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Live Music Production Jobs (NOW HIRING)

... live production management. * Assist with the loading and unloading of trucks to various stages * Assist in the setup of audio, lighting, and video equipment * Assist with rigging and flying of audio ...

Deep knowledge of Nashville's music industry and live music production standards * Strong organizational and communication skills with a devotion to detail * Ability to work evenings, weekends, and ...

Deep knowledge of Nashville's music industry and live music production standards * Strong organizational and communication skills with a devotion to detail * Ability to work evenings, weekends, and ...

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Live Music Production information

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$8

$26

$56

How much do live music production jobs pay per hour?

As of Jun 10, 2026, the average hourly pay for live music production in the United States is $26.57, according to ZipRecruiter salary data. Most workers in this role earn between $16.35 and $30.77 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive in Live Music Production, and why are they important?

To thrive in Live Music Production, you need a solid understanding of audio engineering, stage management, and sound system setup, often supported by a relevant degree or hands-on experience. Familiarity with digital audio consoles, lighting control systems, and industry-standard software such as Pro Tools or Ableton Live is typically required. Strong communication, problem-solving abilities, and the capacity to work well under pressure distinguish top professionals in this field. These skills are crucial for delivering high-quality live performances, ensuring technical reliability, and adapting smoothly to the dynamic environment of live events.

What is live music production?

Live music production refers to the process of planning, organizing, and executing a live musical performance. This includes managing sound, lighting, stage setup, equipment, and sometimes even artist logistics. The goal is to ensure that the audience experiences high-quality sound and an engaging show. Live music production professionals work behind the scenes to coordinate all technical and creative aspects before, during, and after a performance.

What are some common challenges faced by professionals in live music production, and how can they be addressed?

Professionals in live music production often encounter challenges such as unexpected technical issues, tight timelines, and last-minute changes from artists or venues. Successfully addressing these requires strong problem-solving skills, adaptability, and clear communication with both the technical team and performers. Building redundancy into equipment setups and conducting thorough sound checks can also help minimize disruptions, while collaborating closely with stage managers and artists ensures a smoother production flow.

What is the difference between Live Music Production vs Live Sound Engineer?

AspectLive Music ProductionLive Sound Engineer
Primary FocusOverseeing the entire production process, including planning, coordination, and execution of live music eventsManaging audio quality, mixing, and sound reinforcement during live performances
Required SkillsEvent planning, project management, technical knowledge of staging and lightingAudio engineering, sound equipment operation, mixing skills
Work EnvironmentConcert venues, festivals, event spacesOn-stage or FOH (front of house) mixing positions during live shows
CertificationsEvent management, production certifications often preferredAudio engineering certifications, such as AET or equivalent

While both roles are integral to live music events, Live Music Production involves overseeing the entire event setup and coordination, whereas a Live Sound Engineer focuses specifically on audio quality and sound mixing during performances. Understanding these distinctions helps clarify career paths and job expectations in the live music industry.

More about Live Music Production jobs
What cities are hiring for Live Music Production jobs? Cities with the most Live Music Production job openings:
What are the most commonly searched types of Live Music Production jobs? The most popular types of Live Music Production jobs are:
What states have the most Live Music Production jobs? States with the most job openings for Live Music Production jobs include:
What job categories do people searching Live Music Production jobs look for? The top searched job categories for Live Music Production jobs are:
Infographic showing various Live Music Production job openings in the United States as of June 2026, with employment types broken down into 86% Full Time, 9% Part Time, 4% Contract, and 1% Nights. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $55,272 per year, or $26.6 per hour.
Professor, Music Production

Other

Posted 21 days ago


Savannah College of Art and Design rating

5.9

Company rating: 5.9 out of 10

Based on 11 frontline employees who took The Breakroom Quiz

490th of 535 rated colleges and universities


Job description

Professor, Music Production

Apply now Job no: 502296
Work type: Faculty Full Time
Location: Atlanta
Categories: Sound Design

Position Summary

SCAD Atlanta is seeking a highly qualified and passionate professor of music production to join its dedicated, award-winning faculty in the Sound Design department within the School of Film and Acting, and help prepare students for rapidly evolving careers in music and audio. The ideal candidate will play a key role in shaping a progressive curriculum that spans technical mastery, creative artistry, and cultural context, encouraging interdisciplinary collaboration across SCAD locations and fostering connections with related disciplines such as sound design, film scoring, interactive media, and live event production.
The successful candidate will bring meaningful professional experience in the music production industry. They will be passionate about teaching at the college level, where they have the opportunity to motivate students and faculty to think creatively, critically, and innovatively. They should be adept at guiding diverse groups of students through a curriculum that moves from foundational music theory and studio fundamentals all the way through to a professional capstone experience, with a deep understanding of music production methodologies, industry practices, and the evolving technological landscape shaping the field.
The ideal candidate brings expert knowledge of the modern studio environment, with hands-on experience in areas such as stereo mixing, immersive and spatial audio, electronic music production, music for media, and live sound and event production. They will inspire students to develop both the technical precision and the artistic voice required to succeed as producers, engineers, songwriters, and music directors. A key role will be cultivating critical listening and creative curiosity in students, empowering them to make intentional, informed production decisions across formats and genres. The candidate will possess fluency in industry-standard digital audio workstations and production tools, and will bring a strong command of the studio workflows - tracking, mixing, and mastering - that define professional practice. Equally important is a commitment to the cultural and historical dimensions of the craft, with the ability to ground students' creative work in the rich musical traditions, from gospel and blues through contemporary production, that continue to shape the industry today.
The successful candidate will be a forward-thinking educator who thrives in an environment that values collaboration, creative risk-taking, and the development of well-rounded musical professionals. SCAD seeks a professor who is ready to make a lasting impact on the future of music production and inspire the next generation of producers, engineers, and sonic storytellers.

Duties and responsibilities

  • Duties may vary and other duties may be assigned.
    SCAD prepares talented students for creative professions through engaged teaching and learning in a positively oriented university environment. In and out of the classroom, the professor is required to work toward the achievement of this mission.

    The professor is required to fulfill teaching assignments as determined by contact hours and as outlined in the Employment Agreement.

    The professor is required to meet teaching responsibilities and expectations as outlined in the SCAD Faculty Handbook. For example:
    planning and preparation for teaching;
    maintaining an active and engaged classroom environment;
    syllabus design, submission, and approval;
    holding office hours and midterm grade reviews to provide feedback to students;
    being available to students outside of regular class hours through extra help sessions, extended learning opportunities, and study (field) trips;
    conducting course- and program-level assessment.

    The professor is required to meet professional responsibilities and expectations as outlined in the SCAD Faculty Handbook. For example:
    modeling professionalism;
    fulfilling grading and academic documentation requirements;
    recording attendance;
    following academic policies and regulations;
    supporting academic assessment and institutional effectiveness efforts.

    The professor must be available to attend on-ground and virtual events upon request or as required, to support the academic department and the university. This participation might include:
    faculty councils,
    admission events,
    curriculum assessment and development,
    institutional effectiveness and accreditation support,
    events, exhibitions or other publicity assignments.

    The professor must comply with all university policies.

Minimum Qualifications:

Terminal degree or its equivalent in music, recording arts, sound design, music performance, music composition, or a closely related field
Significant professional experience in one or more of the following: studio production and engineering, electronic music production, sound design, music composition and songwriting, or music history and cultural studies

3-5 years of professional experience in the field.

Preferred Qualifications:

Teaching experience at the collegiate level.

Work Hours: The university work week is Sunday through Saturday. Most offices are open Monday through Friday from 8:30 am to 5:30 pm. In order to accommodate business needs, employees may be assigned to other work days and/or hours, including weekends and evenings.

ADA Tag:  To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. The requirements listed are representative of the knowledge, skill, and/or ability required. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

Special instructions to applicants: Only complete packages will be considered. An unofficial transcript of your highest degree awarded, a cover letter, and a resume or CV are required.

Advertised: 19 May 2026 Eastern Daylight Time
Applications close:

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