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Theatre Projection Design Jobs (NOW HIRING)

ALLEY THEATRE

Overhire Lighting Technician

Houston, TX · On-site

$18/hr

... design under the guidance of the Electrics Supervisor and Alley Theatre Lighting Team. Overhire ... projection equipment, chemical and dry ice foggers, effects devices, cue lights and tech tables.

ALLEY THEATRE

Overhire Lighting Technician

Houston, TX · On-site

$18/hr

... design under the guidance of the Electrics Supervisor and Alley Theatre Lighting Team. Overhire ... projection equipment, chemical and dry ice foggers, effects devices, cue lights and tech tables.

Booz Allen Hamilton

Theater Posture Planner

Honolulu, HI · On-site

$86K - $198K/yr

Serve as a Theater Posture Planner applying subjectmatter expertise to support the design ... The projected compensation range for this position is $86,900.00 to $198,000.00 (annualized USD)

Phase2 Technology

Theater Posture Planner

Honolulu, HI · On-site

$86K - $198K/yr

Experience with posture planning, force management, or theater campaign design * Experience with ... The projected compensation range for this position is $86,900.00 to $198,000.00 (annualized USD)

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Theatre Projection Design information

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$54

How much do theatre projection design jobs pay per hour?

As of Sep 9, 2026, the average hourly pay for theatre projection design in the United States is $30.80, according to ZipRecruiter salary data. Most workers in this role earn between $15.87 and $44.23 per hour, depending on experience, location, and employer.

What is theatre projection design?

Theatre projection design is a specialized field within stagecraft that involves creating and integrating projected images or videos into live theatrical performances. Projection designers use technology such as projectors, software, and media servers to display visuals on surfaces like screens, sets, or even actors. This enhances storytelling by adding atmosphere, scenery, or interactive elements. The role often requires collaboration with directors, lighting designers, and set designers to ensure the projections complement other design elements. Skills in graphic design, animation, and an understanding of theatrical production are essential for this job.

How does a theatre projection designer typically collaborate with directors and other design departments during a production?

Theatre projection designers work closely with directors, lighting designers, set designers, and technical staff to ensure that projected visuals seamlessly integrate with other design elements. Early in the production process, they attend design meetings to discuss the director’s vision and the technical requirements of the show. Throughout rehearsals, they adjust their visuals in response to feedback and coordinate timing with cues from lighting and sound departments. This collaborative process helps create a cohesive visual experience that enhances storytelling while fitting within practical constraints of the stage and equipment.

What are the key skills and qualifications needed to thrive as a theatre projection designer, and why are they important?

To thrive as a Theatre Projection Designer, you need a strong background in visual storytelling, digital media, and theatrical design, often supported by a degree in theatre, design, or related fields. Mastery of software such as Adobe After Effects, QLab, Isadora, and 3D modeling programs, along with experience in projection mapping and live event technology, is highly valuable. Creativity, collaboration, and adaptability are essential soft skills, as the role requires working closely with directors and other designers to realize a cohesive vision under tight deadlines. These skills ensure that projections effectively enhance the production, create immersive experiences, and meet the technical and artistic demands of live theatre.

What is the difference between Theatre Projection Design vs Scenic Designer?

AspectTheatre Projection DesignScenic Designer
CredentialsTechnical skills in projection technology, design softwareDesign background, often with architecture or fine arts
Work EnvironmentTheatre, live performance venues, production studiosTheatre, set construction, production studios
Industry UsageUsed in productions requiring visual projections and multimediaUsed in creating physical scenic environments and sets

While both roles contribute to the visual aspect of theatre productions, Theatre Projection Designers focus on integrating multimedia projections into performances, whereas Scenic Designers create the physical sets and environments. Both collaborate closely but specialize in different visual elements of a production.

How to become a theatre projection designer?

To become a theatre projection designer, develop skills in digital imaging, video editing, and projection mapping software such as QLab or Watchout. Obtain a background in theater, design, or media arts, and gain experience through internships or assisting professionals in live productions. Building a strong portfolio and understanding stage lighting and set design are also important for success in this field.

What other helpful pages are available for Theatre Projection Design?

Other pages related to Theatre Projection Design:

Infographic showing various Theatre Projection Design job openings in the United States as of September 2026, with employment types broken down into 63% Full Time, 26% Part Time, and 11% Contract. Highlights an 100% In-person job distribution, with an average salary of $64,069 per year, or $30.8 per hour.

Technical Theater Professionals at Kelly Strayhorn Theater

Pittsburgh, PA • On-site

Arts Finance Cohort
See more jobs at Arts Finance Cohortexternal

$15 - $25/hr

Contractor

Re-posted 4 days ago

Key responsibilities

  • Perform technical theater tasks such as load-in, set-up, operation, and strike of equipment and scenery.

  • Assist with lighting, audio, stage management, AV, and general theater maintenance as needed for performances and events.

  • Work closely with production staff to support rehearsals, performances, and related technical activities.

Job description

ABOUT TECHNICAL THEATER PROFESSIONALS
KST seeks Independent Contractors in all areas of technical theater to add to our crew call list for a busy schedule of events and live performances at our two venues throughout the year.
Seasoned professionals and new talent are both welcome. Technical theater professionals who are BIPOC, women, LGBTQIA+, and/or members of other historically marginalized communities are especially encouraged to respond!
Most work requires the ability to comfortably move or stand for an hour or more, lift 25 pounds, and climb a ladder. Some work calls require significant physical work including lifting and carrying equipment and supplies in excess of 50 lbs. The ability to bend, climb, reach and work at heights of up to 25' are also required for some work.
COMPENSATION: Calls range from $15-$25/hr or by bid and are paid by project
CLASSIFICATION: Independent Contractor
WORKS CLOSELY WITH: Production Manager & Production Assistant
SCHEDULE
Technical Theater Professionals are called for a minimum of 4 hours shifts at Kelly Strayhorn Theater or KST's Alloy Studios with the average shift being 6 hours. Days and times vary depending on the needs of the rehearsal, performance/event, or maintenance job for which the call is intended.
ABOUT KST
Kelly Strayhorn Theater is a home for creative experimentation, community dialogue and collective action rooted in the liberation of Black and queer people. We welcome to our home all who uplift Black, Indigenous, people of color, and queer voices. We focus our services on Black women, LGBTQIA+, People of color and Emerging artists.
Named after 20th-century entertainment legends and Pittsburgh natives Gene Kelly and Billy Strayhorn, Kelly Strayhorn Theater serves as a catalyst for creative expression that brings diverse communities together. Focusing on the performing and media arts of our time, KST takes a multidisciplinary approach to presenting contemporary performing arts while examining the questions that define and inspire us as individuals and communities. KST's mission is realized by being one of the nation's leading presenters of innovative works in dance, theater, music and live art; a resource for education, emerging artist support, and community partnership; a neighborhood destination for culture.
QUALIFICATIONS
KST seeks Independent Contractors who are qualified in the following areas:
AUDIO
Audio Engineers and A2's are frequently needed for a variety of events at KST's theater and Alloy Studios. Work calls may include:
  • Tech/rehearsals or a range of live events: small speaking engagements to large concerts
  • Live mixing (Yamaha LS9 / analogue)
  • Equipment repair and maintenance
  • Load-in/set-up
  • Load-out/strike
  • Audio design

Audio crew are expected to read/execute stage plots and input lists.
Engineers must be proficient with digital (Yamaha LS-9) and analogue sound boards as well as a variety of playback sources/programs including QLab.
LIGHTING
Lighting designers, operators and technicians are frequently needed for a variety of events at KST's theater and Alloy Studios.
Work calls may include:
  • Hang/focus/repair/cable lighting instruments
  • Programming light cues (ETC Ion / ETC ColorSource)
  • Operating light board
  • Load-in/set-up
  • Load-out/strike
  • Lighting design

Lighting technicians must be able to read and understand light plots and related paperwork, climb ladders and operate an aerial work platform.
STAGE MANAGEMENT
Stage Managers, ASM's and deck crew are needed for public performances at KST's theater and Alloy Studios.
Work calls may include:
Stage Management:
  • Advance show preparation
  • Running rehearsals, tech and show run/calling cues

Backstage:
  • Run scene changes
  • Oversee properties and costuming
  • Communicate with performers and booth
  • Maintain cleanliness, safety and decorum on and backstage
  • Load-in/set-up
  • Load-out/strike

AV
Camera and video operators/installers/designers are needed for a variety of events at KST's theater and Alloy Studios.
Work calls may include:
Live Streaming:
  • Camera operation for live events (Blackmagic Pro)
  • Set-up/strike

Projection:
  • Video design
  • Equipment installation/focus/cabling
  • Set-up/load-in; load-out/strike
  • QLab programming/operation

GENERAL TECH
General Theater technicians with knowledge of practices, materials, resources, and tools associated with theater production are needed for performances and general maintenance/work calls throughout the year. Work calls may include:
  • Load-in/Strike
  • Set builds
  • Dance floor installation
  • General theatrical equipment maintenance
  • General cleaning/painting

Technicians should have knowledge of occupational hazards and related standard safety precautions to be observed in working around stage equipment and in using power and hand tools.
TO APPLY
Please submit your resume and a brief cover letter outlining your work experience and skills.
Submissions are accepted on a rolling basis.

Apply