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Video Operator Jobs in Connecticut (NOW HIRING)

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Perfect Pitch Productions is looking for an experienced Camera Operator and Video Editor who is a positive, motivated, and organized individual interested in pursuing a career within a growing ...

Digital Video Performance Analyst POSITION OVERVIEW BMG360 is a performance marketing agency operating at the intersection of creativity and conversion and we're continuously growing our digital ...

As an APC Operator, you will be primarily responsible for directing and operating live and recorded ... Operate video and graphic playout via Dalet Galaxy and Ross Xpression. * Operate robotic camera ...

New

Operator - Extrusion

Dayville, CT · On-site

$17.25 - $21.75/hr

We are an EEO employer. Extruder Operator - 3rd Shift: This position completes a number of ... Pin gages, Laser Micrometers, Verniers and Video Microscopes. * Completes documententation in a ...

Production Operator

Willimantic, CT · On-site

$23.05 - $27.83/hr

... voice, video, and data transmission for the telecommunication sector . We are 30,000 employees ... Performing setups in accordance with established procedure, operating, and loading/unloading ...

Production Operator

Willimantic, CT · On-site

$23.05 - $27.83/hr

... voice, video, and data transmission for the telecommunication sector . We are 30,000 employees ... Performing setups in accordance with established procedure, operating, and loading/unloading ...

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Video Operator information

See Connecticut salary details

$5

$24

$54

How much do video operator jobs pay per hour?

As of Aug 30, 2026, the average hourly pay for video operator in Connecticut is $24.29, according to ZipRecruiter salary data. Most workers in this role earn between $13.70 and $27.88 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a video operator?

To thrive as a Video Operator, you need a solid understanding of video production, signal flow, and broadcast standards, often supported by experience or a degree in media technology or a related field. Familiarity with video switchers, routing systems, video servers, and industry-standard software such as Adobe Premiere Pro or Avid is crucial. Attention to detail, problem-solving abilities, and effective communication help ensure smooth operations during live events or broadcasts. These skills are vital for delivering high-quality video content and minimizing technical disruptions in fast-paced production environments.

What are some common challenges faced by video operators during live broadcasts, and how can they be managed?

Video Operators often face challenges such as managing multiple video feeds, responding quickly to technical issues, and ensuring seamless transitions between sources under tight time constraints. To manage these challenges, it’s important to have a thorough understanding of the equipment, maintain clear communication with the production team, and develop strong multitasking abilities. Proactive troubleshooting and regular equipment checks can also help minimize disruptions during live events.

What is the difference between Video Operator vs Camera Operator?

AspectVideo OperatorCamera Operator
CredentialsTypically requires technical training or certification in video productionOften requires a camera-specific certification or experience in cinematography
Work EnvironmentWorks mainly in control rooms, studios, or live event settingsWorks on location or in studios, handling camera equipment
Industry UsageCommon in broadcast, live events, and video production companiesCommon in film, television, and live event production
Job FocusOperates video equipment, manages live feeds, and ensures video qualityOperates cameras to capture footage, framing, and shot composition

While both roles involve working with video equipment, a Video Operator primarily manages video feeds and technical aspects in live or broadcast settings, whereas a Camera Operator focuses on capturing footage through camera operation. Understanding these differences helps clarify job expectations and required skills in the video production industry.

How do you become a video operator?

To become a video operator, you typically need a high school diploma or equivalent, along with experience in operating video equipment and familiarity with video editing software. Many employers prefer candidates with technical training or certifications in video production or broadcasting, and strong attention to detail and communication skills are important for success in this role.

What does a video operator do?

A video operator is responsible for operating and maintaining video equipment during live broadcasts, events, or recordings. They set up cameras, manage video feeds, troubleshoot technical issues, and ensure high-quality video output, often working with video switchers and production software. Strong technical skills and knowledge of video equipment are essential for this role.

What are popular job titles related to Video Operator jobs in Connecticut?

For Video Operator jobs in Connecticut, the most frequently searched job titles are:

What job categories do people searching Video Operator jobs in Connecticut look for?

The top searched job categories for Video Operator jobs in Connecticut are:

Infographic showing various Video Operator job openings in Connecticut as of August 2026, with employment types broken down into 45% Full Time, 51% Part Time, 2% Temporary, 1% Contract, and 1% Nights. Highlights an 99% Physical, and 1% Remote job distribution, with an average salary of $50,517 per year, or $24.3 per hour.

Camera Operator/Videographer and Video Editor

Park Group Solutions

Newtown, CT • On-site

Full-time

Medical, Dental, Vision, PTO

Posted 12 days ago

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Job description

Perfect Pitch Productions is looking for an experienced Camera Operator and Video Editor who is a positive, motivated, and organized individual interested in pursuing a career within a growing production company. The ideal candidate will thrive in a fast-paced environment and possess a flexible, professional, positive, and team-oriented attitude. This position requires travel to clients throughout the Tri-State area on a weekly basis. Some additional travel outside of this area will be required on a monthly basis.


We represent several high-profile automotive manufacturers, real estate companies, and medical offices, in addition to a number of other businesses across the country. Our company sets itself apart from the competition by always over-delivering and going the extra mile for our clients.


Requirements

  • Proficient in Editing with NLEs such as Premiere Pro, After Effects, & DaVinci Resolve
  • Proficient in the use of DSLR/Mirrorless, Cinema Cameras, Studio Lighting, peripheral camera equipment, and grip equipment
  • Ability to create motion graphics such as tracked text, lower thirds, masked object manipulation, and emphasizing text
  • Must be able to work under minimal direction to identify and resolve problems
  • Possess the capability to take something from concept to completion
  • Skills in Compositing, 3D modeling/animation, and color grading are a plus
  • Work well on a team and successfully take direction from supervisors and clientele
  • Adapt quickly and accept change – often have to toss our ideas and start fresh
  • Excellent eye for cinematography
  • Familiarity with film and/or commercial sets and their process and ability to learn workflow
  • Familiarity with balancing and operating stabilizers
  • Studio and Green Screen Experience
  • Must be comfortable dealing directly with clients
  • MUST HAVE A DRIVER’S LICENSE and be comfortable driving to shoots
  • Drone Operation License (Part 107) is a plus


Education

  • High school or equivalent (Preferred)
  • BA in Film, Cinematography, or equivalent skillsets (Preferred)


Experience

  • Production: 4 years (Preferred) preferably with a marketing / advertising agency. Experience with TV spot, TV promo, YouTube pre-rolls preferred
  • Video editing: 4 years (Preferred)


MUST PROVIDE SAMPLES OF PAST WORK


Software knowledge

  • Premiere Pro & After Effects
  • Audition
  • Photoshop (a Plus)
  • Encoder & Handbrake
  • Illustrator (a Plus)
  • DaVinci Resolve (a Plus)
  • Maya, Blender, Cinema 4D, or other 3D modeler (a Plus)


Camera knowledge

  • DSLR (Canon 5D, 7D, 70D, etc)
  • Mirrorless (GH7, A7SIII, etc)
  • Cinema Oriented (C200, Ursa, etc)
  • 360 Cameras (a Plus)
  • DJI Phantom/Mavic (a Plus)


Job Type: Full-time


Schedule

  • Monday to Friday 9:00am-6:00pm


Work Location: Hybrid remote (Tri-state Area)

  • On the road (50%)
  • Home Office


Benefits

  • 401(k)
  • Dental insurance
  • Health insurance
  • Vision insurance