable soft skills for collaborating with editors and producers. These abilities ensure the final product meets creative and technical standards, maintaining consistency and quality in the editing workflow.

What are Assistant Finishing Editors?

Assistant Finishing Editors are professionals in the post-production phase of film, television, or video projects. They assist the main finishing editor by organizing and preparing media, conforming edits to match the final cut, ensuring color correction, audio syncing, and visual effects are properly integrated. Their role is critical in delivering a polished, broadcast-ready final product, often collaborating closely with editors, colorists, and sound engineers. This position requires strong technical skills, attention to detail, and familiarity with industry-standard editing software.

What is the difference between Assistant Finishing Editor vs Assistant Editor?

AspectAssistant Finishing EditorAssistant Editor
CredentialsTypically requires a degree in film, media, or related field; experience with editing softwareSimilar educational background; often entry-level with focus on editing and post-production skills
Work EnvironmentPrimarily in post-production facilities, working closely with editors and coloristsIn post-production or editing suites, supporting editors and producers
Industry UsageCommonly used in film, TV, and video production for finishing tasksUsed across media industries for assisting in editing workflows

The Assistant Finishing Editor and Assistant Editor roles share similar educational backgrounds and work environments, focusing on supporting editing teams. However, the Assistant Finishing Editor specializes in the final stages of post-production, such as color correction and quality checks, whereas the Assistant Editor handles initial editing tasks and assembly. Both roles are essential in the post-production process, with the Assistant Finishing Editor focusing on polishing the final product.

What are the typical collaboration points between an Assistant Finishing Editor and other post-production roles?

As an Assistant Finishing Editor, you’ll frequently collaborate with colorists, sound mixers, and lead editors to ensure the final version of a project is polished and cohesive. Your role often involves prepping project files, managing conforming tasks, and integrating last-minute client feedback. Effective communication with VFX artists and producers is also common, as you coordinate updates and resolve technical issues. This teamwork-driven environment helps ensure that all creative and technical elements align for the final delivery.
More about Assistant Finishing Editor jobs
What cities are hiring for Assistant Finishing Editor jobs? Cities with the most Assistant Finishing Editor job openings:
What are the most commonly searched types of Finishing Editor jobs? The most popular types of Finishing Editor jobs are:
What states have the most Assistant Finishing Editor jobs? States with the most job openings for Assistant Finishing Editor jobs include:
Infographic showing various Assistant Finishing Editor job openings in the United States as of June 2026, with employment types broken down into 100% Full Time. Highlights an 99% Physical, and 1% Remote job distribution, with an average salary of $51,214 per year, or $24.6 per hour.
Post Production Assistant

Post Production Assistant

ZEALOT

New York, NY • On-site

Full-time

Medical, Dental, Vision, Retirement, PTO

Posted 8 days ago


Job description

Job Title: Post Production Assistant

Location: New York

FLSA: Non-Exempt

Reports To: Post Production Manager

 

Job Description: 

The Post Production Assistant is an entry-level post-production position that helps with the ingest and egress of media files among ZEALOTS various internal and external systems. This role is responsible for ensuring the timely ingestion and export of various media files, ensuring the files are organized, labeled correctly, and free from errors. 

The position will also assist with light-weight editorial needs such as transcribing and Premier project organization, and  

 

Responsibilities:

  • Handle ingest, link creation, and posting requests from Associate Producers (APs), Producers, CDs, Finishing, etc.
  • Manage and prioritize client media download requests, including ingesting media into Zealot’s environment, and ensure files are correct and named properly
  • Create and maintain documentation of client systems, processes, and logins to ensure quick and easy media retrieval/posting 
  • Create transcription files and documents of features, episodes, etc. to assist Editors and Producers
  • Work with the Asset Manager to track and log all physical media deliveries, including external drives, flash drives, discs and tapes
  • Help Assistant Editors (AEs) and Finishing team as needed with media and coordination tasks such as YouTube rips, shotlist requests, etc.
 

KPI’s:

  • Error-free postings and links – maintain a <5% error rate for all links and postings, including typos and incorrect slates
  • Adherence to SOPs – maintain a >95% adherence to Zealot and client platform SOPs, including naming conventions and folder structures 
  • Task Handoff -  Ensure clarity and reduce confusion by clearly communicating remaining tasks and to-dos at shift end with team members
 

Required Experience, Skills, and Abilities:

  • Strong understanding of MacOS and Computer Skills (Email, Messaging, Web Browsing, etc.)
  • Familiarity with:
    • Media file types (.mov, .mp4, .png, .jpg, etc.)
    • Video Codecs (h.264/h.265, ProRes, DnXHD, etc.)
  • Nice to have:
    • Experience with media delivery platforms (Aspera, Signiant, Pix, Box, etc.)
    • NLE Software (Adobe Premiere Pro, Avid Media Composer, Da Vinci Resolve, etc.)
  • Excellent organizational and time management skills.
  • Ability to troubleshoot and solve problems on the fly.
  • Excellent written and verbal communication skills.

Additional Information:
  • This position reports to the Post Production Manager
  • You must be able to make a daily commute 3 x per week to the NY office
  • Regular business hours are Mon-Fri 10am to 7pm.
  • The position is non-exempt (hourly) with a range of $20 to $25 per hour. This is subject to change and may be modified in the future. Actual offers may vary based on work experience
  • Paid Time Off, Medical, Dental, Vision benefits, 401(k) plus employer matching
  • Position may require the ability to work evenings, and occasionally weekends and holidays

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