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Music Video Shoot Jobs (NOW HIRING)

Video Editor

Boston, MA · Remote

$60 - $85/hr

You'd get a shoot's worth of footage, a creative brief, and a deadline -- and be trusted to build ... Cutting music-driven b-roll sequences with real sense of pace * Basic color correction and grading ...

Video Editor

Boston, MA · On-site +1

$60 - $85/hr

You'd get a shoot's worth of footage, a creative brief, and a deadline - and be trusted to build ... Cutting music-driven b-roll sequences with real sense of pace * Basic color correction and grading ...

Video Editor

San Francisco, CA · On-site

$100K - $155K/yr

... music, sound design, color, motion, and visual rhythm into every final cut. • Create and ... Bonus • Experience filming or directing shoots. • Familiarity with Figma and collaborating with ...

Video Shooting and Production: * Plan, shoot, and produce high-quality video content for various ... Add effects, graphics, music, and sound to enhance the final product. * Pre-Production Planning:

Video Shooting and Production: * Plan, shoot, and produce high-quality video content for various ... Add effects, graphics, music, and sound to enhance the final product. * Pre-Production Planning:

Video Shooting and Production: * Plan, shoot, and produce high-quality video content for various ... Add effects, graphics, music, and sound to enhance the final product. * Pre-Production Planning:

... and music/sound effect integration. * Utilize industry-standard editing software and post ... Minimum of 3 years of experience in digital media production, including planning, shooting, and ...

... Angeles Music Center, The Downtown Women's Center, Me Undies, Dell, Pizza Hut, and many more ... Strong video production skills * Shoot and edit with originality * You know your way around cameras

... Angeles Music Center, The Downtown Women's Center, Me Undies, Dell, Pizza Hut, and many more ... Strong video production skills * Shoot and edit with originality * You know your way around cameras

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Music Video Shoot information

See salary details

$61.5K

$127K

How much do music video shoot jobs pay per year?

As of Aug 13, 2026, the average yearly pay for music video shoot in the United States is $123,552.00, according to ZipRecruiter salary data. Most workers in this role earn between $124,000.00 and $126,000.00 per year, depending on experience, location, and employer.

What is the difference between Music Video Shoot vs Music Video Director?

AspectMusic Video ShootMusic Video Director
CredentialsBasic knowledge of filming, camera operation, and production coordinationCreative vision, leadership skills, and experience in directing music videos
Work EnvironmentOn-location or studio sets, fast-paced production sitesCreative planning, overseeing filming, and post-production
Industry UsagePart of the production team, often hired by the director or producerLeading the project, responsible for overall artistic direction

The main difference is that a Music Video Shoot involves the actual filming process, focusing on technical execution, while a Music Video Director oversees the entire creative vision and manages the shoot. Both roles are essential but serve different functions within the music video production process.

What are the key skills and qualifications needed to thrive as a music video director, and why are they important?

To thrive as a Music Video Director, you need a solid background in film production, visual storytelling, and creative direction, often supported by a degree in film or related experience. Familiarity with cameras, editing software like Adobe Premiere or Final Cut Pro, and lighting equipment is essential. Strong communication, leadership, and problem-solving skills help you manage crews, work with artists, and adapt to on-set challenges. These abilities ensure the seamless execution of a creative vision and deliver visually compelling, impactful music videos.

What is a music video shoot?

A music video shoot is the process of filming a video that visually represents a song or music track. It typically involves a production crew, director, artists or performers, and various technical roles such as camera operators, lighting technicians, and stylists. The shoot can take place in a studio or on location, and often requires careful planning, storyboarding, and coordination to capture the desired visuals. Music video shoots are essential for promoting songs, engaging audiences, and building an artist's brand. The final video is usually shared on platforms like YouTube, TV, or social media.

What are typical responsibilities during a music video shoot, and how do team members collaborate to bring the creative vision to life?

During a music video shoot, team members such as directors, camera operators, lighting technicians, and production assistants work closely together to execute the creative concept. Responsibilities can include setting up equipment, managing the set, coordinating with performers, and ensuring scenes are shot according to the storyboard. Collaboration is essential—regular communication between the director, crew, and artists helps address on-the-spot challenges and maintain the production schedule. By working as a cohesive unit, the team transforms a creative vision into a polished video that aligns with the artist's brand and message.
More about Music Video Shoot jobs
What cities are hiring for Music Video Shoot jobs? Cities with the most Music Video Shoot job openings:
What states have the most Music Video Shoot jobs? States with the most job openings for Music Video Shoot jobs include:
Infographic showing various Music Video Shoot job openings in the United States as of August 2026, with employment types broken down into 1% Internship, 77% Full Time, 17% Part Time, 1% Temporary, and 4% Contract. Highlights an 83% Physical, 3% Hybrid, and 14% Remote job distribution, with an average salary of $123,552 per year, or $59.4 per hour.

Video Editor

May Street

Boston, MA • Remote

$60 - $85/hr

Full-time

Posted 6 days ago


Job description

May Street is a Boston-based video production company. We make films for independent schools, nonprofits, healthcare organizations, and corporate clients — brand films, event and gala pieces, interview-driven storytelling, and sizzle reels. Most of our work is multicam, with real interview audio and a lot of documentary-style b-roll.

We're looking for freelance editors to bring on project by project. You'd get a shoot's worth of footage, a creative brief, and a deadline — and be trusted to build something we're proud to deliver. Assignments typically run from a single 90-second sizzle to a 5–8 minute film with multiple interview subjects.

This is not a full-time role and there's no guaranteed volume. It's a bench we're building: editors we can call when the schedule gets tight, who already know how we work.

What you'd be doing

  • Assembling multicam interview footage into a clear narrative from transcripts and a brief (knowledge of Premiere multicam workflows needed)
  • Cutting music-driven b-roll sequences with real sense of pace
  • Basic color correction and grading, and clean audio mixing (dialogue, music beds, room tone)
  • Lower thirds, titles, and simple motion graphics to brand spec
  • Delivering spec-correct exports for web, social, and event playback
  • Taking client notes across two to three rounds without losing the thread of the original cut

Rate: $60–$85 per hour, depending on experience and project scope

Requirements

  • Fluent in Adobe Premiere Pro — you know the shortcuts, you organize your bins, and someone else could open your project file and find things
  • Comfortable cleaning up dialogue audio to a broadcast-ready standard
  • Working knowledge of After Effects for titles and light graphics
  • Experience cutting interview-based or documentary-style work; you can find the story in an hour of talking heads
  • Reliable turnaround and clear communication about your capacity — we'd rather hear "I can't take this one" than get a late delivery
  • Your own hardware, software licenses, and a connection that can handle large media transfers
  • A reel or portfolio with at least two pieces relevant to this kind of work

Nice to have: color grading experience, familiarity with nonprofit or education clients, comfort with cloud-based client review workflows.