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Manager Audio Mix Engineer Jobs (NOW HIRING)

Depending on the size and complexity of the production, the technician may work independently or under the direction of an Audio Engineer, Lead Technician, or Production Manager. While this position ...

Audio Technician

Baltimore, MD · On-site

$18 - $40/hr

Mix live audio, adjusting levels, EQ, and dynamics to maintain clarity and balance throughout ... Maintain and manage audio equipment inventory, including setup, storage, and basic repairs.

Audio Manager Summary: The Audio Engineer provides operational support for the planning ... Ability to mix audio with a multitude of source and destination types * Monitor inventory ...

Audio Engineer

Glendale, AZ · On-site

$70 - $90/hr

Audio Manager Summary: The Audio Engineer provides operational support for the planning ... Ability to mix audio with a multitude of source and destination types * Monitor inventory ...

Manage the show's production workflow and schedule to ensure timely publishing ... Collaborate with the video editor, mix engineer, and talent booker, and delegate tasks within the ...

Audio Manager Summary: The Audio Engineer provides operational support for the planning ... Ability to mix audio with a multitude of source and destination types * Monitor inventory ...

Showing results 41-60

Manager Audio Mix Engineer information

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$60K

$105.7K

$156K

How much do manager audio mix engineer jobs pay per year?

As of Sep 5, 2026, the average yearly pay for manager audio mix engineer in the United States is $105,714.00, according to ZipRecruiter salary data. Most workers in this role earn between $81,500.00 and $128,000.00 per year, depending on experience, location, and employer.

What is the difference between Manager Audio Mix Engineer vs Sound Engineer?

AspectManager Audio Mix EngineerSound Engineer
CredentialsExperience in audio production, leadership skills, possibly certifications in audio engineeringTechnical audio skills, certifications like Avid Pro Tools, audio engineering degrees
Work EnvironmentOversees projects, manages teams, coordinates with clients and producersOperates audio equipment, records, mixes, and edits sound in studios or live settings
Industry UsageUsed in music, film, TV, and live event industries for leadership rolesCommonly used across all audio production sectors for technical roles

The Manager Audio Mix Engineer focuses on overseeing audio projects and leading teams, while the Sound Engineer handles the technical aspects of recording and mixing sound. Both roles require audio expertise, but their responsibilities and work environments differ significantly.

What cities are hiring for Manager Audio Mix Engineer jobs?

Cities with the most Manager Audio Mix Engineer job openings:

What are the most commonly searched types of Audio Mix Engineer jobs?

The most popular types of Audio Mix Engineer jobs are:

What states have the most Manager Audio Mix Engineer jobs?

States with the most job openings for Manager Audio Mix Engineer jobs include:

Full-time

Medical, Dental, Life, Retirement, PTO

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Job description

Make a difference with us! At Alliance Defending Freedom, we believe God has brought you here for His purpose—to stand for truth and defend the God-given right to live and speak it. Together, we protect religious freedom, free speech, the sanctity of life, marriage and family, and parental rights. Review our Statement of Faith to ensure we're a fit for you. Locations: Scottdale, AZ Team Overview As the Audio Engineer, you will serve as the lead audio engineer for ADF's live and virtual events—conferences, seminars, galas, and webinars—owning front-of-house, monitor, and broadcast mixes so that every speaker and program element is heard clearly. Between events, you serve as the primary audio engineer for ADF's Arizona studio and media hit studio, capturing and mixing audio for video productions, podcasts, and live national media appearances.

Key Responsibilities

Live Event Audio Serve as the A1 for assigned ADF events, designing and operating the audio system - front of house, monitors, and broadcast/stream mixes to a high standard of clarity, intelligibility, and consistency. Design system and loudspeaker configurations for each room, tune and align systems to the space, and adapt to venue acoustics and house infrastructure.

Coordinate and manage wireless microphone and in-ear monitor systems, including frequency coordination, RF scanning, antenna distribution, and battery management, to keep channels clean in congested environments. Prepare input lists, patch sheets, stage plots, and console show files in advance of load-in, and communicate audio requirements to the producer, venue, and crew. Mic, sound check, and support presenters, panelists, and musicians, briefing them on microphone technique and monitoring so they are comfortable on stage.

Load in, set up, operate, strike, and load out audio systems, including consoles, amplification, loudspeakers, cabling, playback, and production intercom. Coordinate audio with video switching, lighting, and show control cues so that the program runs as a single, rehearsed production. Diagnose and resolve audio problems in real time during live events, applying redundancy and backup plans to minimize disruption to attendees and stream audiences.

Serve as the primary audio engineer for ADF's Arizona studio and media hit studio, setting up and operating microphones, mixers, and monitoring for video shoots, podcasts, and interviews. Provide audio for live media hits with national broadcast outlets, including IFB, mix-minus, and clean feeds to remote networks, and confirm signal quality and levels before air. Record, edit, mix, and master audio for produced content, including dialogue cleanup, noise reduction, loudness normalization, and delivery to broadcast and web specifications.

Maintain and improve studio acoustics, signal flow, and routing, including audio-over-IP networks (e.g., Dante) where deployed. Deliver finished audio assets to the standards required by ADF's post-production and communications teams, and archive session files and raw audio for reuse. Systems, Maintenance & Readiness Maintain, test, and repair audio equipment and inventory, including consoles, wireless systems, microphones, and cabling, and keep firmware and show files current.

Prepare and pack audio packages for travel, tracking equipment out and back and confirming everything returns in working order. Recommend equipment purchases, upgrades, and standardization to the Production Manager, Arizona, including specifications and cost estimates. Maintain safe working conditions during load-in, show, and load-out, including safe electrical loading, rigging of loudspeaker arrays where applicable, and cable management. Observe hearing conservation and sound level practices appropriate to each venue, program, and audience.

Partner with the Live Event Producer, video and lighting technicians, and freelance crew to deliver a unified production, and serve as the audio point of contact for presenters, communications staff, and event owners. Train and support other AV team members on basic audio operation so that events the A1 cannot cover are still well served. Conduct post-event review of audio performance and apply lessons learned to future events and studio work. Research developments in audio technology and recommend adoption where they would strengthen ADF's events and studio capabilities.

Minimum Qualifications

Bachelor's degree in audio engineering, music production, media production, or a related field, or equivalent experience. 3+ years of professional audio experience in live event production, studio recording, and post-production audio settings, including primary A1 responsibility for events using professional-grade systems. Demonstrated experience with mixing front of house and monitors live, for spoken word and music, in rooms of varying size and acoustics.

Ability to manage multiple events, studio sessions, and competing deadlines simultaneously, delivering consistent audio quality with sometimes limited crew, taking a show from load-in through load-out independently when required.

Knowledge of live sound reinforcement principles, digital audio consoles and the workflow of building, saving, and recalling show files (Yamaha, DiGiCo, Allen & Heath, Avid). Knowledge of RF and wireless microphone systems, audio-over-IP and digital audio networking as applied to production (Dante, AES67), and the networking fundamentals that support it. Knowledge of broadcast and steaming audio requirements, studio recording and post-production practices.

Ability to lift, carry, and set up audio equipment and road cases, and work from ladders or lifts where loudspeaker deployment requires it. Ability to travel to and work on-site at event venues, including some evenings and weekends as events require—approximately 20% travel (85% domestic, 15% international; the ability to obtain a valid passport is required for international travel).

Preferred Qualifications

Dante certification, AVIXA CTS (Certified Technology Specialist) or similar industry certifications. At Alliance Defending Freedom, we offer a competitive compensation and benefits package to support your well-being and growth. While we do not disclose specific salary ranges, our compensation is competitive with top non-profit law firms. Our benefits include 100% covered medical and dental insurance, medical and dependent care reimbursement, paid disability, long-term care, life insurance, and a 401(k) plan with a 4% company match.

We prioritize work-life balance with paid time off and 12 paid holidays each year. Want to Know More About ADF? Statement of Faith Based on our adherence to the inspired, infallible, inerrant, and authoritative Word of God in Scripture, we profess with the Christian Church throughout time and around the world the faith expressed in the Apostles' Creed: I believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord, who was conceived by the Holy Spirit, born of the Virgin Mary, suffered under Pontius Pilate, was crucified, died, and was buried; On the third day he rose again; he ascended into heaven, he is seated at the right hand of the Father, and he will come to judge the living and the dead. I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting.

Amen. Doctrinal Distinctives We believe in the spiritual unity and equality of believers in our Lord Jesus Christ. We believe that the Lordship of Christ requires us as disciples to seek to conform our actions, thoughts, and desires in obedience to Him. We believe God creates each person with an immutable biological sex — male or female — that reflects the image and likeness of God.

We believe God designed marriage as a unique conjugal relationship joining one man and one woman in a single, exclusive, life-long union, and God intends sexual intimacy only to occur within that relationship. We believe God endows all human life with inherent dignity, and it must be respected and protected from conception to natural death.

We believe that God has endowed all humans with the natural, and inalienable right of religious freedom to believe, pursue truth, and live within ordered liberty such that no civil government may justly infringe upon it. We believe that God, through His Son, Jesus Christ, calls all of us to deny ourselves, take up our cross, and follow Him, knowing that He promises us abundant and eternal life.