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Remote Video Editor Jobs in Rialto, CA (NOW HIRING)

... editing video, building landing page concepts, and iterating fast based on data. You'll also think ... Remote, US-based * Reports directly to co-founders * High-autonomy, high accountability environment ...

Remote Video Editor information

See Rialto, CA salary details

$11

$31

$57

How much do remote video editor jobs pay per hour?

As of Jun 30, 2026, the average hourly pay for remote video editor in Rialto, CA is $31.69, according to ZipRecruiter salary data. Most workers in this role earn between $21.44 and $39.76 per hour, depending on experience, location, and employer.

What is a Remote Video Editor?

A Remote Video Editor is a professional who edits and assembles video footage into a finished product while working from a location outside a traditional office or studio. They use video editing software to cut, arrange, and enhance video content for various purposes, such as social media, marketing, film, or television. Remote Video Editors collaborate with clients and teams virtually, sharing files and feedback online. This role requires strong technical skills, creativity, and the ability to manage projects independently.

How do remote video editors typically collaborate with producers and other team members to ensure project goals are met?

Remote video editors often use cloud-based platforms and communication tools to collaborate effectively with producers, directors, and other creative team members. Regular video calls, shared project management boards, and real-time feedback on drafts help maintain alignment and ensure the final product meets client expectations. Editors may participate in virtual team meetings to discuss project direction, troubleshoot challenges, and incorporate feedback, making strong communication skills essential in this remote role.

What are the key skills and qualifications needed to thrive as a Remote Video Editor, and why are they important?

To thrive as a Remote Video Editor, you need expertise in video editing techniques, storytelling, and a solid understanding of visual aesthetics, often supported by experience or a degree in film, media, or a related field. Mastery of editing software such as Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve is essential, and certifications in these tools can be advantageous. Strong time management, communication, and self-motivation are crucial soft skills for meeting deadlines and collaborating remotely with clients or teams. These skills and qualities ensure efficient production of high-quality content that meets client expectations in a remote work environment.

What is the difference between Remote Video Editor vs Remote Video Producer?

AspectRemote Video EditorRemote Video Producer
CredentialsEditing software proficiency, basic video editing certificationsProject management skills, some certifications in video production
Work EnvironmentPrimarily editing suites or remote workspacesPlanning, coordinating, and overseeing entire projects remotely
Industry UsageCommon in media, advertising, and entertainment sectorsUsed in media production, advertising, and corporate videos
Search & Comparison IntentFocuses on editing skills and software expertiseIncludes project management and production oversight

While both roles work remotely in video production, Remote Video Editors focus on editing footage using specialized software, whereas Remote Video Producers oversee the entire production process, including planning, coordination, and delivery. Understanding these differences helps employers and job seekers find the right fit based on skills and responsibilities.

What Does a Remote Video Editor Do?

Remote video editors, also called home-based editors or freelance editors, cut and realign multiple film shots into a cohesive story. While in-house editors work in the office, remote video editors perform their job duties from home or another location outside of the office. They use a variety of computer software and equipment to alter and edit images digitally. Remote video editors are in charge of taking raw film footage, pulling out the best shots that have the best sound and imagery, and putting it back together as seamlessly as possible. Other businesses outside of the film industry also use remote video editors to create promotional videos, educational and training videos, and presentations for clients.

What are the most commonly searched types of Video Editor jobs in Rialto, CA? The most popular types of Video Editor jobs in Rialto, CA are:
What are popular job titles related to Remote Video Editor jobs in Rialto, CA? For Remote Video Editor jobs in Rialto, CA, the most frequently searched job titles are:
What job categories do people searching Remote Video Editor jobs in Rialto, CA look for? The top searched job categories for Remote Video Editor jobs in Rialto, CA are:
What cities near Rialto, CA are hiring for Remote Video Editor jobs? Cities near Rialto, CA with the most Remote Video Editor job openings:
Infographic showing various Remote Video Editor job openings in Rialto, CA as of June 2026, with employment types broken down into 91% Full Time, 7% Part Time, and 2% Contract. Highlights an 87% Physical, 3% Hybrid, and 10% Remote job distribution, with an average salary of $65,910 per year, or $31.7 per hour.

Head of Performance Creative

Lumimeds

Calimesa, CA • Remote

Full-time

Posted 8 days ago


Job description

About LumiMeds

LumiMeds is a fast-growing U.S.-based telehealth startup focused on weight management and long-term metabolic health. We are building the next generation of e-commerce and clinical infrastructure from the ground up.

As an early-stage company, we move quickly, operate with limited layers, and expect high ownership from every team member. There is no bureaucracy here — decisions happen fast, priorities evolve, and builders thrive.

We are a remote-first, globally distributed team that values clarity, accountability, and people who take initiative rather than wait for direction.

About the role

This is a hands-on maker role with strategic range. You'll own the full creative process for paid performance advertising — strategy, production, and optimization — across Meta, Google, TikTok, Reddit, and YouTube. But unlike a traditional Creative Director who delegates execution, you'll personally produce the work: writing copy, designing statics, editing video, building landing page concepts, and iterating fast based on data.

You'll also think beyond the ad unit. We expect you to see the full conversion system — from the hook that stops the scroll to the landing page that closes the sale — and take ownership of creative decisions across that entire journey. You don't need to be a full marketing manager, but you need the instinct to look at a landing page and know it's leaking conversion, or spot a disconnect between and ad's promise and the page it sends people to.

You'll work directly with our co-founders and own the output from concept to conversion.


What you'll own

Creative Production (60%)

  • Personally produce 15-30 ad variants per week across static, short-form video, and copy — this is a volume game and you're the engine
  • Write direct response copy that converts: hooks, headlines, body copy, CTAs. You understand the difference between copy that sounds good and copy that sells
  • Design and produce static ad creative you're fluent in Figma, Canva, or equivalent and don't need a graphic designer for day-to-day output
  • Edit and produce short-form video ads using AI-assisted tools and lightweight production workflows
  • Use AI tools natively in your workflow — ChatGPT, Claude, Midjourney, RunwayML, ElevenLabs, or similar — for ideation, copy generations, image/video production, and scaling winning concepts. This isn't a nice-to-have; it's how you keep pace

Strategy & Optimization (25%)

  • Own creative strategy for paid acquisition across Meta, Google, TikTok, Youtube, and Reddit — you understand how each platform's algorithm rewards different creative formats
  • Monitor performance metrics daily (CTR, CPA, ROAS, CVR, hook rates) and use them to make creative decisions — kill what's not working, double down on what is, iterate on what's close
  • Build and maintain a structured testing framework — you have a system for testing hooks, formats, audiences, and offers, not just gut instinct
  • Think beyond the ad unit: review landing pages, post-click flows, and offer presentation with a conversion-first lens. Flag what's broken. Propose what's better. The ad and the landing page are one system, not two separate projects
  • Stay sharp on the competitive landscape — what's converting in DTC health and telehealth advertising, what platforms are rewarding, what hooks are fatiguing, what compliance trends are shifting

Conversion-Aware Marketing (10%)

  • Audit and improve landing pages — you don't just hand off traffic and hope for the best. You review the pages your ads point to and flag misalignment between the ad promise and the post-click experience
  • Propose landing page copy, layout, and CTA changes based on what you're seeing in the data. You don't need to be a developer, but you should be able to mock up or wireframe a better page
  • Think about offer structure and framing — how pricing is presented, how urgency is created, how objections are handled on-page — and bring ideas proactively
  • Understand basic funnel mechanics: where traffic comes from, where it drops off, and what creative or messaging interventions can improve each step

Collaboration & Growth (5%)

  • Partner directly with co-founder to align creative output with business goals, patient acquisition targets, and unit economics
  • Provide creative input on broader brand touchpoints when needed — email, SMS, website, organic social — with the same conversion-first mindset
  • As we scale, help build the creative function — define processes, manage freelancers or junior creatives, and establish a creative playbook. But today, the priority is execution

What we're looking for

Must-Haves

  • US-based — required
  • Hands-on maker first. If your last three roles were primarily managing other creatives rather than producing ads yourself, this likely isn't the right fit. We need someone who opens Figma, writes the copy, and ships the ad — not someone who briefs someone else to do it.
  • Proven track record in direct response advertising. Your portfolio should show ads that drove measurable conversions (CPA, ROAS, CVR), not just engagement or brand impressions. If you can't point to specific numbers, we're not aligned
  • AI-native workflow. You actively use AI tools (ChatGPT, Claude, Midjourney, RunwayML, ElevenLabs, or similar) as a core part of how you produce creative — not as a novelty you've tried once.
  • Strong in both copy and visuals. You don't need to outsource the basics. You can write a hook, design a static, and cut a 15-second video without waiting on anyone else
  • Fluent in ad platforms. You know your way around Meta Ads Manager, Google Ads, and Tiktok Ads — not just creative side, but how creative performance shows up in the data and how each platform's algorithm rewards different formats
  • Conversion-system thinker. You instinctively look at the full journey from ad to landing page to checkout. You notice when a landing page doesn't match the ad's promise, when a CTA is buried, or when an offer isn't framed to convert

Strong Plusses

  • Experience in DTC health, telehealth, or regulated industries — you understand what you can and can't say, and you know how to make compliant copy compelling rather than boring
  • Familiarity with GLP-1 or weight management advertising — the category has specific conversion psychology, objection patterns, and compliance constraints
  • Landing page design or build experience — you can mock up or build a landing page yourself, not just critique one
  • Experience managing creative budgets and working with freelance talent or UGC creators when needed

What This Role Is Not

We want to be upfront so neither of us wastes time:

  • Not a brand-only role. If your strength is campaign concepting, video production oversight, and brand guidelines — but you don't personally produce performance ads and read the data — this isn't a match.
  • Not a management-first role. You may manage freelancers or junior creatives down the road, but the immediate need is someone who produces at high volume, not someone who oversees a team doing it.
  • Not a slow-moving environment. We test fast, learn fast, and iterate fast. If you need three rounds of internal review before an ad goes live, this pace will feel uncomfortable.

Compensation & Details

  • Competitive salary commensurate with experience
  • Remote, US-based
  • Reports directly to co-founders
  • High-autonomy, high accountability environment

How to Apply

If this role sounds like a fit, we'd love to hear from you. Please submit your application in English and ensure your resume reflects relevant experience for the role.

This position is open to candidates based in approved locations, depending on the role and business needs. Qualified applicants will be contacted for next steps.

LumiMeds is an equal opportunity employer. We hire based on skills, experience, and alignment with our values.

Please note: This role requires professional-level English communication and availability to work U.S. business hours.