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Part Time Audio Recording Engineer Jobs in New York

A/V Technical Engineer, Part-Time Department: Facilities Presentation Reports to: AV Technical Engineer FLSA Status: Exempt / Part-Time Hourly Union Code: Non-Union Minimum Pay Rate: $30.00/hour ...

A/V Technical Engineer, Part-Time Department: Facilities Presentation Reports to: AV Technical Engineer FLSA Status: Exempt / Part-Time Hourly Union Code: Non-Union Minimum Pay Rate: $30.00/hour ...

Setup recording equipment for audio recording sessions. * Setup and execute photo shoots * Ensure ... Time Type: Part time Job Type: Temporary Job Family Group: Temp Employee Location Region/State: New ...

Setup recording equipment for audio recording sessions. * Setup and execute photo shoots * Ensure ... Time Type: Part time Job Type: Temporary Job Family Group: Temp Employee Location Region/State: New ...

... recorded programming, listening to director's commands and reacting swiftly and accurately ... This position is a part-time position which will require membership in IBEW. If you like wild ...

... recorded programming, listening to director's commands and reacting swiftly and accurately ... This position is a part-time position which will require membership in IBEW. If you like wild ...

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Part Time Audio Recording Engineer information

What does a part time audio recording engineer do?

A Part Time Audio Recording Engineer is responsible for setting up, operating, and maintaining audio equipment to record music, dialogue, sound effects, or other audio content, usually on a flexible or reduced-hour schedule. They work with artists, producers, and other clients to capture high-quality sound both in studio and live settings. Their duties may also include editing audio tracks, mixing and mastering recordings, troubleshooting technical issues, and ensuring the final product meets the desired standards. Because the role is part time, hours may vary depending on the project's needs and the employer’s requirements.

What are the key skills and qualifications needed to thrive as a part time audio recording engineer, and why are they important?

To excel as a Part Time Audio Recording Engineer, you need a solid understanding of audio engineering principles, signal flow, and experience with recording equipment, often supported by relevant coursework or a degree in audio production. Familiarity with digital audio workstations (DAWs) like Pro Tools, Logic Pro, or Ableton Live, as well as knowledge of microphones and mixing consoles, is typically required. Attention to detail, strong communication, and problem-solving abilities help you collaborate effectively with artists and troubleshoot technical issues. These skills ensure the delivery of high-quality sound recordings and smooth studio operations, even in part-time or project-based roles.

What are some common challenges faced by part time audio recording engineers, and how can they be addressed?

Part-time audio recording engineers often face challenges such as working with tight schedules, managing multiple projects simultaneously, and adapting quickly to different clients' needs. Since the work may be project-based, flexibility and strong time management skills are essential. Building good communication with clients and team members helps streamline sessions and reduces misunderstandings. Additionally, staying updated with the latest audio technology and software ensures high-quality output and can make transitions between projects smoother.

What is the difference between Part Time Audio Recording Engineer vs Audio Editor?

AspectPart Time Audio Recording EngineerAudio Editor
CredentialsAudio engineering certification or equivalent experienceAudio editing software proficiency, sometimes certifications
Work EnvironmentRecording studios, live venues, post-production facilitiesPost-production studios, editing suites, home studios
Industry UsageMusic, film, radio, podcastingPost-production, media, broadcasting

While both roles involve working with audio, a Part Time Audio Recording Engineer focuses on capturing sound during recordings, often in studio or live settings. An Audio Editor specializes in refining and editing audio recordings after they are captured. The roles are complementary but distinct, with the engineer handling the recording process and the editor focusing on post-production editing.

What are the most commonly searched types of Audio Recording Engineer jobs in New York?

The most popular types of Audio Recording Engineer jobs in New York are:

What cities in New York are hiring for Part Time Audio Recording Engineer jobs?

Cities in New York with the most Part Time Audio Recording Engineer job openings:

$32.69 - $44.14/hr

Full-time, Part-time

Posted yesterday

New


Job description

Title: Audio Systems Technician

Employee Status: Regular Part Time

Work From Home Option: Not Applicable

FLSA Status: Non-Exempt

Job Overview:

Seeking a motivated and detail-oriented Audio Technician to join our production technology team supporting venue audio systems and events. This role is responsible for the setup, operation, troubleshooting, and maintenance of professional audio systems used in live production environments.
The ideal candidate has a solid understanding of professional audio fundamentals, enjoys working in fast-paced production settings, and is comfortable supporting digital audio workflows. Experience with Dante audio networking is a key requirement, as Dante serves as the primary audio transport throughout our facility.
This is an excellent opportunity for an early- to mid-career audio professional looking to grow within a professional broadcast environment.

Essential Functions:

  • Ownership of venue-wide audio systems, preventative maintenance, commissioning, documentation, and operational readiness.
  • Set up, configure, and operate professional audio equipment for live broadcasts, productions, and special events.
  • Install and maintain microphones, loudspeakers, amplifiers, audio interfaces, and digital mixing consoles.
  • Configure, troubleshoot, and support Dante audio networks, including routing, device discovery, clock synchronization, and signal verification.
  • Perform system checks, sound checks, and audio line testing prior to productions.
  • Monitor audio quality during rehearsals and live productions, making adjustments as needed.
  • Troubleshoot audio, networking, and signal-flow issues quickly to minimize production interruptions.
  • Maintain organized equipment inventory, cable management, and clean technical workspaces.
  • Support preventative maintenance and equipment testing throughout the facility.
  • Interface with broadcast production trucks and engineering teams to integrate Belmont Park's facility infrastructure, including audio systems, broadcast video, fiber transport, Dante audio networking, intercom, synchronization (PTP/NTP/Genlock), and IP networking, ensuring operational readiness for all live racing and special event productions.

Qualifications:

  • 3-7 years of experience supporting professional audio systems in live events, broadcast, AV, theater, corporate or production environments.
  • Working knowledge of professional audio signal flow.
  • Advanced experience with Dante audio networking (Level 2 certification or greater)
  • Experience operating digital audio consoles or digital signal processing systems.
  • Understanding of microphones, loudspeakers, amplifiers, mixers, and balanced audio systems.
  • Ability to diagnose and resolve common audio and connectivity issues.
  • Excellent communication skills and ability to work effectively within a production team.
  • Ability to lift up to 50 pounds and work safely around technical equipment, racks, and cable infrastructure.
  • Willingness to work evenings, weekends, holidays, and flexible schedules based on production requirements.
  • Experience with large-scale sports, broadcast, entertainment, or live event venues
  • Position supports multiple NYRA venues (Belmont and Saratoga) and may require seasonal travel.
  • Associate's degree, technical certification, or Bachelor's degree in Broadcast Technology, Audio Engineering, Electrical Engineering, Computer Networking, or a related field, or equivalent combination of education and relevant professional experience.
  • Preferred Skills:
    • Dante Certification (Level 1, 2, or 3) or willingness to obtain certification.
    • Experience with digital consoles such as Yamaha, Allen & Heath, DiGiCo, Calrec, Lawo, or Studer.
    • Familiarity with BSS Soundweb, Q-SYS, Biamp, or similar DSP platforms.
    • Experience supporting live television or sports broadcast productions.
    • Basic knowledge of RF wireless microphone systems and antenna distribution.
    • Understanding of IP networking fundamentals, including VLANs and managed network switches.
    • Technical degree, certification, or formal training in Audio Engineering, Broadcast Technology, or a related discipline

Summary of Physical Requirements and Work Environment:

This position works primarily in a live production and broadcast environment and requires the ability to lift and move equipment weighing up to 50 pounds. The role involves working around technical equipment, racks, cable infrastructure, and production spaces while following established safety procedures. Candidates must be able to stand, walk, bend, and perform equipment setup and troubleshooting activities for extended periods. Availability to work flexible schedules, including evenings, weekends, holidays, and other hours required to support live productions and events, is essential.

Pay Range / Salary:  $32.69 - $44.14