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Live In Concert Rigging Jobs in San Leandro, CA (NOW HIRING)

Recorded live in concert and engineered at Davies Symphony Hall, SFS Media recordings showcase music by contemporary composers as well as core classical masterworks. In 2023, the San Francisco ...

Staff Usher

San Francisco, CA ยท On-site

$30.51/hr

Recorded live in concert and engineered at Davies Symphony Hall, SFS Media recordings showcase music by contemporary composers as well as core classical masterworks. In 2023, the San Francisco ...

The Production Manager serves as a key operational leader throughout pre-production, load-in, live ... Partner with Technical Directors to coordinate power, lighting, audiovisual, IT, rigging, and heavy ...

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Live In Concert Rigging information

See San Leandro, CA salary details

$16

$29

$41

How much do live in concert rigging jobs pay per hour?

As of Sep 8, 2026, the average hourly pay for live in concert rigging in San Leandro, CA is $29.41, according to ZipRecruiter salary data. Most workers in this role earn between $26.11 and $33.70 per hour, depending on experience, location, and employer.

What is live in concert rigging?

Live in concert rigging refers to the process of safely suspending and supporting equipment such as lighting, sound systems, video screens, and stage elements in performance venues. Rigging professionals use specialized gear and techniques to ensure that all equipment is securely hung above performers and audiences. This work is critical for both the safety of those involved and the success of the show, requiring knowledge of structural engineering, safety procedures, and industry standards.

What are some common challenges faced by live in concert rigging professionals, and how can they be managed on the job?

Live in concert rigging professionals often encounter challenges such as tight setup timelines, adapting rigging plans to unique venues, and ensuring strict safety compliance under pressure. To manage these, it's important to maintain clear communication with the production team, conduct thorough pre-show inspections, and stay current with safety standards. Successful riggers are proactive problem-solvers who can quickly adapt when unexpected obstacles arise, ensuring both the safety of the crew and the smooth execution of the show.

What are the key skills and qualifications needed to thrive as a live in concert rigger, and why are they important?

To thrive as a Live In Concert Rigger, you need strong mechanical aptitude, an understanding of physics, and relevant safety certifications such as OSHA or ETCP (Entertainment Technician Certification Program). Familiarity with rigging hardware, hoists, truss systems, and load calculation software is typically required. Attention to detail, teamwork, and effective communication are crucial soft skills for ensuring safe and efficient setups. These skills are essential because they help prevent accidents, ensure structural integrity, and support the seamless execution of live events.

What is the difference between Live In Concert Rigging vs Concert Rigging?

AspectLive In Concert RiggingConcert Rigging
CredentialsCertifications in rigging, safety, and event setupSimilar certifications in rigging and safety
Work EnvironmentOn-site at concert venues, often for extended periodsOn-site at various venues, typically for single events
Industry UsageUsed for touring shows, festivals, and large-scale eventsUsed for one-off concerts, festivals, and events

Live In Concert Rigging involves setting up and maintaining rigging systems for extended touring productions, requiring specialized skills for long-term setups. Concert Rigging generally refers to rigging for individual events, focusing on quick setup and takedown. Both roles demand similar certifications and safety standards but differ mainly in duration and scope of work.

What job categories do people searching Live In Concert Rigging jobs in San Leandro, CA look for?

The top searched job categories for Live In Concert Rigging jobs in San Leandro, CA are:

What cities near San Leandro, CA are hiring for Live In Concert Rigging jobs?

Cities near San Leandro, CA with the most Live In Concert Rigging job openings:

Infographic showing various Live In Concert Rigging job openings in San Leandro, CA as of September 2026, with employment types broken down into 75% Full Time, and 25% Part Time. Highlights an 94% In-person, and 6% Remote job distribution, with an average salary of $61,168 per year, or $29.4 per hour.

Associate Director, Alternative Programming

SAN-Francisco-Symphony

San Francisco, CA โ€ข On-site

$100 - $125/hr

Other

Posted 25 days ago


Job description

Associate Director, Alternative ProgrammingArtistic OperationsArtistic PlanningWork Status:Full TimeFLSA Status:ExemptLocation of Job:Davies Symphony HallSan Francisco, CASalary:Pay Grade F$105,139.00 - 118,282.00Schedule:HybridRegular Hours:9 am-5 pm; regularevenings and weekendsReports To:Senior Director, ArtisticPlanningSupervisory:NoTHE ORGANIZATIONThe San Francisco Symphony is among the most adventurous and innovative arts institutions in the United States, celebrated for its artistic excellence, creative performance concepts, award-winning recordings, and standard-setting education and community engagement programs. Since it was established in 1911, the Symphony has grown in acclaim under a succession of distinguished music directors: Henry Hadley, Alfred Hertz, Basil Cameron, Issay Dobrowen, Pierre Monteux, Enrique Jordรก, Josef Krips, Seiji Ozawa, Edo de Waart, Herbert Blomstedt, Michael Tilson Thomas, and Esa-Pekka Salonen.The San Francisco Symphony presents more than 200 concerts and presentations annually for an audience of nearly 350,000 in its home of Davies Symphony Hall and around the Bay Area. A cornerstone of its mission, the San Francisco Symphony provides some of the most extensive education and community programs offered by any American orchestra. The Symphonyโ€™s free music education experiences engage students in grades 1โ€“12 throughout the San Francisco Unified School District (SFUSD), serving more than 25,000 students annually.In 2001, the SF Symphony became the first American orchestra to launch its own in-house record label SFS Media. Recorded live in concert and engineered at Davies Symphony Hall, SFS Media recordings showcase music by contemporary composers as well as core classical masterworks. San Francisco Symphony radio broadcasts, the first in the nation to feature symphonic music when they began in 1926, today carry the Orchestraโ€™s concerts across the country. In 2004, the SF Symphony launched the groundbreaking multimedia Keeping Score series on PBS-TV and the web; the series was made available for unlimited free streaming on the Symphonyโ€™s YouTube channel in 2020. In 2014, the San Francisco Symphony inaugurated SoundBox, an experimental and eclectic live music series, which takes place in an alternative performance space located backstage at Davies Symphony Hall. In 2023, the San Francisco Symphony partnered with Apple for the launch of a new classical music streaming app, Apple Music Classical, and has since released 15 spatial audio recordings of live concert performances through the app. For its adventurous programming, the Symphony has been honored 19 times by the American Society of Composers, Authors and Publishers, and the Symphonyโ€™s recordings have garnered Franceโ€™s Grand Prix du Disque and Britainโ€™s Gramophone Award, as well as 17 Grammy Awards.JOB SUMMARYThe Associate Director, Alternative Programming is a key member of the Artistic Planning team developing the San Francisco Symphonyโ€™s alternative programming portfolio, with a focus on creating exciting and memorable concert experiences, uniting audiences and artists together around our art form, and leveraging the flexibility and collaborative nature of orchestral music to create engaging experiences that resonate with our community. The Associate Director, Alternative Programming has primary responsibility for non-classical programming including Summer, Holiday, Film, select special events, and any added pops, presentations, and other alternative programming.The Associate Director, Alternative Programming is also responsible for exploring ways to expand the kinds of content offered by the Symphony, seeking to generate revenue through presentations, co-presentations, and alternative programs that bring new audiences to the SF Symphony. In addition, this role works with other departments in the organization to pursue new relationships and collaborations outside of Davies Symphony Hall that will connect us to a different audience and generate revenue.This position plays a key role in the Symphonyโ€™s audience development efforts through collaborating closely with other teams in the organization to understand patron preferences and to ensure that the Symphonyโ€™s content and season arcs are compelling for Bay Area audiences.ESSENTIAL FUNCTIONS & RESPONSIBILITIESArtistic Planning:Program and engage artists for Holiday concerts.Program and engage artists for all non-classical Summer concerts.Program and engage artists for Film Series and Film Singles.Program and engage artists for special events as assigned.Program and engage artists for all added pops, presentations, and alternative programming.Explore and research expanded content for the Symphony to present, such as comedy, speakers, and other alternative programming.Explore and develop co-promotional relationships with other organizations.Pursue collaborations both inside and outside Davies Symphony Hall that connect the Symphony to different audiences.Administrative and Other:Develop systems and processes for effective collaboration with the Marketing team, including creating and maintaining repositories of potential program ideas, compiling comprehensive and data-driven artist and program pitches, and instating and following a cyclical calendar of regular touchpoints on various series.Work collaboratively with the Operations and Finance teams to plan concerts that fit within the Symphonyโ€™s operational and financial constraints.Provide detailed engagement summaries for each program to artist management and relevant SF Symphony Artistic Planning colleagues to support the contracting process and the coordination of all logistical details related to guest artists.Review contracts as requested by Artistic Planning Department Manager.Maintain awareness of logistical details managed by Artist Services Coordinator and/or Artistic Planning Assistant for guest artists for Holiday, Summer, Film, Special Events, Presentations and Chorus concert, and provide support as reasonably requested.Issue program updates for Holiday, Summer, Film, special events, and all other added non-classical programs.Manage ArtsVision data entry for Holiday, Summer, Film, special events, and all other added non-classical programs. Submit Early Programming Tool and strawman requests for any necessary programs, and collaborate with Artistic Planning Department Manager on strawmen, budgets, and projections as necessary.Proof content for Holiday, Summer, Film, special events, all other added non-classical contracts, and any other programming as necessary.Serve as part of concert duty rotation.MINIMUM QUALIFICATIONS:5-7 yearsโ€™ experience working in a performing arts organization, preferably with a musical or orchestral background.General knowledge of popular performing artists, bands and films.Excellent working relationships with artists and managers.Proven negotiation skills across a variety of types of programs, artists, and industries.Ability to think innovatively about the practice of artistic planning, and to take a collaborative approach that reflects varied priorities and strategies.Commitment to diversifying repertoire and artists from underrepresented minorities.Formal education in music preferred.Excellent computer skills, including Microsoft Word, Excel, Access and PowerPoint.Excellent communication skills, both written and verbal.Ability to professionally and diplomatically communicate and interact with a wide variety of internal and external stakeholders.Ability to collaborate effectively in a team environment.Strong situational awareness; able to work discreetly, independently and display good judgment in dealing with diverse personalities and potentially difficult situations.Valid driverโ€™s license preferred and satisfactory results of a complete background investigation.Must be available to regularly work flexible hours, particularly weekends and evenings in accordance with production, rehearsal and concert schedules.SUPERVISORY RESPONSIBILITIESNoneWORKING RELATIONSHIPSThe internal and external constituents with whom this position most frequently interacts include:Artistic Operations departmentMarketing and Finance departmentsGuest artists and their managers and agentsOrchestra musiciansEEO STATEMENTIn alignment with the values statement above, the San Francisco Symphony is committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and employees without regard to race, color, religion, sex, pregnancy (including childbirth, lactation and related medical conditions), national origin, age, physical and mental disability, marital status, sexual orientation, gender identity, gender expression, genetic information (including characteristics and testing), military and veteran status, and any other characteristic protected by applicable law. #J-18808-Ljbffr