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Weekend A1 Audio Engineer Jobs in New York (NOW HIRING)

Advanced Systems Group LLC

Head of Audio

New York, NY · On-site

$120K - $150K/yr

Mentor talented engineers, instill best practices, and create a unified vision for production audio ... This role works flexible hours, including occasional nights, weekends, and holidays according to ...

Fox

Freelance Audio Assistant/A2

New York, NY

$68.75 - $77.75/hr

You work directly with the FNC/FBN audio engineer and crew for our live and live-to-tape shows at ... Other tasks as directed by the A1 or manager * Provide immediate solutions in the event of ...

Fox

Freelance Audio Operator/A1

New York, NY

You must have experience operating an audio console for both live and recorded programming. A ... Must be available to work flexible, non-traditional hours including weekends and holidays, evening ...

The New School

Temporary Overhire Jazz A1

Manhattan, NY · On-site

$35/hr

The A1 also leads and directs the audio crew during crew calls as needed. This position reports to ... At least 1 year of experience as a live sound engineer for concerts, corporate events or theater

PRECISE AV INC

Be Seen First

Audio Visual Engineer

Astoria, NY · On-site

Audio-Visual Systems Engineer Precise AV is a leading, NYC-based system integration company ... Be willing to work overtime evenings and weekends from time to time as necessary * Physical ...

PRECISE AV INC

Be Seen First

Audio Visual Engineer

Astoria, NY · On-site

Audio-Visual Systems Engineer Precise AV is a leading, NYC-based system integration company ... Be willing to work overtime evenings and weekends from time to time as necessary * Physical ...

ASM Global

A/V Technical Engineer

Brooklyn, NY · On-site

$30/hr

A/V Technical Engineer, Part-Time Department: Facilities Presentation Reports to: AV Technical ... Ability to work long hours covering games and events on nights, weekends, and holidays * Must ...

ASM Global

A/V Technical Engineer

New York, NY · On-site

$30/hr

A/V Technical Engineer, Part-Time Department: Facilities Presentation Reports to: AV Technical ... Ability to work long hours covering games and events on nights, weekends, and holidays * Must ...

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Weekend A1 Audio Engineer information

What does a Weekend A1 Audio Engineer do?

A Weekend A1 Audio Engineer is responsible for managing and operating the main audio mixing console during live events, broadcasts, or performances that take place on weekends. Their duties include setting up microphones and audio equipment, ensuring optimal sound quality, troubleshooting audio issues, and coordinating with other technical staff. The 'A1' designation refers to the lead audio engineer, who is chiefly in charge of all audio elements for the event. This role often requires strong technical skills, attention to detail, and the ability to work efficiently under time constraints.

What skills and qualifications are needed to thrive as a Weekend A1 Audio Engineer?

To thrive as a Weekend A1 Audio Engineer, you need in-depth knowledge of audio signal flow, mixing consoles, and live sound reinforcement, often backed by relevant technical training or certifications. Familiarity with digital audio consoles (e.g., Yamaha, Avid, or DiGiCo), wireless microphone systems, and audio networking tools is typically required. Excellent problem-solving, communication, and teamwork skills help ensure seamless collaboration with production teams and talent. These skills are crucial for delivering high-quality audio experiences in live event settings, where reliability and quick thinking are essential.

What challenges might a Weekend A1 Audio Engineer face during live events, and how can they prepare for them?

Weekend A1 Audio Engineers often work under tight schedules and must adapt quickly to different venues and technical setups. Common challenges include troubleshooting unexpected audio issues, managing last-minute changes to the program, and coordinating with other production team members under time pressure. Preparation is key—arriving early to perform thorough sound checks, maintaining open communication with stage managers and performers, and having backup equipment ready can help ensure a smooth show. Building strong relationships with the team and staying organized are also crucial for success in this role.

What is the difference between Weekend A1 Audio Engineer vs Weekend A2 Audio Technician?

AspectWeekend A1 Audio EngineerWeekend A2 Audio Technician
CredentialsTypically requires a professional audio certification or equivalent experienceMay require basic audio training or certification, less specialized
Work EnvironmentHigh-profile events, live concerts, and studio settingsSupport roles at events, assisting engineers and technicians
Employer & Industry UsageUsed by professional audio companies, concert venues, and production firmsCommon in event support, rental companies, and smaller production setups

The Weekend A1 Audio Engineer focuses on high-level audio mixing and setup at live events, requiring specialized skills and certifications. In contrast, the Weekend A2 Audio Technician provides support and technical assistance, often with less experience required. Both roles are essential in the live event industry but differ in responsibilities and credentials.

What are the most commonly searched types of A1 Audio Engineer jobs in New York?

The most popular types of A1 Audio Engineer jobs in New York are:

What cities in New York are hiring for Weekend A1 Audio Engineer jobs?

Cities in New York with the most Weekend A1 Audio Engineer job openings:

Weekend A1 Audio Engineer jobs near you
Infographic showing various Weekend A1 Audio Engineer job openings in New York as of August 2026, with employment types broken down into 50% Full Time, and 50% Part Time. Highlights an 100% In-person job distribution.

Audio Engineer (A1/A2)

Advanced Systems Group LLC

New York, NY • On-site

Full-time

Re-posted 12 days ago

Job description

Advanced Systems Group, LLC enables creativity through better technology and operations for media creatives and content owners. From acquisition to delivery, on-premises or in the cloud, ASG ensures our clients' success through tailored solutions. One of North America's largest Media and Entertainment Technology and Operations suppliers, we provide engineering services, physical and cloud integration, training, support, and managed services. Our Managed Services deliver customized operations and services for all phases of media production, including creative and engineering. Founded in 1997, and providing nationwide services, ASG has teams based in North America, South America, and Europe.
We are Looking for:
The Audio Engineer supports the audio needs of studio events, contributing to overall success and impact on each occasion.
Job Responsibilities:
  • Ensure a well-mixed event for both streaming and event space experience.
  • Work with presenters to properly place and track lay microphones.
  • Prepare, organize, and track handheld microphones as needed.
  • Use and follow the run-of-show document as a guide for proper show flow.
  • Partner with other crew members on the execution of audio elements both before and during shows.
  • Attending pre-show production meetings with crew to review responsibilities.
  • Ensure testing of all show's playback elements for proper playout.
  • Following the event content closely to execute with maximum quality.
  • Be responsible for ensuring that proper audio levels for records are precise.
  • Program and operate mixers, microphones, and all ancillary audio gear.
  • Conduct audio gear configuration upgrades and develop new show elements.
  • Perform regular maintenance checks on audio equipment.
  • Troubleshoot and address technical issues during events: signal flow, clocking, networking, RF, etc.
  • Ensure clear and balanced sound for all elements, including vocals, instruments, and other audio sources. Keep all audio equipment functioning properly and up to date
  • Commission new audio equipment and systems
  • Tune PA systems
  • Subject matter expert on all broadcast and live audio equipment including consoles, intercom systems, teleconferencing integration, etc.
  • RF Coordination
  • Record voice-overs, productions, or other types of audio content
  • Serve as the primary point of contact for all audio production questions for unique shows or new asks
  • Develop workflows for changing show and client needs: integrating new technologies into event spaces, expanding or modifying existing systems, upgrading system elements
  • Partner closely with production operators and producers to inform them of workflows, and get their feedback.
  • Occasionally help production operators with other event needs
  • Adhere to schedules and accurately record time worked
  • Can step in as A2 to support another A1 as needed

Qualifications and Experience:
  • Proficiency in operating Audio Mixing tools and consoles, specifically ISSL Live L100 Audio Desk and Shure Wireless Workbench.
  • Ability to program and operate mixers, microphones, and other audio equipment effectively.
  • Good understanding of audio transport standards such as Dante, MADI, and Twinlane.
  • Strong collaboration skills and the ability to communicate effectively with a diverse team, including talent, producers, and directors.
  • Ability to multitask and adapt to rapid show-flow changes in a live and fluid environment.
  • Excellent control room demeanor, proven leadership skills, team-first attitude and the ability to handle pressure in a fast paced environment.
  • Ability to interface with both technical and creative members of the event production ecosystem.
  • Excellent communication skills.
  • Ability to take a service-oriented approach to this position, with a desire to help clients achieve their best result.

Advanced Systems Group LLC provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state or local laws.

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