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Grip In Film Jobs (NOW HIRING)

Park Group Solutions

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Camera Operator/Videographer and Video Editor

Newtown, CT · On-site

... grip equipment * Ability to create motion graphics such as tracked text, lower thirds, masked ... BA in Film, Cinematography, or equivalent skillsets (Preferred) Experience * Production: 4 years ...

Gravity Media

Studio Technician

Manhattan, NY · On-site

$62.50 - $68.75/hr

Primary focus is on the operation of camera and lighting/grip equipment. May also be expected to operate audio devices, signal routers, and related film/broadcast equipment. − In collaboration with ...

F.I.R.S.T. Institute

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Digital Film and Video Production Substitute Instructor

Orlando, FL · On-site

$23 - $27/hr

The ideal candidate will have experience in narrative film production, live video production, Adobe ... Teaching practical hands-on methods for using cameras, grip and lighting equipment, and production ...

NBCUniversal

Rental Agent

Long Island City, NY · On-site

Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ... Knowledge and experience with other Atlanta region studios and broader TV/film market * Customer ...

NBCUniversal

Rental Agent

Long Island City, NY · On-site

Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ... Knowledge and experience with other Atlanta region studios and broader TV/film market * Customer ...

NBCUniversal

Rental Agent

Long Island City, NY

Industry-insider - You are knowledgeable in motion picture and television lighting, grip, and ... Knowledge and experience with other Atlanta region studios and broader TV/film market * Customer ...

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Grip In Film information

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$27

$53

How much do grip in film jobs pay per hour?

As of Sep 10, 2026, the average hourly pay for grip in film in the United States is $27.93, according to ZipRecruiter salary data. Most workers in this role earn between $16.59 and $32.45 per hour, depending on experience, location, and employer.

What is the difference between Grip In Film vs Camera Operator?

AspectGrip In FilmCamera Operator
Primary RoleSet up and adjust equipment like lighting, rigs, and dollies to support camera workOperate camera equipment to capture footage as directed
CredentialsOften requires experience in rigging, lighting, and safety certificationsRequires camera-specific training and sometimes a license or certification
Work EnvironmentOn set, handling physical equipment, working closely with lighting and grip departmentsOn set, focusing on camera operation, working closely with the director and cinematographer

While both roles work on film sets, a Grip In Film primarily handles equipment setup and support for lighting and camera rigs, whereas a Camera Operator focuses on capturing footage by operating the camera. Both roles require specialized skills and often collaborate closely to ensure smooth filming.

How to get a job as a grip in film?

To become a grip in film, gain experience by working on student or independent productions, and learn essential skills such as rigging, set safety, and equipment handling. Building a network in the industry and obtaining certifications like OSHA safety training can improve job prospects. Familiarity with tools like C-stands, flags, and lighting equipment is also beneficial.

What is a grip job in filmmaking?

A grip job in filmmaking involves working as a grip, responsible for setting up and maintaining equipment that supports the camera, such as rigs, dollies, and lighting stands. Grips work closely with the camera and electrical departments to ensure safety and smooth operation on set, often requiring knowledge of rigging, safety protocols, and the use of tools like C-stands and clamps.

What cities are hiring for Grip In Film jobs?

Cities with the most Grip In Film job openings:

What states have the most Grip In Film jobs?

States with the most job openings for Grip In Film jobs include:

What are popular job titles related to Grip In Film jobs?

For Grip In Film jobs, the most frequently searched job titles are:

Grip In Film jobs near you

Seasonal Production Coordinator II

Mount Laurel, NJ • On-site

The National Football League
Performing Arts, Spectator Sports and Event Promotion • 1 - 5K employees
Learn more about The National Football Leagueexternal

Full-time

Posted 16 days ago

Job description

The Production Coordinator II oversees the full logistics of assigned onlocation shoots for NFL Films Productions.  This role manages crew movements, equipment rentals, travel, permitting, and vendor communication from preproduction through wrap. The coordinator ensures all operational details are executed accurately and efficiently, serving as a key liaison between internal departments to keep shoots running smoothly and on schedule.

This is a 7-month seasonal position.  Candidates are required to work 5 days week from our offices in Mt. Laurel, NJ.

Responsibilities

  • Oversee all logistics of on location shoots as assigned, from start to finish, specifically crew movements, equipment shipments, and vendor communication
  • Hire camera, audio & support crew for on location filming & ensure the onboarding process is complete prior to filming
  • Coordinate all crew travel, including booking flights, hotels & rental vehicles
  • Research & book local equipment rentals not provided by the NFL Films Camera & Audio departments
  • Research & book locations, oversee permitting & handle all administrative tasks associated with those responsibilities including securing vendor paperwork, releases & processing payment
  • Handle all shoot communication including updating the online shoot schedule, sending shoot emails & creating call sheets
  • Work closely with other departments to ensure budget considerations & crew assignments are communicated quickly & efficiently
  • Administrative tasks may include answering phones, requesting certificates of insurance, reviewing invoices & updating department tracking documents to ensure consistency & accuracy

Required Qualifications

  • Candidate should have 2-3+ years of experience coordinating onlocation shoots in film, television, or live event production, with demonstrated ability to independently manage logistics, travel, vendors, and shoot communication.

Preferred Qualifications

  • Strong working knowledge of TV/film production, including camera, audio, lighting, and grip equipment, as well as a clear understanding of crew roles, responsibilities, and onset workflows.
  • Familiarity with NFL and NFL Films programming, past and present, with the ability to support shoots that require historical context, archival awareness, or football specific operational needs.

Other Key Attributes / Characteristics

  • Possess strong organizational and time management skills and high-level attention to detail
  • Comfortable working in a fast-paced environment and handling multiple projects simultaneously
  • Excellent communication skills

Physical Demands

  • Position involves coordinating productions on location 

Travel

  • Shoot &/or event needs may require the coordinator to travel on location up to 30% of the time

Terms / Expected Hours of Work

  • NFL employees are required to work 40 hours per week. Production demands may include additional hours, nights, and weekends.

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