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Part Time Audio Recording Engineer Jobs (NOW HIRING)

AEG

Music Coordinator (Part-Time)

San Francisco, CA · On-site

$25/hr

We expect you to be knowledgeable about different audio recording and editing techniques. You will ... Bachelor's degree in audio/sound engineering or equivalent experience a plus * 5-7 years ...

New York Racing Association

$32.69 - $44.14/hr

Regular Part Time Location: Belmont Park (Elmont) Categories: TV Broadcast Operations Title: Audio ... Interface with broadcast production trucks and engineering teams to integrate Belmont Park ...

Edge Media Group LLC

Audio Technician

Baltimore, MD · On-site

$18 - $40/hr

Monitor audio feeds for live streams and recordings to ensure broadcast-quality sound. * Maintain ... Proven experience as an Audio Technician, Sound Engineer, or similar role, preferably in live ...

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How much do part time audio recording engineer jobs pay per year?

As of Sep 7, 2026, the average yearly pay for part time audio recording engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What does a part time audio recording engineer do?

A Part Time Audio Recording Engineer is responsible for setting up, operating, and maintaining audio equipment to record music, dialogue, sound effects, or other audio content, usually on a flexible or reduced-hour schedule. They work with artists, producers, and other clients to capture high-quality sound both in studio and live settings. Their duties may also include editing audio tracks, mixing and mastering recordings, troubleshooting technical issues, and ensuring the final product meets the desired standards. Because the role is part time, hours may vary depending on the project's needs and the employer’s requirements.

What are the key skills and qualifications needed to thrive as a part time audio recording engineer, and why are they important?

To excel as a Part Time Audio Recording Engineer, you need a solid understanding of audio engineering principles, signal flow, and experience with recording equipment, often supported by relevant coursework or a degree in audio production. Familiarity with digital audio workstations (DAWs) like Pro Tools, Logic Pro, or Ableton Live, as well as knowledge of microphones and mixing consoles, is typically required. Attention to detail, strong communication, and problem-solving abilities help you collaborate effectively with artists and troubleshoot technical issues. These skills ensure the delivery of high-quality sound recordings and smooth studio operations, even in part-time or project-based roles.

What are some common challenges faced by part time audio recording engineers, and how can they be addressed?

Part-time audio recording engineers often face challenges such as working with tight schedules, managing multiple projects simultaneously, and adapting quickly to different clients' needs. Since the work may be project-based, flexibility and strong time management skills are essential. Building good communication with clients and team members helps streamline sessions and reduces misunderstandings. Additionally, staying updated with the latest audio technology and software ensures high-quality output and can make transitions between projects smoother.

What is the difference between Part Time Audio Recording Engineer vs Audio Editor?

AspectPart Time Audio Recording EngineerAudio Editor
CredentialsAudio engineering certification or equivalent experienceAudio editing software proficiency, sometimes certifications
Work EnvironmentRecording studios, live venues, post-production facilitiesPost-production studios, editing suites, home studios
Industry UsageMusic, film, radio, podcastingPost-production, media, broadcasting

While both roles involve working with audio, a Part Time Audio Recording Engineer focuses on capturing sound during recordings, often in studio or live settings. An Audio Editor specializes in refining and editing audio recordings after they are captured. The roles are complementary but distinct, with the engineer handling the recording process and the editor focusing on post-production editing.

Are part time audio recording engineers paid well?

Part-time audio recording engineers' pay varies based on experience, location, and project complexity, but they typically earn hourly rates that are lower than full-time positions. Compensation can range from $15 to $50 per hour, with specialized skills and equipment knowledge potentially increasing earnings. Many part-time roles also offer opportunities for skill development and networking within the industry.

Is there a demand for part time audio recording engineers?

Part time audio recording engineers are in steady demand in industries such as music production, broadcasting, and podcasting, especially as content creation grows. Opportunities often require proficiency with recording software and equipment, and demand can vary based on location and industry trends.

What cities are hiring for Part Time Audio Recording Engineer jobs?

Cities with the most Part Time Audio Recording Engineer job openings:

What are the most commonly searched types of Audio Recording Engineer jobs?

The most popular types of Audio Recording Engineer jobs are:

Part Time Audio Recording Engineer jobs near you

Coliseum Part-time Video Crew

allencounty

Fort Wayne, IN • On-site

Part-time

Re-posted 2 days ago

Job description

Department: Coliseum                                                                     FLSA Status: Non-exempt

Classification/Level:  Part-Time                                                      Date:  12/2022

Under the Direction of the Technical Manager of Audio/Video Services, the part-time A/V Event Production staff will assist management and technical support with the arena scoreboard, electronic boards with Audio/Video production.    This position is Not Covered (at-will) as defined by The Board of Commissioners of the County of Allen Employee Handbook.

ESSENTIAL FUNCTIONS:

 

  • Operates shoulder or fixed mounted cameras during events, including closely following the action, keeping the picture in focus to maintain a quality image for live and recorded videos.
  • Operates the switchers and control surfaces for video playback and camera shots.  Calling camera shots and directions for camera operators in the event area.
  • Runs replay system for slow-motion playback of goals.  Maintains focus and keeps pace with face-paced action for quick clip recalls.
  • Runs Scoreboard display software for games/events.  Recall graphics and media playback for crowd engagement.
  • Sets up and takes down audio-visual camera equipment and cabling.  This includes adjusting all necessary settings, including white and color balance, using vector scope on switchers.
  • Maintains, diagnoses and repair issues related to broadcast and production systems in live studio and broadcast environments.
  • All other duties as assigned by the Event Manager or other members of senior management.

REQUIREMENTS:

  • Working knowledge of camera systems and control functions, including operations and basic troubleshooting of video equipment required
  • At least two to three years of relevant or similar work experience in the operation of audio and video telecommunication/studio equipment
  • Experience using camera , audio boards, control switchers, audio-visual camera equipment and cabling
  • Ability to take direction as given by the director or producer 
  • Work well in a team to complete tasks and goals given to the AV production team
  • Ability to work flexible shifts including nights, holidays, and weekends to work events
  • Requires good working knowledge and the ability to use basic computer knowledge of windows operating systems
  • Ability to stand, sit, crouch, and hold up to 30 lbs. for long periods of time

PERSONAL WORK RELATIONSHIPS:

The A/V Event Production staff maintains frequent contact with other employees, promoters, exhibitors, vendors, clients and guests of the Allen County War Memorial Coliseum.

WORKING CONDITIONS:

The A/V Event Production staff work in a standard office environment with the ability to move about freely with frequent sitting, typing, finger dexterity, color distinction, attention to detail, visual inspection, hand/eye coordination, and hearing.  Some lifting up to thirty pounds, pushing, pulling, bending, squatting, crawling, climbing, reaching, grasping, holding, writing, and speaking are to be expected. The A/V Event Production staff  have frequent exposure to extreme noise and some dangerous equipment, forklifts, heavy equipment, and confined spaces.

SUPERVISION:

None

LICENSING:

None

IMMEDIATE SUPERVISOR:

Technical Manager of Audio/Video Services

HOURS:

Ability to work flexible shifts including nights, holidays, and weekends to work events

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