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Weekend A1 Audio Engineer Jobs in Minnesota (NOW HIRING)

AV Field Engineer

Minneapolis, MN · On-site

$39 - $44/hr

DSP programming and audio engineering. * Desktop Conferencing configuration and set-up. * Lighting ... This includes the willingness and ability to work early mornings and/or evenings and some weekends.

AV Field Engineer

Minneapolis, MN · On-site

$39 - $44/hr

DSP programming and audio engineering. * Desktop Conferencing configuration and set-up. * Lighting ... This includes the willingness and ability to work early mornings and/or evenings and some weekends.

Interpret project drawings, schematics, engineering notes, operation manuals and construction ... Standard work schedule is Monday-Friday, with occasional weekend work as needed. DISCLOSURES Notice:

Interpret project drawings, schematics, engineering notes, operation manuals and construction ... Standard work schedule is Monday-Friday, with occasional weekend work as needed. DISCLOSURES Notice:

AV Systems Design Engineer

Eden Prairie, MN · On-site

$102K - $139K/yr

Occasional evening and weekend work Qualifications Qualifications: To perform this job successfully ... Audio design and theory * Video design and theory * Experience with design of digital signage and ...

From live board engineering to voice tracking, you'll get your hands on real equipment and develop ... Additional opportunities for production work, audio editing, and more -- all while learning from ...

From live board engineering to voice tracking, you'll get your hands on real equipment and develop ... Additional opportunities for production work, audio editing, and more - all while learning from ...

From live board engineering to voice tracking, you'll get your hands on real equipment and develop ... Additional opportunities for production work, audio editing, and more - all while learning from ...

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Weekend A1 Audio Engineer information

What does a Weekend A1 Audio Engineer do?

A Weekend A1 Audio Engineer is responsible for managing and operating the main audio mixing console during live events, broadcasts, or performances that take place on weekends. Their duties include setting up microphones and audio equipment, ensuring optimal sound quality, troubleshooting audio issues, and coordinating with other technical staff. The 'A1' designation refers to the lead audio engineer, who is chiefly in charge of all audio elements for the event. This role often requires strong technical skills, attention to detail, and the ability to work efficiently under time constraints.

What skills and qualifications are needed to thrive as a Weekend A1 Audio Engineer?

To thrive as a Weekend A1 Audio Engineer, you need in-depth knowledge of audio signal flow, mixing consoles, and live sound reinforcement, often backed by relevant technical training or certifications. Familiarity with digital audio consoles (e.g., Yamaha, Avid, or DiGiCo), wireless microphone systems, and audio networking tools is typically required. Excellent problem-solving, communication, and teamwork skills help ensure seamless collaboration with production teams and talent. These skills are crucial for delivering high-quality audio experiences in live event settings, where reliability and quick thinking are essential.

What challenges might a Weekend A1 Audio Engineer face during live events, and how can they prepare for them?

Weekend A1 Audio Engineers often work under tight schedules and must adapt quickly to different venues and technical setups. Common challenges include troubleshooting unexpected audio issues, managing last-minute changes to the program, and coordinating with other production team members under time pressure. Preparation is key—arriving early to perform thorough sound checks, maintaining open communication with stage managers and performers, and having backup equipment ready can help ensure a smooth show. Building strong relationships with the team and staying organized are also crucial for success in this role.

What is the difference between Weekend A1 Audio Engineer vs Weekend A2 Audio Technician?

AspectWeekend A1 Audio EngineerWeekend A2 Audio Technician
CredentialsTypically requires a professional audio certification or equivalent experienceMay require basic audio training or certification, less specialized
Work EnvironmentHigh-profile events, live concerts, and studio settingsSupport roles at events, assisting engineers and technicians
Employer & Industry UsageUsed by professional audio companies, concert venues, and production firmsCommon in event support, rental companies, and smaller production setups

The Weekend A1 Audio Engineer focuses on high-level audio mixing and setup at live events, requiring specialized skills and certifications. In contrast, the Weekend A2 Audio Technician provides support and technical assistance, often with less experience required. Both roles are essential in the live event industry but differ in responsibilities and credentials.

What are the most commonly searched types of A1 Audio Engineer jobs in Minnesota?

The most popular types of A1 Audio Engineer jobs in Minnesota are:

Broadcast Field Engineer

Eden Prairie, MN • On-site

ALPHA VIDEO & AUDIO INC
IT Services • 51 - 200 employees

Full-time

Posted 21 days ago


Job description

The Broadcast Field Engineer is responsible for adjusting, testing, configuring and commissioning Broadcast & IT systems, bringing projects to completion and ensuring quality. They must understand design, as well as demonstrate installation and commissioning techniques. He or she must be able to understand large broadcast systems, break them into subsystems, and have a solid technical background and understanding of video, audio, control and data/networking. The Broadcast Field Engineer will work closely with the Field Manager, Engineers, Lead Installers, and Project Managers. He or she will provide both general and specific recommendations on installation standards, technologies, personnel, job specifics and implementation. For all types of systems, upon completion, the Engineer shall provide red lined drawings and a completed commissioning report. In some rare cases, he or she may act as Project Foreman.

The Broadcast Field Engineer will: 

  • Uphold the Alpha Values.
  • Work with and advise design engineering during initial system design.
  • Seek to understand end-user functional requirements and configure systems in a way that reflects the intended system design, as well as the client’s best interests.
  • Attend drawing reviews.
  • Proactively identify areas of concern with system design, equipment integration and end-user functionality needs.
  • Work with the project manager and lead installer to create task lists for technicians.
  • Perform signal tests to certify all cabling and ensure proper functionality.
  • Program broadcast equipment (includes routers, switchers, mixers, CG, etc.) in our fabrication facility and at client sites.
  • Communicate with the client, project manager, salesperson and engineer to provide status updates, issues and potential solutions.
  • Work with on-site tech team to identify and finalize punch list items.
  • Compile system commissioning reports.
  • Act as the final point of quality control on work performed by Alpha staff and contractors, to ensure that all deliverables meet and conform to safety and quality requirements.
  • Perform employee and client training.
  • Serve as a role model for other technicians by exhibiting a high quality of work, an excellent work ethic, and a positive attitude.
  • Work directly with subcontractors and/or third parties as necessary.
  • Identify integration process inefficiencies and advocate for solutions.
  • Provide technical support to Alpha employees and clients in any areas of expertise.
  • Possess the ability to pull, terminate, and label all types of broadcast video, audio and control cabling.
  • All other duties as assigned and deemed appropriate.

Requirements

  • Up to 70% travel, occasionally on a last-minute basis, for up to two weeks at a time.
  • Occasional evening and weekend work.
  • Must possess a valid driver’s license.
  • Must pass a background check.

Qualifications

To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. The requirements listed below are representative of the knowledge, skill, and/or ability required. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

  • Excellent written and verbal communication skills
  • High level of organization
  • Ability to create, manage, prioritize, and complete a task list
  • Familiarity with construction and corporate job sites
  • Must be able to communicate effectively in a team
  • Knowledge of broadcast A/V theory and IT networking
  • Ability to read and comprehend CAD drawings, blueprints and technical drawings
  • Demonstrated experience troubleshooting audio, video, and IP signal flows
  • Excellent soldering skills
  • Excellent computer skills
  • Solid knowledge of system configurations
  • Knowledge of audio & video design theory
  • Ability to solve unusual or unexpected problems

Preferred

  • Experience deploying and configuring:
  • ST 2110 IP media networks, PTP synchronization, boundary clocks, IP gateways, IP video test and measurement equipment. Audio-over-IP signals as Dante, AES67, AVB and familiarity with IPTV Systems.
  • Broadcast equipment from Evertz, Ross, Imagine Communications, Sony, Grass Valley, Panasonic, JVC, EVS and AJA - including routers, switchers, cameras, servers, etc.
  • Displays, including LCD, direct view LED, monitor walls, etc.
  • Proficiency generating, testing, and measuring:
  • Video signals including baseband SDI, component, composite/VBS, 2110-20, NDI, etc.
  • Audio signals including balanced and unbalanced, line and mic, MADI, AES, Dante, AES67, etc.
  • Ethernet traffic using Wireshark, as well as general network troubleshooting.
  • Some engineering background preferred (production truck, sports venue, integrator, news media, manufacturer)

Education/Experience

  • High school diploma or equivalent required, Bachelor’s degree preferred
  • A minimum of five (5) years relevant experience
  • Additional advanced or product-specific certifications are preferred
  • Proficient with Microsoft Office (including Word, Outlook, and Excel)
  • AutoCAD, Visio, Bluebeam Revu experience preferred

Certificates and Licenses

  • SBE, CTS-I, or CTS-D
  • Additional broadcast and network certifications preferred