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Live Audio Engineer Jobs in Wichita, KS (NOW HIRING)

AVL Engineer FLSA Status: Exempt Reports to AVL Manager Grade III ($57,420 - $95,700 Based on ... audio reinforcement duties to support live worship and related productions. Assists in the ...

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Live Audio Engineer information

See Wichita, KS salary details

$26.4K

$75.6K

$153.4K

How much do live audio engineer jobs pay per year?

As of Sep 6, 2026, the average yearly pay for live audio engineer in Wichita, KS is $75,554.00, according to ZipRecruiter salary data. Most workers in this role earn between $44,700.00 and $101,100.00 per year, depending on experience, location, and employer.

What does a live audio engineer do?

A live audio engineer or sound technician handles sound and music responsibilities related to live broadcasting on TV or radio. You work with the mechanical and technical aspects of audio while using computers, software, and specialized equipment like a mixing board and various A/V applications. Your duties involve recording, reproducing, and blending sounds, as well as collaborating with record producers to line up visual aspects with audio. You set up soundboards, test systems, and ensure the level of sound and mix is correct. A live audio engineer can also work in theater or at a live event.

What does a live audio engineer do?

A Live Audio Engineer is responsible for managing and controlling the sound during live events such as concerts, theater performances, and conferences. They set up, operate, and adjust audio equipment to ensure clear and balanced sound for both performers and audiences. This includes tasks like mixing audio levels, troubleshooting technical issues, and sometimes recording live performances. Their goal is to deliver the best possible sound quality in real time, adapting quickly to any changes or challenges during the event.

What are the key skills and qualifications needed to thrive as a live audio engineer?

To thrive as a Live Audio Engineer, you need expertise in sound mixing, signal flow, and audio equipment setup, often supported by a degree in audio engineering or related certifications. Familiarity with digital and analog mixing consoles, wireless systems, and software like Pro Tools or QLab is typically required. Strong problem-solving abilities, attention to detail, and effective communication are essential soft skills for collaborating with performers and event staff. These skills ensure high-quality sound delivery and seamless live event experiences under pressure.

What are some common challenges faced by live audio engineers during live events, and how can they be managed?

Live audio engineers often encounter challenges such as unexpected feedback, equipment malfunctions, and rapidly changing sound requirements during performances. To manage these, it's important to conduct thorough sound checks, maintain clear communication with performers and technical teams, and stay adaptable to on-the-fly adjustments. Being proactive in troubleshooting and having backup equipment readily accessible can help ensure smooth operation and minimize disruptions during the event.

What is the difference between Live Audio Engineer vs Sound Technician?

AspectLive Audio EngineerSound Technician
CredentialsAudio engineering certification or equivalent experienceAudio or technical certifications often preferred
Work EnvironmentConcerts, live events, festivalsRecording studios, broadcast, events
Job FocusMixing and managing live sound during eventsSetting up, maintaining, and troubleshooting audio equipment

While both roles involve audio setup and equipment, a Live Audio Engineer primarily focuses on mixing and managing sound during live events, ensuring optimal audio quality. A Sound Technician handles equipment setup, maintenance, and troubleshooting, often in studio or broadcast settings. The roles overlap but differ mainly in their focus on live sound management versus technical support and equipment maintenance.

Are live audio engineers in demand?

Live audio engineers are in demand due to the ongoing need for sound reinforcement at concerts, events, and live productions. The profession requires technical skills, familiarity with audio equipment, and adaptability to different environments, which sustain employment opportunities in the entertainment and event industries.

How much do live audio engineers make?

Live audio engineers typically earn between $20 and $50 per hour, with annual salaries ranging from $40,000 to $80,000 depending on experience, location, and the scale of events. Freelance engineers may have variable income based on the number and type of gigs they secure, while those working full-time for organizations often receive benefits and steady pay. Skills in mixing consoles, sound systems, and certifications can influence earning potential.

How to get a job as a live audio engineer?

To become a live audio engineer, gain experience through internships or entry-level positions, develop skills in audio mixing and troubleshooting, and become proficient with industry-standard equipment and software. Obtaining relevant certifications and building a network within the live event industry can also improve job prospects.

What are popular job titles related to Live Audio Engineer jobs in Wichita, KS?

For Live Audio Engineer jobs in Wichita, KS, the most frequently searched job titles are:

What cities near Wichita, KS are hiring for Live Audio Engineer jobs?

Cities near Wichita, KS with the most Live Audio Engineer job openings:

Infographic showing various Live Audio Engineer job openings in Wichita, KS as of August 2026, with employment types broken down into 1% As Needed, 63% Full Time, 34% Part Time, and 2% Contract. Highlights an 82% Physical, 3% Hybrid, and 15% Remote job distribution, with an average salary of $75,554 per year, or $36.3 per hour.

Full-time

Re-posted 24 days ago


Key responsibilities

  • Assist in implementing audio reinforcement duties to support live worship and related productions.

  • Manage all AVL equipment on campus, including maintenance, organization, operation, and procurement with approval.

  • Prepare and shut down stage for rehearsals, weekend services, and events in collaboration with the AVL Manager.


Job description

Description
*This position requires a regular on-site presence at our campus in Wichita, KS.
AVL Engineer
FLSA Status: Exempt
Reports to AVL Manager
Grade III ($57,420 - $95,700 Based on experience and qualification)
SUMMARY OF RESPONSIBILITIES
Reporting to the AVL Manager, the AVL Engineer works with the production team to implement various audio reinforcement duties to support live worship and related productions. Assists in the technical aspects of video and lighting, as assigned. Assists in the management of all AVL equipment, including the purchase, maintenance, organization, and operation on campus.
The incumbent must perform all job duties as outlined in this job description to support ongoing mission of the church while committed in accordance with the Baptist Faith and Message (2000 edition).
ESSENTIAL DUTIES
• Working with the AVL Manager, is responsible for front of house (FOH) engineering on weekends. (app. 25%)
• Assists with managing all AVL equipment on campus including the maintenance, organization, and operation. Provides fast and effective solutions to all AVL hardware and software difficulties on campus in a prompt and efficient manner. With approval from the AVL Manager, purchases AVL equipment as needed. (app. 55%)
• Works with the AVL Manager to assess future AVL technology needs. Assists with AVL initiatives from conception to completion. (app. 10%)
• Working with the AVL Manager, is responsible for both stage preparation and shut down for rehearsals, weekend service production and events. (app. 5%)
• Assists in recruiting and technical training of the live production volunteer team. (app. 5%)
These duties are subject to change as church needs and strategies evolve. Employee may be required to perform other duties.
Requirements
EDUCATION/TRAINING• College degree with specialized training/emphasis in Audio/Visual Technology field is required.
• College degree in Audio Engineering/Production or similar field is preferred.
• Certified forklift and aerial lift operator preferred.EXPERIENCE
• Working knowledge of Lighting and Video systems is required.
• Minimum of 4-6 years of experience volunteering or working in ministry.
• Minimum of 4-6 years in audio management role is preferred.
• Minimum of 4-6 years of large venue experience as FOH engineer/technical engineer required.
• Experience may be considered in lieu of education.
REQUIRED SKILLS
• Positive temperament, dependability, and professionalism with effective interpersonal skills. Willing to follow a vision set by leadership.
• Competent written, verbal, and math skills; capable of reading, interpreting, and composing project workflows.
• Proficient coordination, organizational, and time management skills with ability to sequence tasks by priority.
• Ability to work independently and collaboratively, utilizing critical thinking and problem-solving skills.
• Ability to work effectively under pressure, multi-tasking and troubleshooting complex situations and tight deadlines while maintaining NewSpring established quality standards.
• Excellent musical/mixing skills, adapting them to the "NewSpring sound," with knowledge of both systems FOH, monitor and broadcast engineering.
• Proficiency in large-format digital consoles.
• Working knowledge of audio recording equipment with Pro Tools in post-production.
• Proficient knowledge of large format lighting operation, programing, and engineering.
• Proficient knowledge in ProPresenter software and live video operations.
• Working knowledge of large format video systems engineering.
• Proficient knowledge of electrical power distribution handling and workplace safety regulations.
• Ability to handle confidential information with discretion.
PHYSICAL DEMANDS
The usual and customary methods of performing the job's functions require the following physical demands:
• Ascend and descend stairs and/or ladders.
• Communicate verbally with others to exchange information.
• Remain in a stationary position for prolonged periods of time.
• Ability to view and work with technological devices, sound equipment, audio consoles and other production equipment.
• Move self in different positions to accomplish tasks in various environments including tight and confined spaces.
• Accomplish tasks using near/far field(s) of vision.
• Lift, carry, and move up to 75 pounds.
• Manual dexterity.
• Ability to reach at, below, and above shoulder level.
• Balance and coordination.
• Ability to use depth perception to judge distances.
• Ability to observe environment from long distances with clarity of vision greater than 75 feet.
• Discern colors, sounds, and rhythms for production of creative elements.
• Ability to discern cues and musical timings.
• High quality hearing.
• Must possess the ability to work in environments with theatrical elements, including but not limited to strobing lights and fog.
• Work at elevated distances from the ground using scaffolding or other aerial lifting commercial equipment.
• Ability to work in tight/confined spaces.
• Quick reaction with movement.
WORKING CONDITIONS
• This position works primarily indoors. Occasional outdoor work may be required.