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Touring Sound Engineer Jobs in Virginia (NOW HIRING)

Touring Sound Engineer information

See Virginia salary details

$6

$28

$65

How much do touring sound engineer jobs pay per hour?

As of Aug 30, 2026, the average hourly pay for touring sound engineer in Virginia is $28.62, according to ZipRecruiter salary data. Most workers in this role earn between $17.30 and $36.00 per hour, depending on experience, location, and employer.

What does a touring sound engineer do?

A Touring Sound Engineer is responsible for managing live sound during concerts and events while traveling with an artist or band. Their duties include setting up and operating audio equipment, adjusting sound levels, troubleshooting technical issues, and ensuring consistent sound quality across different venues. They often collaborate with musicians, production crews, and venue staff to deliver the best possible audio experience. This role requires technical expertise, problem-solving skills, and the ability to adapt to various acoustic environments.

What are the key skills and qualifications needed to thrive as a touring sound engineer?

To thrive as a Touring Sound Engineer, you need a solid grasp of audio engineering principles, live sound mixing, and troubleshooting, often supported by a degree or certificate in audio technology. Familiarity with professional audio consoles, digital soundboards, wireless systems, and software like Pro Tools is typically required. Outstanding problem-solving abilities, strong communication, and the capacity to stay calm under pressure are essential soft skills. These qualities are important because they ensure smooth live performances and the ability to quickly resolve issues during fast-paced touring environments.

What are the typical work hours and travel expectations for a touring sound engineer?

Touring Sound Engineers usually work non-traditional hours, often including evenings, weekends, and holidays to accommodate concert and event schedules. Extended travel is a regular part of the job, as you'll frequently move from city to city with the touring crew, sometimes spending weeks or months on the road. Flexibility and a willingness to adapt to changing environments are crucial, as the schedule can vary based on the length and type of tour. This dynamic work structure is ideal for those who enjoy travel and working in ever-changing settings.

What are the most commonly searched types of Touring Sound Engineer jobs in Virginia?

The most popular types of Touring Sound Engineer jobs in Virginia are:

What job categories do people searching Touring Sound Engineer jobs in Virginia look for?

The top searched job categories for Touring Sound Engineer jobs in Virginia are:

What cities in Virginia are hiring for Touring Sound Engineer jobs?

Cities in Virginia with the most Touring Sound Engineer job openings:

Infographic showing various Touring Sound Engineer job openings in Virginia as of August 2026, with employment types broken down into 85% Full Time, 12% Part Time, and 3% Contract. Highlights an 85% Physical, 6% Hybrid, and 9% Remote job distribution, with an average salary of $59,528 per year, or $28.6 per hour.

Production Contractor

The Falls Church Anglican

Falls Church, VA • On-site

$560/day

Part-time

Posted 7 days ago


Job description

Job Type
Part-time, Contract
Description
Overview:
Falls Church Anglican (TFCA) is seeking a skilled Production Contractor to support audio and production needs for worship services, rehearsals, studio work, and ministry events on an as-needed basis. This role supports both traditional and contemporary Anglican worship environments and may include FOH, Broadcast, A2/Stage Tech, and occasional studio engineering or recording responsibilities.
The ideal candidate is a versatile, experienced production technician with strong competency in audio engineering, live sound reinforcement, DAW workflows, and basic AVL systems. This contractor should be proactive, reliable, detail-oriented, and able to collaborate effectively with staff, volunteers, and other contractors to ensure excellent technical execution of services and events.
Key Responsibilities
Live Production
  • Provide FOH, Broadcast, or A2 audio operation for Sunday services and occasional special services or events.
  • Support rehearsals (Wednesday or event-specific) as needed.
  • Troubleshoot live production systems including routing, networking, and signal flow.
  • Ensure high-quality audio mixes appropriate for traditional, contemporary, and broadcast worship environments.

Ministry & Event Support (As Needed)
  • Provide audio/production support for Women's Ministry, Youth events, retreats, classes, funerals, weddings, and other TFCA gatherings.
  • Set up/strike microphones, DI boxes, IEM systems, playback devices, and small PA systems-including basic troubleshooting-for mid-week or evening ministries.

Systems & Technical Support
  • Operate TFCA's PM7 console, LV1 system, Q-SYS, Klang, Dante networks, and related production systems.
  • Identify equipment needing repair or replacement and communicate issues promptly.
  • Contribute to improving documentation, workflows, and system organization over time.

Team Collaboration
  • Work alongside staff and volunteers in a professional, supportive manner.
  • Assist in volunteer development, training, or shadowing opportunities where appropriate.
  • Represent TFCA's Production Team with excellence and reliability.

Compensation
  • Sunday Services: $240 per service (two services currently offered).
  • Weekday/Evening Rehearsals: $120 per rehearsal block (typically 7-9 PM).
  • Special Events (weddings, funerals, ministry events, youth/women's gatherings): Paid per event according to scope; standard service rates generally apply unless otherwise noted.
  • Ad-Hoc Technical Support (equipment staging, loading, prep): $560/280 full day/half day rate

Requirements
Qualifications & Skills
  • 5+ years experience with professional live production or touring-grade AVL systems.
  • 3+ years experience mixing, editing, or engineering in live or studio settings.
  • Strong understanding of FOH mixing, broadcast audio, and contemporary/traditional worship contexts.
  • Proficiency in major DAWs (Reaper, ProTools, Logic Pro, Ableton Live, etc.).
  • Experience with Dante, SoundGrid, and modern digital console ecosystems.
  • Ability to work calmly under pressure and troubleshoot quickly during live events.
  • Strong communication and collaboration skills.

Administrative & Scheduling
  • All event based scheduling will be handled via Planning Center Online (PCO); contractors receive service plans, instrumentation, and team assignments there.
  • Studio/Post Production, Technical Support, and Small Events needs will be scheduled on an ad-hoc basis via email/phone
  • Scheduling is typically planned 1-2 months in advance, with weekly email reminders summarizing upcoming needs.