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Sound Jobs in Chicago, IL (NOW HIRING)

Sound Engineer

Chicago, IL · On-site

$29/hr

The ideal candidate has strong technical expertise in live sound mixing, along with working knowledge of lighting design and multimedia projection. The ability to troubleshoot quickly in a fast-paced ...

While sound is a focus, students experience a comprehensive cinema education from cinematography, editing, color correction through advanced workflows. Considerations: Exceptions to standard rates ...

Adjunct Faculty in Sound

Chicago, IL · On-site

$4.8K - $6.1K/wk

Adjunct Faculty in Sound Full-time Faculty Positions Full-time faculty positions will be posted on a per-opening basis. Postings are organized by college/school and department. Applicants will be ...

We are proud sponsors of H-1B visa candidates, with Sound boasting in-house visa specialists and licensing and credentialing experts. All requisite visa filing fees and services are covered by Sound.

We are proud sponsors of H-1B visa candidates, with Sound boasting in-house visa specialists and licensing and credentialing experts. All requisite visa filing fees and services are covered by Sound.

We are proud sponsors of H-1B visa candidates, with Sound boasting in-house visa specialists and licensing and credentialing experts. All requisite visa filing fees and services are covered by Sound.

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Sound information

See Chicago, IL salary details

$16

$37

$65

How much do sound jobs pay per hour?

As of Aug 9, 2026, the average hourly pay for sound in Chicago, IL is $37.07, according to ZipRecruiter salary data. Most workers in this role earn between $20.58 and $44.09 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a sound engineer?

To thrive as a Sound Engineer, you need a solid understanding of audio theory, acoustics, and experience with recording, mixing, and mastering, often supported by a degree or certification in audio engineering. Familiarity with digital audio workstations (DAWs) like Pro Tools, Logic Pro, or Ableton Live, as well as knowledge of microphones, mixers, and audio signal flow, is essential. Strong communication, problem-solving skills, and the ability to work under pressure help you collaborate effectively with artists and production teams. These skills ensure high-quality sound production and smooth operation during live performances or studio sessions.

What are some common challenges sound engineers face when working on live events?

Sound Engineers working on live events often encounter challenges such as unpredictable acoustics, last-minute technical issues, and time constraints during setup and soundchecks. They must quickly adapt to different venues, manage feedback, and coordinate with performers and other technical staff to ensure audio quality. Effective communication and the ability to troubleshoot under pressure are essential for maintaining the sound experience during a live show.

What careers involve sound?

Careers involving sound include audio engineers, sound designers, music producers, sound technicians, and acousticians. These roles often require knowledge of audio equipment, sound editing software, and acoustics principles, and they work in environments such as recording studios, theaters, and live event venues.

What is the difference between Sound vs Audio Technician?

AspectSoundAudio Technician
Required CredentialsOften a degree or certification in sound engineering or related fieldSimilar credentials, including technical training or certification in audio systems
Work EnvironmentRecording studios, live events, film setsConcerts, broadcast stations, theater productions
Industry UsageUsed broadly in entertainment, media, and productionPrimarily in live sound, broadcasting, and event setups
Common Search/ComparisonPeople often compare Sound with Audio Technician to understand roles in audio production

Both Sound and Audio Technician roles involve technical skills in audio systems, often requiring similar certifications. Sound professionals may focus more on music, film, or studio work, while Audio Technicians often work in live events and broadcasting. Understanding these differences helps clarify career paths and job expectations in the audio industry.

What is a sound technician?

Sound technicians, also known as audio engineers, are professionals responsible for recording, mixing, and reproducing sound in various settings such as concerts, film, television, and theater. They set up and operate audio equipment, ensure sound quality, and troubleshoot technical issues during live events or recording sessions. Their work is essential for delivering clear and balanced audio to audiences or recordings.
What are popular job titles related to Sound jobs in Chicago, IL? For Sound jobs in Chicago, IL, the most frequently searched job titles are:
What cities near Chicago, IL are hiring for Sound jobs? Cities near Chicago, IL with the most Sound job openings:
Infographic showing various Sound job openings in Chicago, IL as of August 2026, with employment types broken down into 50% Full Time, and 50% Part Time. Highlights an 100% In-person job distribution, with an average salary of $77,115 per year, or $37.1 per hour.

$32.01/hr

Full-time

Re-posted 12 days ago


Job description

Position Title:              Sound Technician

Reports To:                   Sound Supervisor

Reporting Staff:         None

FLSA Classification: Full-Time Non-Exempt

Pay Range:                    IATSE Local 2 CBA $32.01 per/hour; annualized $66,580.80

POSITION OVERVIEW

Chicago Shakespeare Theater seeks a self-directed and highly-motivated individual with strong communication and diverse technical skills to join our sound department. CST is a world-class theater company producing work of the highest caliber due, in large part, to a supportive team philosophy. The House Sound Technician position is an integral full time part of an ambitious program  averaging 12 productions per season in a 500-seat mainstage, 200-seat black box, a new groundbreaking flexible performance space seating up to 850, as well as several touring productions. This position’s responsibilities will be primarily focused in the sound department, but in certain parts of our season will switch to carry responsibility in other departments as needed. They will work with professional designers and directors from Chicago and around the world managing both produced and presented work, and will need to work in a fast-paced and interdisciplinary manner to address challenges.

The position is governed by a collective bargaining agreement with IATSE Local 2.

ESSENTIAL DUTIES

To perform this job successfully, an individual must be able to perform each essential job duty satisfactorily. Reasonable accommodations may be requested to enable qualified individuals with disabilities to perform essential job functions.

  • Working with sound department to install and strike sound systems.
  • Serving as A2 on select productions, working with orchestras and actors on mic and monitoring infrastructure.
  • Serving as A1 cover on select productions, including straight plays, line-by-line mixing of large musicals, and presented work.
  • Managing Clear-Com infrastructure.
  • Installing, troubleshooting, programming, and running QLab rigs.
  • Operating sound for special events both in the theater as well as in other spaces inside and outside of our facility.
  • Supporting designers and department during tech rehearsals including the setup and strike of tech tables and associated equipment.
  • Maintaining sound inventory by tracking equipment and supplies, and doing hands-on maintenance as required.
  • At times working with other production departments in varying capacities based on the needs of the productions.

COMPETENCIES AND EXPERIENCE

  • Minimum of three years of professional theatrical sound experience. Regional theater experience preferred.
  • Proficient knowledge of DiGiCo SD7 T, Yamaha CL series consoles. Understanding of both console setup as well as operation for straight plays and line by line mixing of musicals.
  • Understanding of QSC Q-SYS infrastructure, Dante I/O protocols, network infrastructure, Aviom monitoring systems, Clear-Com systems, Shure wireless equipment and Wireless Workbench frequency coordination, QLab software, KVM equipment.
  • Experience with making microphone ear-rigs, boom-rigs, wig-mounts, painting mics, etc. and working closely with actors.
  • Knowledge of safe work practices related to electricity and working at heights.
  • Ability to sit or stand for long periods of time, and lift up to 50 pounds.
  • Comfortable working at heights of up to 50 feet.
  • Valid driver’s license and clean driving record is required.

DESIRED SKILLS AND ADDITIONAL EXPERIENCE

  • Familiarity with counterweight fly systems and moderate rigging capabilities, both theory and practice.
  • Healthy knowledge of electrical theory and practice, especially with wiring and soldering projects.

WORK ENVIRONMENT

  • Work hours generally vary greatly depending on production schedule
  • Overtime hours will be necessary.
  • Evening, weekend, and holiday hours will be necessary.
  • Worksite is primarily at the CST facilities on Navy Pier in Chicago, IL but will at times work in other locations such as the CST Warehouse, City Parks and other off-site performance venues.

PHYSICAL DEMAND

  • Perform a variety of physical tasks including but not limited to climbing, stooping, pushing, bending, kneeling, reaching, lifting, and pulling.
  • Work at height in locations including but not limited to catwalks, grids, ladders, and genies.
  • Perform a variety of physical tasks while wearing safety equipment including body harness, hardhat, and safety glasses.
  • Push, pull, lift, and move up to 50 lbs. at times on a repetitive basis.
  • Use of manual dexterity in the operation of tools.
  • Must be able to access and navigate each department at the organization's facilities.

This position is full time hourly involving up to six days of work per week including nights, weekends, and occasional holidays, and includes benefits. Hours will vary based on the needs of each production, and there may be “no-work” weeks during each season.  The position is be covered under an IATSE Local 2 CBA, but current IATSE membership is not a prerequisite.

DIVERSITY AND INCLUSION STATEMENT

Chicago Shakespeare Theater (CST) is dedicated to increasing equity, diversity and inclusion in our audiences, our programs and in all our hiring for staff and artists. We are committed to providing a work environment that is free from discrimination. CST prohibits discrimination in employment against any employee or job applicant because of that person’s race, color, creed, religion, ancestry, sex, national origin, disability, genetic information, age, sexual orientation, gender identity, gender expression, marital status, familial status, veteran status, status with regard to public assistance, membership in a local human rights commission or any other legally protected status.