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Lighting Console Programmer Jobs (NOW HIRING)

Indiana University

Lighting Specialist

Bloomington, IN · On-site

Acts as lead console programmer and assistant to guest designers. * Functions as lighting supervisor for all opera, ballet, concert and other performance events at the center. Oversees the execution ...

Mohegan Tribal Gaming Authority - Mohegan Sun

Position Summary This position is responsible for all aspects of entertainment lighting including drafting plots, doing load-ins, programming and operating a lighting console, doing load-outs ...

New

The Riverside Church

Overhire

Manhattan, NY · On-site

$30/hr

Light Designers and Programmers * Act as run crew for shows in the Theater and events in the Church. * Program on a ETC Ion or Element Lighting Console * Design Lighting for Events (Dance, Plays ...

Danbury Public Schools

Auditorium Manager

Danbury, CT · On-site

$37/hr

Programming lighting console * Mixing and running soundboard * Provide adequate lighting and sound design support for all events * Train, supervise and schedule student audio/visual techinicians for ...

Danbury Public Schools

Auditorium Manager

Danbury, CT · On-site

$37/hr

Programming lighting console * Mixing and running soundboard * Provide adequate lighting and sound design support for all events * Train, supervise and schedule student audio/visual techinicians for ...

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How much do lighting console programmer jobs pay per year?

As of Sep 14, 2026, the average yearly pay for lighting console programmer in the United States is $80,664.00, according to ZipRecruiter salary data. Most workers in this role earn between $68,000.00 and $92,500.00 per year, depending on experience, location, and employer.

What does a lighting console programmer do?

A Lighting Console Programmer is responsible for programming and operating lighting consoles for live events, theater productions, concerts, and broadcasts. They translate a lighting designer's vision into precise cues and effects by configuring lighting fixtures, timing, and automation. This role requires expertise in lighting control systems such as GrandMA, ETC Eos, or Hog and a strong understanding of DMX protocols. They work closely with designers, directors, and technicians to ensure seamless lighting transitions and effects. Their work is crucial for creating dynamic and visually engaging performances.

What are the key skills and qualifications needed to thrive as a lighting console programmer?

To thrive as a Lighting Console Programmer, you need in-depth knowledge of lighting design principles, DMX protocol, and programming digital lighting consoles, typically supported by experience in live event or theatrical settings. Familiarity with industry-standard lighting control systems like MA Lighting (grandMA), ETC EOS, and relevant certifications or training greatly enhances job performance. Strong problem-solving abilities, attention to detail, and effective communication are crucial soft skills for this position. These skills ensure precise execution of lighting cues and seamless collaboration within production teams for successful show operations.

What are some typical challenges lighting console programmers face during live productions?

Lighting Console Programmers often work under tight schedules and high-pressure environments, especially during live performances or last-minute rehearsals. They must quickly resolve programming issues and adapt to sudden changes in lighting cues or design, often collaborating closely with lighting designers, directors, and stage managers. Being able to stay focused and troubleshoot in real-time is essential. This fast-paced work can be challenging but also highly rewarding for those who enjoy dynamic, interactive technical roles.

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Lighting Console Programmer jobs near you
Infographic showing various Lighting Console Programmer job openings in the United States as of September 2026, with employment types broken down into 1% As Needed, 81% Full Time, 16% Part Time, 1% Temporary, and 1% Contract. Highlights an 93% Physical, 2% Hybrid, and 5% Remote job distribution, with an average salary of $80,664 per year, or $38.8 per hour.

Lighting Technician II

Ashland, OR • On-site

Oregon Shakespeare Festival
Performing Arts Companies • 1 - 10 employees
Learn more about Oregon Shakespeare Festivalexternal

$26.13/hr

Full-time

Posted 26 days ago

Job description

Now Hiring: Lighting Technician II
Department: Lighting | Reports to: Lighting Department Manager
Status: Seasonal, Non-Exempt (40 hours/week)
Expected Dates: 1/19/2027 – 11/14/2027
Pay Rate: $26.13 hourly
Location: Ashland, OR

This position is represented by IATSE Local 154.

The Oregon Shakespeare Festival (OSF) is seeking a skilled and collaborative Lighting Technician II to support our 2027 production season. This role is ideal for someone with a strong foundation in theatrical lighting who enjoys both the technical and live performance aspects of production work.

Principal Duties and Responsibilities (Essential Functions**):

  • Models and supports the mission and values of OSF by:
    • Demonstrating inclusive behavior.
    • Maintaining a safe working environment free from any aggressions.
    • Recognizing micro-aggressions and interrupting behaviors that hinder OSF’s diversity and inclusion
      efforts.
  •  Hangs, rigs, focuses, and strikes conventional and automated lighting, atmospheric/special effects and video
    equipment.
  • Maintains and repairs OSF lighting and video equipment inventory, and workspaces.
  •  Builds and installs show-specific specialty lighting, effects and video elements.
  • Programs ETC Family consoles (EOS Ti, GIO or ION) during technical rehearsals.
  • Runs lighting console for assigned shows and understudy tracks.
  • Executes lighting changeovers for assigned shows, and as needed/assigned.
  • Assists in creating and maintaining up to date, show related/understudy paperwork for all assigned shows.
  • Maintains design and operational integrity for assigned shows.
  • Participates in work and notes calls with other lighting and/or video personnel, and as assigned by the Lead Electrician, Assistant Lead Electricians and Department Manager.
  • Follows all departmental Standard Operating Procedures (SOPs).
  • Communicates clearly, concisely, and in a timely fashion with other members of the company

Other Duties and Responsibilities:

  • Upholds best practices of good stagecraft in conjunction with OSF Lighting & Video Department policies, other
    production departments and artistic stakeholders.
  • Works alongside and in collaboration with Video, Stage Operations and other production personnel.
  • Assists Video Supervisor and Video Engineers/Technicians with lighting and video systems integrations as needed.
  • Keeps all storage and workspaces organized and clean.
  • Sets up and strikes tech tables.
  • Assists with lighting related special projects/requests from Stage Management, and other OSF stakeholders.
  • Other duties as assigned.

Qualifications & Skills:

  • Work Experience: One (1) year of professional experience in theatrical or live event lighting.
    (Experience in a higher education technical theater program may be considered in lieu of professional experience)
  • Ability to read and interpret light plots and typical theatrical lighting paperwork.
  • Ability to program lighting control consoles.
  • Working knowledge of industry standard conventional and automated lighting equipment.
  • Working knowledge of industry standard operating procedures regarding theatrical lighting.
  •  Working knowledge of electrical theory.
  • Familiar with industry standard safe rigging practices.
  • Experience using typical hand and power tools (e.g., screw guns, screwdrivers, shop vacs, etc.).
  • Ability to work as a team member in a collaborative environment.
  • Strong verbal communication skills.

Other Skills, Ability and/or Knowledge:

  • Ability to operate personnel lifts.
  • Working knowledge of Lightwright.
  • Familiarity with Vari*lite, High End, and Clay Paky automated luminaires
  • Familiarity with various LED fixtures such as ETC Lustr2, PixeLine/PixelRange, Chroma Q, generic LED/pixel tape, etc

Physical:

  • Climb, balance, stoop, kneel, crouch, crawl. Frequently lift up to 50 lbs. with occasional lifting of heavier equipment.
  • Comfortable regularly working at heights of up to 45’ in backstage spaces, personnel lifts, and ladders, wearing fall
    protection harnesses, ascending vertical ladders of 25’. Frequently squat, kneel, or crouch while maintaining position, and
    stand, walk and sit for up to 10 hours per day.

Hours Requirements:
Standard work week is Tuesday through Sunday. Night-time and weekend hours are regularly required. Overtime is
required, especially during technical rehearsal periods. The ability to work a variable, split-shift schedule is required. 

Desired Skills:
Familiarity or experience with:
o ETC EOS family lighting control consoles & software
o A repertory theater environment
o Various show control protocols (OSC, NDI, Midi, SMPTE, etc.).
o Basic Electronics/Arduino programming
o Theatrical video projection systems
o Dataton Watchout or other media server software
o Electrical soldering