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Sports Broadcast Audio Jobs (NOW HIRING)

NEP Group

Broadcast Studio Engineer

New York, NY

Weve supported some of the worlds most watched productions and live events in sports, entertainment ... Familiarity with audio, visual, graphic and other systems used in mobile television facilities ...

Nascar

Remote Broadcast Engineer

Concord, NC

At NASCAR, you will find a community of passionate individuals who care about our sport and are ... Manage, configure & troubleshoot DANTE audio network and DANTE devices. * Manage backup records of ...

Ball Arena

Broadcast Engineer

Centennial, CO · On-site

$25 - $32/hr

Open Until Filled Kroenke Sports & Entertainment (KSE) is an American Sports and Entertainment ... switchers, audio consoles, EVS, EFP/studio cameras and lighting systems. * Communicate ...

NASCAR

Remote Broadcast Engineer

Concord, NC · On-site

At NASCAR, you will find a community of passionate individuals who care about our sport and are ... Manage, configure & troubleshoot DANTE audio network and DANTE devices. * Manage backup records of ...

Milwaukee Bucks, LLC.

Broadcast Engineer

Milwaukee, WI · On-site

$75K - $80K/yr

Onsite- Milwaukee, WI The Milwaukee Bucks strive to be the best sports and entertainment company in ... The Broadcast Engineer will also support in-house video control room, audio infrastructure, and ...

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Sports Broadcast Audio information

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$32K

$86.6K

$135.5K

How much do sports broadcast audio jobs pay per year?

As of Aug 10, 2026, the average yearly pay for sports broadcast audio in the United States is $86,597.00, according to ZipRecruiter salary data. Most workers in this role earn between $64,500.00 and $112,500.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a sports broadcast audio professional?

To thrive as a Sports Broadcast Audio professional, you need a solid understanding of audio engineering principles, broadcast standards, and typically a relevant degree or technical certification. Familiarity with digital audio consoles, wireless microphone systems, audio editing software, and live broadcast equipment is essential. Attention to detail, strong teamwork, and the ability to stay calm under pressure are standout soft skills in this role. These skills ensure clear, high-quality sound delivery and seamless production during fast-paced live sports events.

What are some common challenges faced by audio engineers in live sports broadcasting, and how can they be managed?

Audio engineers in live sports broadcasting often face challenges such as unpredictable crowd noise, fluctuating weather conditions, and the need to capture both commentary and on-field sounds clearly. Managing these challenges requires quick adaptability, effective use of noise-canceling microphones, and constant communication with the production team. Staying organized with equipment setup and being prepared for last-minute changes are crucial for ensuring high-quality audio throughout the event.

What is the difference between Sports Broadcast Audio vs Sports Broadcast Technician?

AspectSports Broadcast AudioSports Broadcast Technician
CredentialsAudio engineering certifications, audio production experienceTechnical certifications, broadcast technology knowledge
Work EnvironmentBroadcast booths, control rooms, live sports venuesBroadcast trucks, stadiums, production studios
Industry UsageFocuses on audio setup, mixing, and quality controlHandles overall broadcast equipment, troubleshooting

Sports Broadcast Audio specialists primarily focus on capturing and mixing live audio during sports events, ensuring sound quality. In contrast, Sports Broadcast Technicians handle broader technical tasks, including equipment setup, maintenance, and troubleshooting. Both roles are essential in sports broadcasting but differ in scope and responsibilities.

What is sports broadcast audio?

Sports broadcast audio refers to the management and production of all sound elements during live or recorded sports events for television, radio, or online streaming. This includes capturing crowd noise, commentator voices, on-field sounds, and ensuring clear, balanced audio for the audience. Audio professionals use specialized microphones, mixers, and audio consoles to deliver an immersive and engaging listening experience. Their work is essential for conveying the excitement and atmosphere of sporting events to viewers and listeners at home.
More about Sports Broadcast Audio jobs
What cities are hiring for Sports Broadcast Audio jobs? Cities with the most Sports Broadcast Audio job openings:
What states have the most Sports Broadcast Audio jobs? States with the most job openings for Sports Broadcast Audio jobs include:
What job categories do people searching Sports Broadcast Audio jobs look for? The top searched job categories for Sports Broadcast Audio jobs are:
Sports Broadcast Audio jobs near you
Infographic showing various Sports Broadcast Audio job openings in the United States as of August 2026, with employment types broken down into 1% Internship, 1% As Needed, 61% Full Time, 35% Part Time, 1% Temporary, and 1% Contract. Highlights an 96% Physical, 1% Hybrid, and 3% Remote job distribution, with an average salary of $86,597 per year, or $41.6 per hour.

Broadcast Studio Engineer

NEP Group

New York, NY

Full-time

Re-posted 8 days ago

NEP Group rating

7.5

Company rating: 7.5 out of 10

Based on 11 frontline employees who took The Breakroom Quiz

38th of 76 rated media

Job description

You might not know our name, but youve probably seen our work on stage, on screen or on the field. Our technology solutions and unique Global Production Ecosystem empower content creators and rights holders to tell their stories in breakthrough ways. Weve supported some of the worlds most watched productions and live events in sports, entertainment, concerts, festivals, film, TV and more. For over 40 years our clients have trusted us to deliver live production, live events, and virtual production solutions for them, anytime, anywhere. Put simply, we bring content to life.
What you will do:

  • Programming knowledge of Evertz EQX baseband router. Working knowledge of Grass Valley Kayenne switchers, Sony camera systems (HDC-2500 or better) and Calrec Apollo or Artemis audio consoles a plus.
  • Familiarity with audio, visual, graphic and other systems used in mobile television facilities desirable.
  • Demonstrated skills and experience in technical aspects of on site television production with progressive broadcast equipment.
  • Ability to interface with clients and provide a high level of service and support.
  • Must be willing and able to lift/push/pull up to 50 lbs., and be willing to seek assistance for anything over 50 lbs. (should not seek to do over 50 lbs. without assistance).
  • Perform regular cleaning and inventory checks for the broadcast system/facility.
  • Manage and monitor the broadcast system engineering operations at NEP Studios.
  • Perform preventative maintenance and trouble shooting while executing changes and engineering updates on the broadcast system.
  • Direct the activities of crew members related to the operation of the broadcast system.
  • Follow through on repairs, inventory needs, and updates.
  • Provide on-site client service and technical support.
  • Maintain and file the proper expense reports and technical reports on a per show or other designated basis.
  • Ensure proper set-up of cameras and other related video equipment.
  • Configure and optimize multiple broadcast and satellite feed/receive links for audio and video quality.
  • Monitor and adjust signals using state of the art equipment such as spectrum analyzers, video waveform monitors, and audio/video/data analyzers.
  • Other duties as assigned.

Position Requirements:

  • Associates or Technical Degree preferred. Various forms of education and experience will be considered.
  • 2 years of technical experience required.
  • Minimum 5 years experience with video signal generating equipment.
  • Excellent computer skills and experience with a live, multi-camera room preferred.
  • Demonstrated knowledge of broadcast technology, equipment, facilities, and production for major commercial and cable television networks.

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