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Tv Casting Jobs (NOW HIRING)

Valnet Freelance

MovieWeb: Movies & TV Reporter

Atlanta, GA · Remote

$25 - $34/hr

The editorial team at MovieWeb.com is looking for a passionate writer to contribute Movie & TV News ... casting and development, release dates, trailers, interviews and clips, full movies, and more.

Penn Talent and Entertainment

Acting Coach

Las Vegas, NV · On-site

$35/hr

Experience with auditions, self-tapes, casting, or on-camera acting is a plus * Preferred Experience * Professional film, television, or theater credits * Experience coaching actors for professional ...

Legendary Studio Shows (LSS) Universal, LLC.

Business Line: TV Production Production Type: Films & Show Series Position: Freelance Project Hire ... casting, and crewing. * Harness best-in-class production resources to push boundaries and enhance ...

Hallmark Media

Coordinator, Programming

Burbank, CA · On-site

$21.01 - $27.99/hr

... crew positions, and casting talent to engage a wide range of audiences. Additionally, the ... Bachelor's degree (B.A.) from a four-year college or university. * 1-3 years of television ...

Adrenalin Attractions

Scenic Fabricator

Riverside, CA · On-site

$20 - $28/hr

Work with urethane, epoxy, polyester, and other casting or laminating resins according to product ... Experience in themed entertainment, film, television, museum exhibits, event fabrication, theater ...

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Tv Casting information

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How much do tv casting jobs pay per hour?

As of Sep 10, 2026, the average hourly pay for tv casting in the United States is $15.38, according to ZipRecruiter salary data. Most workers in this role earn between $15.38 and $15.38 per hour, depending on experience, location, and employer.

What does a TV casting director do?

A TV casting director is responsible for selecting the actors who will play roles in television shows. They work closely with producers, directors, and writers to understand the vision for the show and to find talent that best fits each character. Casting directors organize auditions, review performances, and negotiate contracts with agents. Their expertise helps ensure that each role is filled by the most suitable performer, contributing significantly to the show's success.

What are the key skills and qualifications needed to thrive as a TV casting director, and why are they important?

To thrive as a TV Casting Director, you need a deep understanding of acting, script analysis, and industry trends, typically supported by experience in theater, film, or television and a background in performing arts or communications. Familiarity with casting databases, talent agency platforms, and audition management software is essential. Strong interpersonal skills, keen intuition for talent, and the ability to collaborate effectively with directors and producers make someone stand out in this position. These skills ensure the right talent is selected to bring a project to life, contributing directly to the show's success and audience engagement.

What are some common challenges faced by professionals working in TV casting, and how can they be addressed?

Professionals in TV casting often encounter challenges such as tight production deadlines, balancing creative vision with network or director preferences, and finding talent that fits both the character profile and the show's chemistry. Collaboration and clear communication with directors, producers, and agents are essential to overcome these hurdles. Building a strong network of talent and maintaining up-to-date knowledge of industry trends also helps casting professionals stay competitive and effective in their roles.

What is the difference between Tv Casting vs Tv Production Coordinator?

AspectTv CastingTv Production Coordinator
Primary RoleFinding and selecting actors or talent for TV showsManaging logistics, schedules, and coordination of production activities
Required SkillsTalent assessment, communication, industry knowledgeOrganization, multitasking, communication
Work EnvironmentCasting sessions, industry eventsOn-set, production offices
Common CertificationsIndustry experience, talent management knowledgeProject management, organizational skills

Tv Casting focuses on selecting talent for TV shows, involving talent assessment and industry networking. Tv Production Coordinators handle logistical and administrative tasks to ensure smooth production operations. While both roles are essential in TV production, they differ in responsibilities, skills, and work environment.

How do you get into TV casting?

To get into TV casting, individuals typically gain experience in acting, talent scouting, or production, and develop a strong understanding of casting processes. Building a network within the entertainment industry and staying informed about casting calls and industry trends can also improve chances of entering the field.
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Tv Casting jobs near you
Infographic showing various Tv Casting job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 86% Full Time, 10% Part Time, and 3% Contract. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $32,000 per year, or $15.4 per hour.

Film/TV Director

Washington, DC

Rocket Launch Pictures
See more jobs at Rocket Launch Picturesexternal

Full-time

Re-posted 17 days ago

Job description

Sight is a new scifi and fantasy web series being produced in Washington, D.C. The first six episodes, based on a short story by Justin McLachlan, debuted at the Mead Theatre Lab at Flashpoint in May as a stage reading, thanks to a grant from the DC Commission on the Arts & Humanities. More details: http://www.washingtoncitypaper.com/blogs/artsdesk/theater/2013/05/24/justin-mclachlans-superhero-stories-hit-flashpoint-this-weekend/ The producers are looking to attach a director to handle eight, 15 - 20 minute episodes

Principal photography is currently slated for the fall, but the schedule is evolving and subject to change. The series is currently in a fundraising phase that involves a combination of grants and crowdfunding. Total project budget is between $20,000 and $30,0000.

Here's what we're hoping for in a candidate: Experience. We're looking for someone with experience and a portfolio, but that doesn't necessarily mean paid work - short films you've done on the side or for things like the 48 Hour Film Festival are acceptable as experience. It's the quality of the work that matters.

Bonus points for significant green screen / compositing work. Resourcefulness. Our budget is really tight and some days you might be working with a small crew or limited equipment.

Excellent Time Management. Our current schedule is ambitious; you'll have a lot of coverage to shoot on a lot of pages per day and your ability to stay on track is super important (see above re: tight budget). Teamwork.

This project is probably a little different than what you're used to doing, especially if you've never worked in episodic television before. A lot of creative decisions, from locations to casting to story, have already been made by the producers. Your primary responsibilities will be to run the set and get the needed coverage each shooting day.

We need someone who can work within this framework. Here's what we need to get started: a portfolio (ideally links to your projects), an idea of your salary requirements (keeping in mind our limited budget), potential scheduling conflicts for the upcoming fall and winter (put those in the cover letter section) and a resume. Members of the DGA are encouraged and welcome to apply, however we are not yet a DGA signatory (we will pursue that if we're interested in working with a DGA member).

Please keep in mind there are no guaranteed minimums on a DGA New Media contract. Sight is a SAG-AFTRA production.

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