1

Outside Broadcasting Jobs in Kentucky (NOW HIRING)

We have the only complete audio ad technology stack in the industry for all forms of audio , from on demand to broadcast radio, digital streaming radio and podcasting, which bring data, targeting and ...

We have the only complete audio ad technology stack in the industry for all forms of audio , from on demand to broadcast radio, digital streaming radio and podcasting, which bring data, targeting and ...

We have the only complete audio ad technology stack in the industry for all forms of audio , from on demand to broadcast radio, digital streaming radio and podcasting, which bring data, targeting and ...

$19.25 - $26.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

$19.50 - $26.50/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

$18.75 - $25.75/hr

We're looking for Sailors with talent and originality, who aren't afraid to think outside the box ... broadcast station at a stateside command. Your workplace is as diverse as they come. While there ...

next page

Showing results 1-20

Outside Broadcasting information

What is outside broadcasting?

Outside broadcasting (OB) refers to the production and transmission of live or recorded television and radio programs from locations outside of a traditional studio. This often involves covering live events such as sports, concerts, and news stories using specialized OB vehicles equipped with production and transmission equipment. OB teams handle complex logistics to ensure high-quality audio and video signals are captured and broadcasted to audiences in real time. The process requires collaboration among engineers, producers, camera operators, and other crew members. Outside broadcasting is essential for bringing dynamic, on-location coverage to viewers around the world.

What are the key skills and qualifications needed to thrive in outside broadcasting, and why are they important?

To thrive in Outside Broadcasting, you need expertise in live production techniques, audiovisual equipment operation, and broadcast engineering, typically supported by a relevant degree or technical diploma. Familiarity with broadcast-specific tools such as vision mixers, audio consoles, satellite uplinks, and industry-standard software is essential. Strong problem-solving skills, teamwork, and the ability to stay calm under pressure are crucial soft skills in this fast-paced environment. These skills and qualities ensure seamless live event coverage, minimize technical disruption, and enable effective collaboration during high-stress broadcasts.

What are some common challenges faced by professionals working in outside broadcasting, and how can they be managed?

Professionals in Outside Broadcasting often encounter challenges such as unpredictable weather, technical issues with transmission equipment, and rapidly changing event schedules. Managing these requires strong problem-solving skills, adaptability, and effective communication within the team. Working closely with engineers, producers, and on-site crew ensures quick resolution of issues and smooth coordination during live events. Building experience in troubleshooting and pre-event planning can also help minimize disruptions and ensure successful broadcasts.

What is the difference between Outside Broadcasting vs Camera Operator?

AspectOutside BroadcastingCamera Operator
Required CredentialsTechnical certifications, broadcast trainingCamera operation training, sometimes certifications
Work EnvironmentOn-location, live events, sports, concertsStudio or on-location, various productions
Employer & IndustryBroadcast networks, production companiesTV stations, production crews

Outside Broadcasting involves managing entire live broadcast setups on location, including multiple cameras and technical equipment. Camera Operators focus on operating cameras during productions. While both roles require technical skills and work in broadcast environments, Outside Broadcasting covers a broader scope of technical coordination, whereas Camera Operators specialize in camera operation.

What are popular job titles related to Outside Broadcasting jobs in Kentucky? For Outside Broadcasting jobs in Kentucky, the most frequently searched job titles are:
Infographic showing various Outside Broadcasting job openings in Kentucky as of July 2026, with employment types broken down into 2% Locum Tenens, 41% As Needed, 43% Full Time, 12% Part Time, 1% Contract, and 1% Summer. Highlights an 96% Physical, 2% Hybrid, and 2% Remote job distribution.

Broadcast Services Production Coordinator

Keeneland Association Inc

Lexington, KY • On-site

$55K/yr

Full-time

Re-posted just now


Job description


This position is responsible for coordinating multiple activities related to the operation of Keeneland Broadcast Services Department. Duties include video production activities, seasonal staffing, scheduling, accounting, procurement, and vendor relations. The work schedule includes weekends and holidays, as necessary, and performing the following duties.


ESSENTIAL DUTIES AND RESPONSIBILITIES include the following. Other duties may be assigned, as needed.


  • Coordinate multiple production activities and allocate staff and equipment resources. Works with the Broadcast Services staff outlining project needs, schedules, and project tracking. Coordinates various elements and permissions required for projects and productions, and network commercial clearance and delivery. Create estimates, maintain project files, and process end of project invoicing. Assist, as necessary, with preparation of production budget.
  • Oversees the new hire process for seasonal employees during a race meet. Monitor reported time, record payroll exceptions, approve and submit payroll. Schedule resources and personnel related to broadcast, video, film and multimedia events, at Keeneland and with outside facilities.
  • Works with external contacts to secure equipment, satellite services, video supplies and video equipment. Request quotes from vendors, and coordinate contracts, down payments and insurance certificates. Update and distribute video production schedules and task-lists to appropriate Keeneland departments. Create and distribute event details to network production teams, when applicable. Supports the creation and distribution of rundowns for race meet simulcast productions, replay shows, and sales productions. Process race meet credentials and parking for Keeneland and network production crews, as well as broadcast associated vendors and outside camera crews.
  • Oversee and track department purchases and equipment service and repairs. Obtain estimates, order equipment and supplies, process purchase orders and vendor invoices.
  • Organize film, video and audio archives housed at Keeneland and offsite. Manages cataloguing, storage and retrieval of media assets. Research archival libraries for various internal and external projects.
  • Other duties as assigned.


QUALIFICATIONS

To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. The requirements listed below are representative of the knowledge, skill, and/or ability required. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

EDUCATION and/or EXPERIENCE

A four-year degree from a college or university plus a minimum of five years of related experience is required.

LANGUAGE SKILLS

Good verbal and written skills are necessary for this position as well as the ability to write promotional materials and correspondence/press releases.


COMPUTER SKILLS

Proficient in use of Microsoft Office and other computer skills to execute the duties listed above is necessary.


CERTIFICATES, LICENSES, REGISTRATIONS

A Track License is required and renewable on a yearly basis.


PHYSICAL DEMANDS

The physical demands described here are representative of those that must be met by an employee to successfully perform the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.


While performing the duties of this job, the employee is regularly required to talk or hear. The employee frequently is required to stand; walk; sit; use hands to finger, handle, or feel; and reach with hands and arms. The employee is occasionally required to climb stairs and ladders. The employee may occasionally lift and/or move up to 100 pounds.


WORK ENVIRONMENT

The work environment characteristics described here are representative of those an employee encounters while performing the essential functions of this job. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.