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Weekend Pro Tools Audio Jobs in New York (NOW HIRING)

The New York Times

Audio Engineer, Newsroom

New York, NY · On-site

$93K - $110K/yr

Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools * Collaborate with ... Occasional evening and weekend technical support * Demonstrate support and understanding of our ...

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Weekend Pro Tools Audio information

What is a Weekend Pro Tools Audio?

Weekend Pro Tools Audio jobs involve using Avid Pro Tools software to record, edit, mix, or master audio, typically during weekends. These roles are common in music studios, live sound venues, broadcast environments, and post-production houses that require skilled technicians for sessions scheduled on Saturdays or Sundays. Responsibilities may include setting up audio equipment, managing session files, editing tracks, and ensuring high-quality sound output. Strong proficiency in Pro Tools, attention to detail, and flexibility to work non-traditional hours are important for these positions.

What are the key skills and qualifications needed to thrive as a Weekend Pro Tools Audio engineer?

To thrive as a Weekend Pro Tools Audio Engineer, you need a strong understanding of audio engineering principles, experience with recording and mixing, and proficiency in using Pro Tools software. Familiarity with audio interfaces, microphones, and digital signal processing tools, along with relevant certifications in Pro Tools or audio production, is highly beneficial. Excellent attention to detail, time management, and strong communication skills help ensure smooth collaboration with musicians and production teams, especially on tight weekend schedules. These skills and qualities are crucial for delivering professional audio results efficiently and meeting the fast-paced demands of live or studio environments.

What is the difference between Weekend Pro Tools Audio vs Weekend Audio Engineer?

AspectWeekend Pro Tools AudioWeekend Audio Engineer
CredentialsPro Tools certification often preferredRelevant audio engineering certifications
Work EnvironmentPost-production studios, recording facilitiesLive events, concerts, recording sessions
Industry UsageMusic, film, TV post-productionMusic festivals, live shows, broadcast
Job FocusEditing, mixing, mastering with Pro ToolsSound setup, live mixing, audio capture

Weekend Pro Tools Audio specialists focus on editing and mixing audio using Pro Tools software, primarily in post-production environments. In contrast, Weekend Audio Engineers handle live sound and recording at events or venues. Both roles require audio knowledge but differ in work setting and specific skills.

What are some typical challenges faced by Weekend Pro Tools Audio professionals, and how can they be managed?

Weekend Pro Tools Audio professionals often work under tight deadlines, especially during live events or last-minute projects that require quick turnaround. Managing multiple audio tracks and ensuring high-quality sound in a fast-paced environment can be demanding. Effective communication with producers, musicians, and other team members is crucial to quickly address technical issues and maintain workflow. Staying updated on Pro Tools software updates and best practices can also help streamline the editing process and minimize technical challenges.
What are the most commonly searched types of Pro Tools Audio jobs in New York? The most popular types of Pro Tools Audio jobs in New York are:
What cities in New York are hiring for Weekend Pro Tools Audio jobs? Cities in New York with the most Weekend Pro Tools Audio job openings:
Weekend Pro Tools Audio jobs near you

Audio Engineer, Newsroom

The New York Times

New York, NY • Hybrid

Full-time

Medical, Dental, Vision, Retirement, PTO

Posted 16 days ago

Job description

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production processes, and play a significant role in the ongoing development of audio best-practices and video integration by working closely with the audio engineering team, show producers and editors, as well as New York Times reporters and contributors.

You will be the main point of contact for one or more shows. The right candidate can demonstrate the ability to clearly discuss audio engineering techniques, and steer technical conversations with producers and editors. As a key player on the team, you will develop strong working relationships with producers and editors in a creative environment. In addition, you will be expected to have a working knowledge of NYT studio systems to provide tapings support as needed, and the ability to contribute adaptive and creative original music composition across NYT projects.

This is an in-office position, based in New York City and includes regular attendance in the office four days each week. There may be some flexibility to work remotely per your departmental guidance.

Responsibilities:

  • Be a point person for show teams and mix daily/weekly shows as directed
  • Lead show-specific workflow and project management in collaboration with Engineering leadership
  • Contribute to the development of changing formats and workflows, particularly video podcasting
  • Organize audio and video media ingest across platforms and stakeholders
  • Act as first line of defense in troubleshooting studio and Pro Tools workflow issues
  • Help train and assist staff in all aspects of production
  • General technical support including audio restoration, file management, host/guest recording setup, and SOP documentation
  • Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools
  • Collaborate with Sound Designer/Composers as directed
  • Occasional evening and weekend technical support
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world
  • You will report to the Senior Audio Engineer, Newsroom

Basic Qualifications:

  • 5+ years of experience as an audio engineer (or equivalent position) required - podcast or broadcast environment preferred
  • Strong knowledge of Pro Tools, iZotope RX, and other creative plugins
  • Comfortable with concept of Loudness and mixing to different specs
  • Familiarity with mixing for video, specifically .aaf formats, Premiere Pro audio suite, etc.
  • Demonstrated knowledge of media asset management systems and file organization

Preferred Qualifications:

  • Quickly, calmly and creatively troubleshoot complex issues under pressure
  • Demonstrated ability to manage multiple priorities and follow through on projects to completion
  • Excellent attention to detail, with good organization and time management skills
  • Collaborative attitude and strong communication skills; with the ability to communicate complex technical information to people with technical and nontechnical backgrounds
  • High level of proficiency with Apple computers
  • Believes in the New York Times' mission and is dedicated to being part of our innovation and growth
  • Uphold the existing editorial standards of The Times

((#LI-Hybrid))

REQ-020439

Additional Compensation and Benefits

For roles in the U.S., dependent on your role, you may be eligible for variable pay, such as an annual bonus and restricted stock. Benefits may include medical, dental and vision benefits, Flexible Spending Accounts (F.S.A.s), a company-matching 401(k) plan, employee stock purchase plan, paid vacation, paid sick days, paid parental leave, tuition reimbursement and professional development programs. 

For roles outside of the U.S., information on benefits will be provided during the interview process.

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