Manager, Post Production
Westchester, FL · On-site
... Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen ... Post-Production workflows including picture, sound, visual effects and virtual production.
Westchester, FL · On-site
... Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen ... Post-Production workflows including picture, sound, visual effects and virtual production.
Westchester, FL · On-site
... Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen ... Post-Production workflows including picture, sound, visual effects and virtual production.
Los Angeles, CA · On-site
... Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen ... Post-Production workflows including picture, sound, visual effects and virtual production.
Los Angeles, CA · On-site
... Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen ... Post-Production workflows including picture, sound, visual effects and virtual production.
Westchester, IL · On-site
$100 - $125/hr
Reporting to the SFTV Head of Production, the Manager, Post Production oversees all staff ... Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen.
Westchester, IL · On-site
$100 - $125/hr
Reporting to the SFTV Head of Production, the Manager, Post Production oversees all staff ... Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen.
$22.55 - $33.83/hr
Supervises a sound design area at a Research I University; conceptualizing and facilitating sound designs for departmental productions; preparing, tracking, and reconciling sound shop purchases and ...
$22.55 - $33.83/hr
Supervises a sound design area at a Research I University; conceptualizing and facilitating sound designs for departmental productions; preparing, tracking, and reconciling sound shop purchases and ...
San Francisco, CA · On-site
$100 - $125/hr
Interactive Sound Designer Prisms seeks a developer with enterprise experience to build immersive ... product. Key Responsibilities * Design and produce original sound assets that align with ...
San Francisco, CA · On-site
$100 - $125/hr
Interactive Sound Designer Prisms seeks a developer with enterprise experience to build immersive ... product. Key Responsibilities * Design and produce original sound assets that align with ...
Benton, AR · On-site
$60 - $80/hr
The I Post Audio Mixer/Sound Designer candidate will set up, operate, and maintain a working ... The candidate will distribute product/elements to applicable production team members for completion ...
Benton, AR · On-site
$60 - $80/hr
The I Post Audio Mixer/Sound Designer candidate will set up, operate, and maintain a working ... The candidate will distribute product/elements to applicable production team members for completion ...
Atlanta, GA · On-site
$60 - $80/hr
This is a full-time Audio Implementer / Sound Designer role based in Atlanta, GA, with a hybrid ... Knowledge of audio post-production workflows, including dialogue editing, basic music editing, and ...
Atlanta, GA · On-site
$60 - $80/hr
This is a full-time Audio Implementer / Sound Designer role based in Atlanta, GA, with a hybrid ... Knowledge of audio post-production workflows, including dialogue editing, basic music editing, and ...
$60 - $80/hr
The Sound Designer is responsible for creating, implementing, and managing all sound elements for specific theatrical productions. This is a creative and technical role focused on amplifying, mixing ...
$60 - $80/hr
The Sound Designer is responsible for creating, implementing, and managing all sound elements for specific theatrical productions. This is a creative and technical role focused on amplifying, mixing ...
San Francisco, CA · On-site +1
THE JOB Interactive Sound Designer Prisms seeks a developer with enterprise experience to build ... product. KEY RESPONSIBILITIES * Design and produce original sound assets that align with ...
San Francisco, CA · On-site +1
THE JOB Interactive Sound Designer Prisms seeks a developer with enterprise experience to build ... product. KEY RESPONSIBILITIES * Design and produce original sound assets that align with ...
Sewell, NJ · On-site
$400/wk
Certificated Staff DESCRIPTION: -Creates and implements all auditory aspects of a production ... custom sound effects, designing the technical sound system, and overseeing the sound crew to ...
Sewell, NJ · On-site
$400/wk
Certificated Staff DESCRIPTION: -Creates and implements all auditory aspects of a production ... custom sound effects, designing the technical sound system, and overseeing the sound crew to ...
NJ · On-site
$400/wk
Certificated Staff DESCRIPTION: -Creates and implements all auditory aspects of a production ... custom sound effects, designing the technical sound system, and overseeing the sound crew to ...
NJ · On-site
$400/wk
Certificated Staff DESCRIPTION: -Creates and implements all auditory aspects of a production ... custom sound effects, designing the technical sound system, and overseeing the sound crew to ...
Schaumburg, IL · On-site
$18 - $20/hr
Our Cultural Arts Department is home to our outstanding theatre program which hosts various productions throughout the year. JOB SUMMARY: The Sound Designer designs and implements immersive ...
Schaumburg, IL · On-site
$18 - $20/hr
Our Cultural Arts Department is home to our outstanding theatre program which hosts various productions throughout the year. JOB SUMMARY: The Sound Designer designs and implements immersive ...
Schaumburg, IL · On-site
$18 - $20/hr
Our Cultural Arts Department is home to our outstanding theatre program which hosts various productions throughout the year. JOB SUMMARY: The Sound Designer designs and implements immersive ...
Quick apply
Schaumburg, IL · On-site
$18 - $20/hr
Our Cultural Arts Department is home to our outstanding theatre program which hosts various productions throughout the year. JOB SUMMARY: The Sound Designer designs and implements immersive ...
Our Cultural Arts Department is home to our outstanding theatre program which hosts various productions throughout the year. JOB SUMMARY: The Sound Designer designs and implements immersive ...
Our Cultural Arts Department is home to our outstanding theatre program which hosts various productions throughout the year. JOB SUMMARY: The Sound Designer designs and implements immersive ...
Austin, TX · On-site
$60K - $65K/yr
The Resident Sound Designer & Manager of Audio is a significant member of the Production team at Zach developing, producing, and maintaining an exceptional level of artistic and aesthetic quality in ...
Quick apply
Austin, TX · On-site
$60K - $65K/yr
The Resident Sound Designer & Manager of Audio is a significant member of the Production team at Zach developing, producing, and maintaining an exceptional level of artistic and aesthetic quality in ...
$60K - $65K/yr
The Resident Sound Designer & Manager of Audio is a significant member of the Production team at Zach developing, producing, and maintaining an exceptional level of artistic and aesthetic quality in ...
$60K - $65K/yr
The Resident Sound Designer & Manager of Audio is a significant member of the Production team at Zach developing, producing, and maintaining an exceptional level of artistic and aesthetic quality in ...
Bethlehem, PA · On-site
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 4+ years of professional experience as a production sound mixer or boom operator
Quick apply
Bethlehem, PA · On-site
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 4+ years of professional experience as a production sound mixer or boom operator
Bethlehem, PA · On-site
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 4+ years of professional experience as a production sound mixer or boom operator
Quick apply
Bethlehem, PA · On-site
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 4+ years of professional experience as a production sound mixer or boom operator
NY · On-site
$60 - $80/hr
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 4+ years of professional experience as a production sound mixer or boom operator
NY · On-site
$60 - $80/hr
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 4+ years of professional experience as a production sound mixer or boom operator
$60 - $80/hr
Proven ability to conceptualize audio and define an overall "sound feel" from art references * Multi-genre composition skills (e.g., folk, ethnic, cinematic, rock, corporate/luxury) and strong music ...
$60 - $80/hr
Proven ability to conceptualize audio and define an overall "sound feel" from art references * Multi-genre composition skills (e.g., folk, ethnic, cinematic, rock, corporate/luxury) and strong music ...
$14.42 - $19.12
19% of jobs
$20.66 is the 25th percentile. Wages below this are outliers.
$19.12 - $23.82
17% of jobs
$23.82 - $28.52
13% of jobs
The median wage is $28.85 / hr.
$28.52 - $33.22
8% of jobs
$33.22 - $37.92
6% of jobs
$37.92 - $42.61
11% of jobs
$44.38 is the 75th percentile. Wages above this are outliers.
$42.61 - $47.31
2% of jobs
$47.31 - $52.01
5% of jobs
$52.01 - $56.71
6% of jobs
$56.71 - $61.41
8% of jobs
$61.41 - $66.11
4% of jobs
$14
$35
$66
Cities with the most Post Production Sound Designer job openings:
States with the most job openings for Post Production Sound Designer jobs include:
For Post Production Sound Designer jobs, the most frequently searched job titles are:

Westchester, FL • On-site
Full-time
Re-posted 2 days ago
9.3
Based on 5 frontline employees who took The Breakroom Quiz
9th of 631 rated colleges and universities
Overview:
The Production Administration Team (PAT) at Loyola Marymount University (LMU) -School of Film and Television (SFTV), a top-ranked film school, serves students in Film Production, Screenwriting, Recording Arts, Animation, and Film Studies. The students in Film Production produce approximately 800 films per year. Each project is overseen by a staff member in PAT. Projects are monitored for adherence torules, policies, and procedures codified in the SFTV Handbook, and most importantly, for the highest level of workplace safety.
PAT provides services and maintains available facilities and equipment in 5 buildings across two campuses, including sound stages, scene and prop shop, professional cinema-quality camera packages, grip/electric equipment, and production sound equipment for both project and classroom use.
The Post Production department oversees the facilities for video and sound editing as well as sound recording, animation, and the theaters. Thesefacilities include editing suites, sound mixing stages, foley rooms, color correction rooms, a recording studio, computer labs, and three theaters, as well as drawing, motion capture, and stop animation rooms. For a more complete list of equipment and facilities, please see theSFTV website. SFTV is a certified Avid Learning Partner (ALP), both teaching and using The Adobe Creative Suite and DaVinci Resolve.
Position Specific Responsibilities/Accountabilities
Leads the strategic integration of the Animation and Theater teams into the Post Productiondepartment under the direction of the Head of Production.
Oversees all SFTV Post-Production facilities, workflows, scheduling, and maintenance for both production and class use, including:
Maintenance and upgrade of all Post Production facilities and labs.
Facilities' scheduling for individual student use.
Classroom support.
Internal SFTV help desk/repair ticket system.
Oversees and is accountable for managing the overall Post Production budget and associated sub-budgets. Ensures costs are forecasted, overages avoided, and staff adherence to purchasing and reconciliations processes.
Leads and models adherence to standards, policies, and procedures as outlined in the Post Production Handbook. Ensures standards are clearly and accurately definedand oversees publication of the Post Production Handbook.
Advises the Head of Production and faculty on annual and off-cycle equipment requisition requests.
Oversees and supervises SFTV post-production staff, including:
Editing Support Specialist
Sound Support Specialist
Animation Support Specialist
Theater Support Specialist / Manager
Post-Production Help Desk and other student workers (approx. 60 total)
Supervision includes but is not limited to recruitment, hiring, and onboarding,training, evaluation, performance management, and close oversight of staff's activities.
Serves as the point person and
Solves technical problems for students, faculty, and staff.
Ensures proper, complete and updated software installs in labs and on specialized computers.
Manages small-scale and large-scale technical projects with assigned staff members.
Works with staff to test new hardware and software with a focus on post-production needs.
Collaborates with Production Administration, Camera, Production Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen.
Develops long-term plans for the department, including
Post-Production workflows including picture, sound, visual effects and virtual production.
Software and equipment strategies, and budgets.
Researches and recommends new replacement software and hardware to support the curriculum.
New equipment and methods.
Oversees comprehensive training and resources to support students, staff, and faculty, including:
Development of tutorials, documentation, and video tutorials to facilitate understanding of software, hardware, and post-production workflows, including 2K, 4K, and future UHD workflows.
Training for post-production graduate students, teaching, and lab assistants.
Training and managing Post-Production Help Desk student workers. Provides one-on-one training in various aspects of post-production hardware and software for faculty and staff development.
Designs focused tutorial sessions.
Stays current with industry standards and technical developments, which may include attending trade shows, webinars, and industry events. Disseminates information about new trends to the SFTV community and fosters discussion about the technical future of the school.
Participates in planning and execution of both internal and outward-facing events, including screenings, showcases, festivals, and panel discussions. Supports the technical needs of the event itself as well as their audio and multi-cam capture and streaming.
Liaises with faculty on current needs and long-term planning.
Assists in cross-functional work with the Dean's Office, Administration and Operations, Faculty Services, Student Services and/or other SFTV departments, including public events or any other use of SFTV facilities or resources.
Collaborates with the IT department on hardware and software upgrades and maintenance. Consult SFTV Operations department on RMP computer/laptop requests and parameters for software purchases.
Interfaces with Facilities Management on installations and renovations, as directed by the Head of Production and the SFTV Director of Operations as needed.
Other duties as assigned or requested.
Loyola Marymount University Expectations
Exhibit behavior that supports the mission, vision, and values of the university. Communicate and employ interpersonal actions that model high standards of professional, responsible, accountable, and ethical conduct. Demonstrate a commitment to outstanding customer service.
Requisite Qualifications
Typically, a Bachelor's Degree or equivalent experience. M.F.A. is preferred. Incumbent will be expected to continueupgrading knowledge and skills.
A minimum of seven years of varied and progressively more responsible duties in the post-production areaof the entertainment industry, such as:
Strong track record as Post Production Supervisor in Film and Television
Experience as an editor, assistant editor or sound editor
Experience in project delivery (active/passive)
Experience in virtual production
Experience in Animation.
Proven track record in staff management required.
Experience in a corporate environment is highly desirable including experience with
HR processes
Record keeping
Inter-collegial and inter-departmental interactions
Professional communications
Experience in a university setting is desirable.
Experience in project management is strongly desired.
Experience in the WorkDay platform highly desired.
Excellent written and verbal communication skills.
Highly developed crisis/conflict management skills are required, specifically de-escalation.
High degree of empathy, respect for and ability to connect with people from diverse backgrounds, ages and cultures required.
Proven ability to work calmly and efficiently in a high-paced, high-volume environment.
Understanding of, and ability to follow, organizational structure and defined processes.
Ability to work both independently and follow direction.
Ability to prioritize and manage multiple projects simultaneously. Must be organized, detail-oriented, and demonstrate initiative, quick problem-solving, thinking ahead, and follow-through.
High level of discretion and judgement is required to handle confidential information within the academic environment.
Keen understanding of the role ofacademic support staffin interaction with students is required.
Ability to work flexible schedule to allow for evenings and some weekend work during production periods (~10 weeks/semester).
Ability to travel at short notice, including for set visits out-of-town or trade shows.
Demonstrated ability to supervise multiple reports expected.
Direct working knowledge of all aspects of film and television production including production workflow, scheduling, budgeting, risk management and insurance, minor's work requirements, guild and union contracts, equipment, facilities and accounts.
Ability to assist students in the development of professional attitudes and disciplines while performing work on class projects or working as TAs or Graduate Assistants.
Comprehensive knowledge of the entertainment industry and practical experience in all aspects of the post-production process.
In-depth understanding of post-production workflows from set capture to finishing for multiple storytelling forms (narrative, documentary, trans-media, virtual production).
Strong technical proficiency in post-production hardware and software setups. Certification (or willingness to get certification) as an Avid ASCR and with other post-production software (such as Adobe products/ProTools/DaVinci Resolve, etc.) taught in SFTV classes.
Ability to research, learn, and test updates and new software and hardware to support SFTV classes, work closely with LMU IT to resolve software and hardware issues, and adapt to changes in curricula and assist with implementation.
Ability to write and edit narratives, prepare memos, reports, handbooks, and other documents independently and efficiently.
Excellent computer skills and knowledge of industry standard software expected, including required MS365 suite, Word, Excel, Outlook, Slack, MM Budgeting, MM Scheduling, HotSheets, Premiere, After Effects, ProTools, Avid Media Composer.
The above statements are intended to describe the general nature and level of work being performed. They are not intended to be construed as an exhaustive list of all responsibilities, duties and skills required of this position.
#HERC# #HEJ#
Staff Term (Fixed Term)Salary range
$87,000.00 - $117,500.00 Salary commensurate with education and experience.Please note that this position may not be eligible for visa sponsorship now or in the future.
Loyola Marymount University, a Carnegie classified R2 institution in the mainstream of American Catholic higher education, seeks outstanding applicants who value its mission and share its commitment to inclusive excellence, the education of the whole person, and the building of a just society. LMU is an equal opportunity employer committed to providing an environment free from discrimination and harassment as defined by federal, state and local law. We invite all persons in the full diversity of their being, life experience, and beliefs to apply. (Visit www.lmu.edu for more information.)Get the full story on Breakroom
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Colleges, universities, and professional schools
1,001 - 5,000 Employees
Los Angeles, CA, US
1918