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Weekend A1 Audio Engineer Jobs in Florida (NOW HIRING)

Digital Remedy

Broadcast Engineer

West Palm Beach, FL · On-site

Working knowledge of broadcast video and audio systems, including SDI and IP-based workflows ... Flexibility to work varied schedules, including nights, weekends, and holidays Sinclair is proud to ...

Univision

Master Control Engineer

Miami, FL · On-site

This position requires regularly scheduled work periods including days, evenings, nights, weekends ... In depth understanding of digital audio and video signals, compression and transmission ...

Solotech Inc.

Field Engineer US

Miami Lakes, FL · On-site

Fine tune audio video systems to ensure optimal performance. * Configure IP addressable devices to ... Flexible work hours to support operations, to include nights and weekends. Environment may be fast ...

Seminolehardrock

Prepare audio, lighting, and video systems for all live events from setup, operation, and tear down ... Q-SYS control operation and DSP setup and programming a plus, * Maintain a clean, safe, hazard-free ...

foundry

Building Engineer

West Palm Beach, FL · On-site

Leading and/or assisting with event setup/teardown activities including electrical, audio visual ... Perform emergency or preventative maintenance repairs off hours as directed on nights and weekends ...

foundry

Lead Engineer

Orlando, FL · On-site

$95K - $126K/yr

Leading and/or assisting with event setup/teardown activities including electrical, audio visual ... Perform emergency or preventative maintenance repairs off hours as directed on nights and weekends ...

iHeartMedia

Promotions Coordinator

Hollywood, FL

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company ... Collaborate with Sales, Programming, and Marketing teamsto develop integrated promotional campaigns ...

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Weekend A1 Audio Engineer information

What challenges might a Weekend A1 Audio Engineer face during live events, and how can they prepare for them?

Weekend A1 Audio Engineers often work under tight schedules and must adapt quickly to different venues and technical setups. Common challenges include troubleshooting unexpected audio issues, managing last-minute changes to the program, and coordinating with other production team members under time pressure. Preparation is key—arriving early to perform thorough sound checks, maintaining open communication with stage managers and performers, and having backup equipment ready can help ensure a smooth show. Building strong relationships with the team and staying organized are also crucial for success in this role.

What is the difference between Weekend A1 Audio Engineer vs Weekend A2 Audio Technician?

AspectWeekend A1 Audio EngineerWeekend A2 Audio Technician
CredentialsTypically requires a professional audio certification or equivalent experienceMay require basic audio training or certification, less specialized
Work EnvironmentHigh-profile events, live concerts, and studio settingsSupport roles at events, assisting engineers and technicians
Employer & Industry UsageUsed by professional audio companies, concert venues, and production firmsCommon in event support, rental companies, and smaller production setups

The Weekend A1 Audio Engineer focuses on high-level audio mixing and setup at live events, requiring specialized skills and certifications. In contrast, the Weekend A2 Audio Technician provides support and technical assistance, often with less experience required. Both roles are essential in the live event industry but differ in responsibilities and credentials.

What does a Weekend A1 Audio Engineer do?

A Weekend A1 Audio Engineer is responsible for managing and operating the main audio mixing console during live events, broadcasts, or performances that take place on weekends. Their duties include setting up microphones and audio equipment, ensuring optimal sound quality, troubleshooting audio issues, and coordinating with other technical staff. The 'A1' designation refers to the lead audio engineer, who is chiefly in charge of all audio elements for the event. This role often requires strong technical skills, attention to detail, and the ability to work efficiently under time constraints.

What skills and qualifications are needed to thrive as a Weekend A1 Audio Engineer?

To thrive as a Weekend A1 Audio Engineer, you need in-depth knowledge of audio signal flow, mixing consoles, and live sound reinforcement, often backed by relevant technical training or certifications. Familiarity with digital audio consoles (e.g., Yamaha, Avid, or DiGiCo), wireless microphone systems, and audio networking tools is typically required. Excellent problem-solving, communication, and teamwork skills help ensure seamless collaboration with production teams and talent. These skills are crucial for delivering high-quality audio experiences in live event settings, where reliability and quick thinking are essential.
What are the most commonly searched types of A1 Audio Engineer jobs in Florida? The most popular types of A1 Audio Engineer jobs in Florida are:
What cities in Florida are hiring for Weekend A1 Audio Engineer jobs? Cities in Florida with the most Weekend A1 Audio Engineer job openings:
Weekend A1 Audio Engineer jobs near you

Broadcast Engineer

Nebraska Broadcasters Association

West Palm Beach, FL • On-site

Full-time

Re-posted 2 days ago

Job description

WPEC-TV - West Palm Beach, FL has an excellent opportunity for a Broadcast Television Engineer.  This position is responsible for the installation, operation, maintenance, and support of studio broadcast systems to ensure reliable, high-quality on-air and digital productions. This role supports live and recorded programming by maintaining technical infrastructure, troubleshooting issues in real time, and collaborating with Engineering, Operations, IT, and Production teams to meet business and operational objectives.

Essential Duties and Responsibilities

  • Install, configure, operate, maintain, and repair television studio production and broadcast systems, including cameras, video switchers, audio consoles, routing systems, intercoms, monitoring, and lighting control equipment
  • Provide technical support for live and recorded studio productions, ensuring system readiness and on-air reliability
  • Monitor studio systems during broadcasts to identify and resolve technical issues quickly and effectively
  • Perform preventative maintenance and routine system testing to minimize service disruptions
  • Assist with engineering projects including system upgrades, technology refreshes, and new equipment deployments
  • Maintain accurate technical documentation, including system configurations, signal flow diagrams, and maintenance records
  • Partner with Production, News, Operations, and IT teams to support operational requirements and workflow efficiencies
  • Ensure compliance with FCC regulations, company engineering standards, and workplace safety policies
  • Support training efforts for operational and production staff as needed
  • Assist with transmitter maintenance
  • Participate in on-call rotations and provide support during evenings, weekends, and holidays as required

Required Skills and Qualifications

  • Associate's degree in Broadcast Engineering, Electronics, Engineering Technology, or a related field, or equivalent combination of education and experience
  • Minimum of 3 years of experience in television broadcast engineering or studio technical operations
  • Working knowledge of broadcast video and audio systems, including SDI and IP-based workflows
  • Experience supporting studio production equipment such as cameras, switchers, audio consoles, and intercom systems
  • Demonstrated ability to troubleshoot and resolve technical issues in a live production environment
  • Understanding of signal flow, RF fundamentals, and basic networking concepts
  • Strong communication, organizational, and problem-solving skills
  • Must have valid driver's license and good driving record

Preferred Skills and Experience

  • Experience with IP-based broadcast technologies (e.g., SMPTE ST 2110, NDI, AES67)
  • Familiarity with newsroom systems, automation, and production workflows
  • Experience supporting live news, sports, or special event productions
  • FCC General Radiotelephone Operator License (GROL) and/or SBE certification (CBTE, CBT, or equivalent)
  • Knowledge of broadcast facility design and systems integration

Physical and Work Requirements

  • Ability to lift, carry, and move equipment weighing up to 50 pounds
  • Ability to work in technical environments including equipment racks, control rooms, and elevated work areas
  • Flexibility to work varied schedules, including nights, weekends, and holidays

 
Sinclair is proud to be an equal opportunity employer and a drug free workplace. Employment practices will not be influenced or affected by virtue of an applicant's or employee's race, color, religion, sex (including pregnancy, gender identity, and sexual orientation), national origin, age, disability, genetic information, military or veteran status or any other characteristic protected by law.

 
About Us

 
Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates, and/or provides services to 178 television stations in 81 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; multicast networks CHARGE, Comet, ROAR, and The Nest. Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found at www.sbgi.net.

 
About the Team

 
The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let's talk.
Nebraska Broadcasters Association logo

About Nebraska Broadcasters Association

Sourced by ZipRecruiter

The Nebraska Broadcasters Association (NBA) is a key player in the communications industry located in Omaha, NE, US. Officially established in 1934, it was founded with the mission of fostering effective cooperation among broadcasters in Nebraska, advocating for their rights and promoting the highest standards of broadcasting. NBA is the voice for Nebraska’s free over-the-air radio and television broadcasters, serving the public interest since 1934. As a non-profit association, it relies on dues from member broadcasting stations to fulfill its purpose. Among its notable achievements, the association has played a major role in supporting broadcasters and ensuring they maintain adherence to regulations.

Industry

Media and telecom

Company size

1 - 10 Employees

Headquarters location

Omaha, NE, US

Year founded

1934

Social media

Twitter

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