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Stage Designer Jobs in Oregon (NOW HIRING)

Electrical Engineer This hands-on Electrical Engineer role focuses on supporting and advancing PCBA-based product designs that are in late-stage development as well as contributing to new hardware ...

Production Team Member

Portland, OR · On-site

$16.50 - $18/hr

A&K Designs, Inc is a family owned and operated sports apparel manufacturing company, proudly ... Handle, organize, and stage fabrics, trims, and materials for production * Sort, count, and bundle ...

Senior Security Engineer (Cloud)

OR · Remote

$114K - $156K/yr

Comfort with ambiguity and rapid change: prior experience at a fast-moving or late-stage startup is a strong plus * A track record of designing systems that are secure, resilient, and built to ...

... have a facility designed with veterinary workflows in mind? We are on the lookout for our next ... We've been sprucing things up, making improvements, and setting the stage for growth. * The clients:

... designed for superior durability and sustainability. At Malarkey, we take pride in our most ... Leads teams through our Stage Gate process to develop and execute project plans covering phases ...

OR

$186K - $248K/yr

... designing and scaling the end-to-end logistics network that delivers our largest, most complex ... Own transportation strategy across every stage of the supply chain: inbound, warehousing, inventory ...

R&D Project Manager

Portland, OR · On-site

$115K - $135K/yr

... designed for superior durability and sustainability. At Malarkey, we take pride in our most ... Leads teams through our Stage Gate process to develop and execute project plans covering phases ...

... stage of your career. Try new things, learn new skills and discover what you excel at-all from Day One. The Senior Red Team Operator leads advanced offensive security operations designed to assess ...

OR

$140K - $176K/yr

... designed to explore big macroeconomic shifts, workforce evolutions, regulatory shocks, and AI-agent ... A proven track record of building apps, side projects, or early-stage software features from ...

Showing results 21-40

Stage Designer information

See Oregon salary details

$37.5K

$87.9K

$116.3K

How much do stage designer jobs pay per year?

As of Aug 11, 2026, the average yearly pay for stage designer in Oregon is $87,911.00, according to ZipRecruiter salary data. Most workers in this role earn between $61,300.00 and $115,200.00 per year, depending on experience, location, and employer.

How do you become a stage designer?

To become a stage designer, individuals typically pursue a bachelor's degree in theater design, set design, or a related field. Gaining experience through internships or assistant roles, developing skills in drawing, computer-aided design (CAD), and understanding theatrical production are essential for building a career in stage design.

What is the difference between Stage Designer vs Set Designer?

AspectStage DesignerSet Designer
CredentialsTypically requires a degree in theater, design, or related fieldOften requires a degree in theater, architecture, or interior design
Work EnvironmentWorks primarily on live theater, concerts, and performancesWorks on film, television, and theatrical productions
Industry UsageCommonly used in theater and live performance industriesCommonly used in film, TV, and stage productions

While both Stage Designer and Set Designer create visual environments, the Stage Designer focuses on designing the overall stage layout for live performances, ensuring functionality and aesthetic appeal. The Set Designer, on the other hand, primarily designs the physical scenery and backgrounds for theater, film, or TV productions. Their roles often overlap, but their specific focus and work environments differ.

What are some common challenges stage designers face when working on live productions?

Stage Designers often encounter challenges such as balancing creative vision with budgetary or technical constraints, adapting designs to different venues, and collaborating with directors and other departments like lighting, sound, and costumes. Meeting tight deadlines and making real-time adjustments during rehearsals are also common aspects of the role. Strong communication and problem-solving skills are crucial to navigate these challenges and deliver visually compelling and practical stage environments.

What are the key skills and qualifications needed to thrive as a stage designer, and why are they important?

To thrive as a Stage Designer, you need a solid background in set design, spatial awareness, visual arts, and often a degree in theater design or a related field. Familiarity with design software like AutoCAD, SketchUp, and Adobe Creative Suite, as well as knowledge of stagecraft and lighting systems, is typically required. Creativity, collaboration, problem-solving, and strong communication skills set outstanding stage designers apart. These skills ensure effective realization of artistic visions, smooth coordination with production teams, and the creation of impactful stage environments.

What does a stage designer do?

A stage designer, also known as a set designer, is responsible for creating the visual environment of a theater production, concert, or event. They design sets, props, and sometimes lighting to help bring the director’s vision to life and enhance the storytelling. Stage designers collaborate closely with directors, costume designers, and lighting designers to ensure all visual elements work together. Their work includes sketching ideas, building models, selecting materials, and overseeing the construction and installation of sets.
What job categories do people searching Stage Designer jobs in Oregon look for? The top searched job categories for Stage Designer jobs in Oregon are:
Infographic showing various Stage Designer job openings in Oregon as of August 2026, with employment types broken down into 82% Full Time, 14% Part Time, 3% Contract, and 1% Nights. Highlights an 89% Physical, 3% Hybrid, and 8% Remote job distribution, with an average salary of $87,911 per year, or $42.3 per hour.

Wardrobe and Hair Manager

Oregon Shakespeare Festival

Ashland, OR

Full-time

Re-posted 11 hours ago


Job description

Principal Duties and Responsibilities:

Manages wardrobe and hair personnel, including but not limited to:

  • Oversees Wardrobe Supervisor and Hair & Wig Supervisors who create work assignments and manages the day-to-day schedule and workflow.
  • Provides materials and equipment needed for wardrobe and hair personnel to successfully open, run, and close a show.
  • Ensures wardrobe and hair personnel understand and uphold OSF mission and values.
  • Ensures wardrobe and hair personnel understand and adhere to the company handbook, collective bargaining agreement, AEA guidelines and production department guidelines.
  • Ensures wardrobe and hair personnel understand and adhere to safety procedures, creating additional safety protocols when necessary.
  • Ensures regular inspections of hair salon and stations, adhering to HLO, Health Licensing Office regulations on safety, sanitization, and infection control.
  • Recruits, hires, conducts performance reviews, manages progressive discipline with P&C, and organizes the on-boarding and off-boarding processes for wardrobe and hair personnel.
  • Performs administrative tasks such as payroll, expense reports, and injury forms.

Exemplify respect and inclusion by:

  • Demonstrating and creating an environment where each employee is supported.
  • Maintaining a safe and anti-racist working environment.
  • Recognizing micro-aggressions and interrupting othering behaviors.
  • Operationalizing IDEA concepts into organized practice in systems, processes, and problem-solving techniques.
  • Collaborating with other managers to enforce safety policies and keeping up to date with required management-level training.

Manages the Wardrobe and Hair support of shows. Duties include and are not limited to:

    • Organizes and/or ensures organization of all wardrobe and hair functions for individual shows, including working technical rehearsals, troubleshooting, run crew documentation, and show reports.
    • Manages all Hair & Wig and understudy fittings with the Director of Stage Management.
    • Ensures design integrity and quality control of the costume and hair design throughout the season.
    • Ensures the maintenance and organization of wardrobe and hair spaces and equipment.
    • Ensures wardrobe and hair follow safety, sanitization, infection control of all workspaces; provides disinfectants and safety equipment.
    • Ensures Wig Leads and Key Stylist organize hair/wig inventory, pull, purchase, alter, or manufacture all wigs, hair styles, and facial hair as designed and approved by the Costume Designer. Supervises schedule for hair care and wig maintenance.
    • Collaborates with Costume Designer and Wig Leads to create show specific make-up.
    • Collaborates and communicates with the Costume Shop to balance the show requirements with OSF resources to meet show and performer needs safely and efficiently- regarding wig builds, quick changes, understudy fittings and wig fittings, and hair prep or style.
    • Develops and advocates for Wardrobe and Hair’s annual labor, material, and capital budgets in the season budgeting process. Manages budgets throughout the year, keeping leadership apprised of any challenges.
    • Attends Production Meetings, show specific costume meetings; convenes department meetings and show specific wardrobe and hair meetings.
    • Participates and actively engages in Collective Bargaining Agreement negotiations.

    Collaborates, coordinates, and communicates with many internal stakeholders about wardrobe and hair functions. Some examples include:

    • Costume Shop: regarding costume closure modifications and special care of costumes and wigs, resources, paperwork, load out schedule, cleaning and restoring costume rental items, and production transfers.
    • Collaborates and resolves pre-show schedule for hair prep and dressing order, quick change choreography, and on-stage pre-sets.
    • Stage Management: regarding AEA updates, run crew assignment needs, and show breakdowns; keeping apprised changes to entrances/exit locations and run times; collaborating closely with quick changes prioritizing crew and actor safety, and specific needs for any given performance, understudy fittings, etc.

    Other Duties and Responsibilities:

    • Responds to after-hours emergencies and participates in emergency response teams.
    • Assist in maintenance, transportation, and cleaning of show and rehearsal costumes, including dry cleaning, as needed
    • Emergency understudy during the run of shows.
    • Represents OSF at organizational functions and conferences when requested.
    • Advises and/or leads facility maintenance and improvement projects as appropriate.
    • Assist Development and Marketing departments (for example, occasional donor events or creating content re: quick changes for social media outlets).
    • Other duties as assigned by Costume Director.

    Supervision Received:

    Costume Director

    Supervision Exercised:

    Wardrobe Supervisor, Hair & Wig Supervisors, wardrobe and hair staff.

    Required:

    Education: High: School Graduate or equivalent.

    Work Experience: 5 years of experience in professional theatrical wardrobe, preferably experience supervising projects and/or people in the entertainment industry.

    Preferred:

    • Experience in using industrial and home sewing machines with a variety of fabrics.
    • Knowledge or ability to understand regulations detailed in OHA, Oregon Health Authority Cosmetology Safety and Sanitation rules.
    • Experience in wig building, wig fronting, dying lace, and with working various adhesive methods.
    • Experience in wig building and hair care of Black/African American and multi-textured hair.
    • Experience with special effects on-stage makeup and prosthetics supporting all skin tones and genders.

    Qualifications/Skills:

    • Ability to communicate effectively both verbally and in writing.
    • Ability to effectively address conflict and resolve in a professional manner in line with OSF’s values.
    • Knowledge of costume periods, safe work practices, and understanding repertory calendars.
    • Thorough knowledge using computer software, including Microsoft Excel, Outlook, Word, SharePoint, and other cloud-based information sharing systems.
    • Proficient in quick-change choreography for run crew planning with both costumes and hair.
    • Demonstrate initiative and tenacity in short-term and long-term planning.
    • Ability to collaborate and behave in a productive manner with colleagues and staff.
    • Ability to adapt and flex to operational changes and new procedures.
    • Expertise in organization, time management, and decision making.
    • Excellent Inclusion, Equity, Diversity, and Access analysis and inclusive behavior:
    • Able to identify and dismantle work systems that uphold and promote systems of white supremacy; to re-envision and implement new systems that account for equity and promote inclusion in all areas of work.
    • Ability to approach relationships with colleagues and staff, particularly those belonging to underrepresented or historically marginalized groups, with an understanding that identity informs every individual’s human experience in a way that may differ from their own personal experience.
    • Ability to communicate about body proportions, hair textures and styling, skin tones and identities using respectful and equitable language.

    Physical Ability:

    • Lift and move costumes, wigs, and equipment weighing up to 30 pounds, climb stairs repeatedly, kneel, squat, and bend. Sit and stand for eight hours or more a day.

    Special Hours Requirements:

    • Night-time/overnight and weekend hours are regularly required. The standard work week is Tuesday – Sunday. Long hours are required, especially during technical rehearsals. The ability to respond to emergencies with little notice is required.

    Preferred:

    • Experience working with unions and within the context of collective bargaining agreements. Attended EDI or anti-racist trainings. Experience working in a repertory environment.