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Sheet Music Editor Jobs (NOW HIRING)

JR Motorsports

Producer/Editor

Mooresville, NC · On-site

Preparing calls sheets, show sheets, schedules, camera plans, guest bookings, guest prep, etc ... Incorporating sound designs, music beds, transitions, stingers, audio drops and archival audio in a ...

Netflix

Cue Sheets Coordinator

Los Angeles, CA · On-site

$40.87 - $57.69/hr

You know how to review a composer agreement and synchronization license for pertinent cue sheet information and are effective in aligning music supervisors, music editors, and other production ...

Netflix

Cue Sheets Coordinator

Los Angeles, CA · On-site

$40.87 - $57.69/hr

You know how to review a composer agreement and synchronization license for pertinent cue sheet information and are effective in aligning music supervisors, music editors, and other production ...

Netflix

Cue Sheets Coordinator

Los Angeles, CA

$40.87 - $57.69/hr

You know how to review a composer agreement and synchronization license for pertinent cue sheet information and are effective in aligning music supervisors, music editors, and other production ...

Netflix

Cue Sheets Coordinator

Los Angeles, CA · On-site

$40.87 - $57.69/hr

You know how to review a composer agreement and synchronization license for pertinent cue sheet information and are effective in aligning music supervisors, music editors, and other production ...

Bolt Graphics

Videographer & Editor

Sunnyvale, CA · On-site

$125K/yr

Source and clear licensed footage, music, and assets, ensuring compliance with rights and usage ... Proficiency in Microsoft Office suite (Word, Excel, PowerPoint) and Google suite (Docs, Sheets ...

Berklee

Pro Music Project Assistant

Boston, MA · On-site

$16.97/hr

Working knowledge of the Google Suite (Drive, Docs, Sheets, and Forms) and Mailchimp. * Prior ... Adobe), and Video Editing software. * Advanced written/verbal communication skills, and ...

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Sheet Music Editor information

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$11

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$57

How much do sheet music editor jobs pay per hour?

As of Jun 10, 2026, the average hourly pay for sheet music editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What is the difference between Sheet Music Editor vs Music Arranger?

AspectSheet Music EditorMusic Arranger
CredentialsMusic theory knowledge, music editing software proficiencyMusic theory, composition, arranging skills
Work EnvironmentMusic publishing companies, editing studiosComposing studios, production companies
Industry UsageEditing and preparing sheet music for publication or performanceCreating new arrangements of existing music
Search IntentEditing, proofreading, and formatting sheet musicRearranging or adapting music pieces

While both roles involve working with music, a Sheet Music Editor focuses on editing and preparing existing sheet music for publication or performance, ensuring accuracy and clarity. A Music Arranger creates new versions or adaptations of music pieces, often involving composition and creative reworking. Understanding these differences helps clarify job expectations and required skills in the music industry.

What does a Sheet Music Editor do?

A Sheet Music Editor is responsible for reviewing, correcting, and preparing musical scores for publication. They ensure that all musical notations, lyrics, and formatting meet professional standards and accurately reflect the composer’s intentions. Their duties include proofreading sheet music for errors, collaborating with composers and arrangers, and sometimes adapting music for different instruments or skill levels. Sheet Music Editors play a critical role in making sure musicians receive clear, accurate, and user-friendly scores.

What are some common challenges faced by sheet music editors when collaborating with composers and arrangers?

Sheet music editors often work closely with composers and arrangers to ensure that musical scores are both accurate and accessible to performers. One common challenge is interpreting the composer's artistic intentions while maintaining clarity and consistency in notation. Editors may need to negotiate changes to resolve ambiguities or adapt parts for different instrumentations. Effective communication and a strong understanding of standard notation practices are essential to balancing the creative vision with practical readability.

What are the key skills and qualifications needed to thrive as a Sheet Music Editor, and why are they important?

To thrive as a Sheet Music Editor, you need advanced music theory knowledge, strong notation and proofreading skills, and typically a background in music or music education. Familiarity with music notation software such as Sibelius or Finale, and sometimes certification in music editing or publishing, is often required. Attention to detail, communication skills, and the ability to collaborate with composers and publishers make an editor stand out. These skills ensure musical accuracy, clarity, and quality in published sheet music, which is crucial for performers and educators.
Infographic showing various Sheet Music Editor job openings in the United States as of June 2026, with employment types broken down into 1% As Needed, 93% Full Time, 2% Part Time, 1% Temporary, 2% Contract, and 1% Nights. Highlights an 95% Physical, 1% Hybrid, and 4% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.
Producer/Editor

Producer/Editor

JR Motorsports

Mooresville, NC • On-site

Other

This job post has expired 1 day ago. Applications are no longer accepted.

Job description

A producer/editor for Dirty Mo Media (DMM) is part of a creative team that produces a wide range of digital content including podcasts, vodcasts, livestreaming, TV programming, social media content, etc. The producer/editor that fills this position will be capable in all formats, but especially in the capturing and editing of audio and video. This role requires a strong sense of storytelling, pacing, and brand alignment across platforms. The producer/editor will report to the Head of Original Programming and must work well with a team of creators who take pride in their work, collaborate cross-functionally, and represent the Dirty Mo Media brand with excellence and creativity.

ESSENTIAL FUNCTIONS

Reasonable Accommodations Statement
To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. Reasonable Accommodations may be made to enable qualified individuals with disabilities to perform the essential functions.

  • Producer this may include:
    • Collaborating with hosts, creative directors, and editors to shape episode concepts and storylines.
    • Preparing calls sheets, show sheets, schedules, camera plans, guest bookings, guest prep, etc.
    • Coordinating logistics for both in-studio and remote productions, including travel and technical setup.
    • Managing the taping of shows such as directing, board operation, file management, crew management, etc.
    • Overseeing post-production workflows, deliverables, and archiving.
    • Final packaging and distribution of shows, including quality control.
    • Managing advertisement fulfillment, sponsorships, branded content, and integrations as directed by DMM.
    • Meeting posting and editing deadlines.
    • Ensuring content aligns with DMMs creative standards and brand tone across all platforms.
  • Podcast Editor using Adobe Audition, this may include:
    • Editing shows for audio distribution on an RSS feed to DMM standards, along with liners, ad reads, feed drops, etc.
    • Incorporating sound designs, music beds, transitions, stingers, audio drops and archival audio in a way that enhances storytelling and the podcast-listening experience.
    • Audio vetting, audio formatting and audio mastering to ensure the highest quality of content and maintain consistency with DMMs overall audio identity.
    • Vetting and using discernment to edit, including bleeping cuss words and flagging and/or removing sensitive content to protect hosts, DMM and its advertisers.
    • Collaborating with marketing and social media teams on optimal show naming, descriptions, and metadata to maximize discoverability.
  • Video Editor using Adobe Premiere, this may include:
    • Creating dynamic and platform-native edits of full shows, breakout clips and social clips optimized for platforms including YouTube, TV, and social platforms, all to DMM standards.
    • Video design, including designing lower thirds, title cards, and graphic templates, to enhance franchise-viewing experience along with utilizing pacing, tone, and story flow to achieve editorial excellence.
    • Footage vetting and discernment.
    • Video formatting to ensure viewing compatibility and video mastering to ensure the highest-quality viewing experience.
    • Collaborating with marketing and social media teams on optimal show naming, descriptions, thumbnails, chaptering, and metadata to maximize discoverability.

SKILLS AND ABILITIES

  • Education: Currently in pursuit of or have obtained a Bachelors degree.
  • Skills: Must be proficient with Adobes editing suite, primarily Adobe Audition and Adobe Premiere; experience with After Effects and Photoshop is a plus. Must have familiarity with podcasting, radio production, and digital video formats. Must be creative, dependable and punctual. Must have a strong desire to grow in the production industry. Must have a strong sense of story and pacing, and the ability to creatively solve problems in post-production.
    Must demonstrate excellent organizational skills and attention to detail. Must have a strong understanding of social and digital media platforms, including YouTube, Instagram, TikTok, and X, and how to optimize content for each. Must have familiarity with NASCAR and other forms of motorsports (or a strong willingness to learn). Must work well on a team and respond well to direction. Must be willing to work in a highly-competitive, fast-paced environment remotely, accurately and on a deadline. Must be able to problem-solve on both a strategic and functional level. Must have a creative mindset with a proactive approach to pitching ideas, evolving formats, and pushing DMMs storytelling forward.

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