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Independent Contractor Pro Tools Audio Jobs (NOW HIRING)

F.I.R.S.T. Institute

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Audio Engineering Instructor - Substitute

Orlando, FL · On-site

$23 - $29/hr

Instructing FL Studio, Pro Tools, Logic, and various software plug-ins * Teaching practical hands ... Solid understanding of audio production types: studio recording/mixing, live music, corporate A/V

PorterMatt Electric Inc

Remote Audio Producer

Ocoee, FL · Remote

$30 - $50/hr

Experience with audio editing software such as Adobe Audition, Pro Tools, Logic Pro, Reaper, or ... Ability to work independently in a remote environment. * Reliable computer and high-speed internet.

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The New York Times

Audio Engineer, Newsroom

New York, NY · On-site

$93K - $110K/yr

That means independent journalism is at the heart of all we do as a company. It's why we have a ... Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools * Collaborate with ...

ElevenLabs

Audio Engineering (Freelance)

Poland, NY · On-site

We bring together our AI audio tools and human experts to unlock human-edited dubs, audiobooks, and ... Strong proficiency with DAWs (e.g., Pro Tools, Reaper, Logic, Ableton) * Deep intuition for voice ...

RUN Studios

Audio Specialist (6430)

Redmond, WA · On-site

Must have familiarity with the latest Pro Tools DAW software, as well as mastery of noise reduction and audio restoration techniques. As an Audio Specialist, You Will * Contribute to a finished ...

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How much do independent contractor pro tools audio jobs pay per week?

As of Aug 6, 2026, the average weekly pay for independent contractor pro tools audio in the United States is $1,089.33, according to ZipRecruiter salary data. Most workers in this role earn between $721.15 and $1,211.54 per week, depending on experience, location, and employer.
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Independent Contractor Pro Tools Audio jobs near you

Audio Engineer, Newsroom

The New York Times

New York, NY • Hybrid

Other

Posted 13 days ago

Job description

The New York Times is seeking an Audio Engineer to work across all current and future products in the Newsroom audio and video podcast portfolio. You will play a crucial role in our post-production processes, and play a significant role in the ongoing development of audio best-practices and video integration by working closely with the audio engineering team, show producers and editors, as well as New York Times reporters and contributors.

You will be the main point of contact for one or more shows. The right candidate can demonstrate the ability to clearly discuss audio engineering techniques, and steer technical conversations with producers and editors. As a key player on the team, you will develop strong working relationships with producers and editors in a creative environment. In addition, you will be expected to have a working knowledge of NYT studio systems to provide tapings support as needed, and the ability to contribute adaptive and creative original music composition across NYT projects.

This is an in-office position, based in New York City and includes regular attendance in the office four days each week. There may be some flexibility to work remotely per your departmental guidance.

Responsibilities:

  • Be a point person for show teams and mix daily/weekly shows as directed
  • Lead show-specific workflow and project management in collaboration with Engineering leadership
  • Contribute to the development of changing formats and workflows, particularly video podcasting
  • Organize audio and video media ingest across platforms and stakeholders
  • Act as first line of defense in troubleshooting studio and Pro Tools workflow issues
  • Help train and assist staff in all aspects of production
  • General technical support including audio restoration, file management, host/guest recording setup, and SOP documentation
  • Help develop and deploy Pro Tools templates, SOPs, and other team-wide tools
  • Collaborate with Sound Designer/Composers as directed
  • Occasional evening and weekend technical support
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world
  • You will report to the Senior Audio Engineer, Newsroom

Basic Qualifications:

  • 5+ years of experience as an audio engineer (or equivalent position) required - podcast or broadcast environment preferred
  • Strong knowledge of Pro Tools, iZotope RX, and other creative plugins
  • Comfortable with concept of Loudness and mixing to different specs
  • Familiarity with mixing for video, specifically .aaf formats, Premiere Pro audio suite, etc.
  • Demonstrated knowledge of media asset management systems and file organization

Preferred Qualifications:

  • Quickly, calmly and creatively troubleshoot complex issues under pressure
  • Demonstrated ability to manage multiple priorities and follow through on projects to completion
  • Excellent attention to detail, with good organization and time management skills
  • Collaborative attitude and strong communication skills; with the ability to communicate complex technical information to people with technical and nontechnical backgrounds
  • High level of proficiency with Apple computers
  • Believes in the New York Times' mission and is dedicated to being part of our innovation and growth
  • Uphold the existing editorial standards of The Times

((#LI-Hybrid))

REQ-020439

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